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Formal and Informal Styles

Special features like these in language are a matter of style. . The word style has several senses: it may refer to a writer's habitual or peculiar way of using language, or the prevalent features of the language of a certain period, or the characteristic aspects of the language of a certain type

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Formal and Informal Styles

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    1. Formal and Informal Styles I. The Meaning of style All types of writing, like stories, legal documents and personal letters, have much in common. (the common core of the English language) There are also differences between different types of writing. (a personal letter, sentences--short and simple, even incomplete; a legal document, most sentences --long, involved, and many special terms difficult for ordinary people to understand.

    2. Special features like these in language are a matter of style. The word style has several senses: it may refer to a writer’s habitual or peculiar way of using language, or the prevalent features of the language of a certain period, or the characteristic aspects of the language of a certain type of writing. It may also mean grace of elegance in writing, as in “He has no style.”

    3. II. Formal and informal styles In this part we shall only discuss one fundamental aspect of style—differences between formal and informal, or literary and colloquial, English. The purpose is to help us acquire an ability to recognize and distinguish between these two styles, so that we can avoid using formal English where informal English is appropriate, or the other way round. (get, receive)

    4. Read the following passage and try to find out what stylistic features it has. Page 283 Future shock—the disease of change—can be prevented. But it will take drastic social, even political action. No matter how individuals try to pace their lives, no matter what psychic crutches we offer them, no matter how we alter education, the society as a whole will still be caught on a runaway treadmill until we capture control of the accelerate thrust itself. The high velocity of change can be traced to many factors. Population growth, urbanization, the shifting proportions of young and old—all play their part. Yet technological advance is clearly a critical mode in the network of causes; indeed, it may be the mode that activates the entire net. One powerful strategy in the battle to prevent mass future shock, therefore, involves the conscious regulation of technological advance. –Alvin Toffler

    5. What stylistic features has it got? --long sentences --parallel constructions --parenthetical remark --several dependent clauses --the passive voice --many “big” words or learned words, words and phrases having abstract meanings, --metaphors

    6. Read the following passage : It was six o’clock when I left the schoolhouse. I had six miles to walk home. It would be after seven when I got home. It took Pa and me both to do the work.Seven cows to milk. Nineteen head of cattle to feed, four mules, twenty-five hogs, fire-wood and stowed to cut, and water to draw from the well. He would be doing it when I got home. He would be mad and wondering what was keeping me! I hurried home. I would run under the dark, leafless trees. I would walk fast uphill. I would run down the hill. The ground was freezing. I had to hurry. I had to run. I reached the long ridge that led to our cow pasture. I ran along this ridge. The wind dried the sweat on my face. I ran across the pasture to the house. --Jesse Stuart

    7. Informal stylistic features a teenage schoolboy hurrying home late in the evening to help his father, a farmer, to do the housework. All thesentences are short and most of them are simple sentences. There are only a few dependent clauses, which are short and simple, too. Sentence fragments are used (“Seven cows to milk…”). All the finite verbs are in the active voice. All the words are familiar everyday words. No “big” words, no abstract words, no difficult phrases. And there are no rhetorical devices like metaphors.

    8. In short, the passage is written in a very informal or colloquial style. This style is appropriate because the passage describes how a farmer’s son walked home and what he thought of on his way. If long and involved sentences and “big” and difficult words were used, the description would be unnatural and unrealistic.

    9. The following are some specific features that distinguish these two types of English.

    10. Informal writing: Contractions are generally used. don’t, mustn’t,he’s, I’ve, etc. “You” is used for indefinite reference. You never know what new measures the President will take. “Who” can be used instead of whom as an object in questions. Who is the secretary talking with?

    11. Informal writing: Contractions are generally used. don’t, mustn’t,he’s, I’ve, etc. “You” is used for indefinite reference. You never know what new measures the President will take. “Who” can be used instead of whom as an object in questions. Who is the secretary talking with?

    12. “That” can often be left out before an object clause, especially after verbs of saying or thinking. She said she would come. “They” is often used as a pronoun referring to everyone, everybody, someone, somebody, anyone, anybody, no one, nobody. Has everyone finished doing their exercises? Informal writing:

    13. Informal writing: When the subject is I or he (she, it), was can be used in the subjunctive mood. I wish he was here with us. Everyday words, mainly words of Anglo-Saxon origin begin deep lucky

    14. Phrasal verbs are colloquial and often used in conversational style. look into come across put up with Shortened words are commonly used in everyday conversation. photo, ad, bike, gym, prep, pop, and vet. Informal writing:

    15. Informal writing: Slang words and expressions are casual and informal. neat, cool, (good, excellent) in hot water (in trouble) make a hit (succeed in doing sth.)

    16. Formal writing: One is often used for indefinite reference in formal English. One never knows what new measures the President will take. “His or her” is used as a pronoun referring to everyone, everybody, someone, somebody, anyone, anybody, no one, nobody. Has everyone finished doing his or her exercises?

    17. When the subject is I or he (she, it), were is used in the subjunctive mood. I wish he were here with us. Participial phrases are generally used in formal style. Having been warned of the impending storm, the captain decided to put off the voyage. Formal writing:

    18. Nominative absolute constructions are generally used in formal style. The weather being fine, a large number of people went to climb the Western Hills. Adjectival and adverbial phrases placed before the subject often make the sentence formal. Eager to finish the work, he continued to do it until midnight. Formal writing:

    19. Parenthetical remarks often make a sentence formal. This village has built, in less than ten years, several small factories that bring in more income than the farm produce every year. He shaved very slowly and carefully, as was his custom, in front of the mirror above the sink. All the people present--Chairman Smith, Professors Brown, James and Williams, and the secretary--supported the motion. Formal writing:

    20. A series of nouns, verbs, or adjectives may make a sentence sound formal. His anger prevented him from doing, saying, and listening to anything. The following types of sentences are often used in formal style. Long sentences; Compound-complex sentences; Sentences with parallel constructions; Balanced sentences; and Periodic sentences Formal writing:

    21. Formal writing: Learned words, mainly words of Greek, French and Latin origins commence profound fortunate

    22. Language is always changing. The above are some of the common differences between formal and informal English. However, they are not absolute or static. If we compare contemporary prose with that of the 19th century, we will find that prose today is generally simpler, easier, and livelier. Colloquialism seems to be the general trend. While we pay attention to the differences between various styles, it is necessary for us to keep watch on new tendencies in prose style.

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