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CREATIVITY

CREATIVITY. NEARLY ALL THE BATTLES WHICH ARE REGARDED AS MASTERPIECES OF THE MILITARY ART, HAVE BEEN BATTLES OF MANO E UVRE IN WHICH VERY OFTEN THE ENEMY HAS FOUND HIMSELF DEFEATED BY SOME NOVEL DEVICE, SOME UNEXPECTED THRUST OR STRATEGY .... WINSTON CHURC H ILL.

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CREATIVITY

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  1. CREATIVITY CREATIVITY

  2. NEARLY ALL THE BATTLES WHICH ARE REGARDEDAS MASTERPIECES OF THE MILITARY ART, HAVE BEEN BATTLES OF MANOEUVRE IN WHICH VERY OFTENTHE ENEMY HAS FOUND HIMSELF DEFEATED BY SOME NOVEL DEVICE, SOME UNEXPECTED THRUSTORSTRATEGY ....WINSTON CHURCHILL CREATIVITY

  3. CREATIVITY • MYTHS • SOME PEOPLE ARE BORN WITH CREATIVITY. • RELATED TO ARTS, SCIENCE, DISCOVERIES, ETC. • FACTS • ALL HAVE EQUAL CREATIVE POTENTIAL. • DO NOT USE. • CANNOT BE DEVELOPED ; ALREADY THERE. • WHAT IS REQUIREDIS TO REMOVE BLOCKS. • IMAGINATION ---------- GREATEST TOOL. • 90 % CREATIVITY ----------LOST BY AGE 7. • BY AGE 40 -------- 2% ONLY . CREATIVITY

  4. JOIN ALL CIRCLES WITH ONLY FOUR LINES WITHOUT LIFTING YOUR PEN CREATIVITY

  5. CREATIVITY

  6. IDEAS IDEAS IDEAS IDEAS WHAT IS CREATIVE ? CREATIVENESS REQUIRES NEW & BENEFICIAL PUT INTO ACTION CREATIVITYISTHEABILITY TO GENERATE NEW OR NOVEL IDEAS. CREATIVITY

  7. CREATIVITY EMPLOYMENT OF A PLAYFULLY EXPLORATORYPROCESS OF PROBLEM SOLVINGWITH AN OPEN,CURIOUS AND IMAGINATIVE FRAME OF MIND TO FIND SOLUTIONSTHAT ARE NOVEL, YET USEFUL. ....DR PRADIP NKHANDWALA CREATIVITY

  8. CONVERGENT THINKING DIVERGENT THINKING IQ 1 , 3 , 5 CREATIVITY 2 , 4 , 6 CREATIVITY & INTELLIGENCE 1. FIND THE WORD THAT DOES NOT FIT :- MBAOBY DNOONL COWSOM ATR 2. GUESS THE WORD GIVEN THESE FOUR CLUES :- LAW CHAIR BANGLE SWORD 3. WRITE A3 LETTER WORD MEANINGSAME :- PROHIBIT ( ) DRINKING PLACE. • COMPLETE FOLLOWING SENTENCEHUMOUROUSLY • ‘ON A MOONLIT NIGHT ,WHILE STROLLING INA GARDEN...’ 5. FIND THE MISSING NO . 2 3 0 8 4 10 5 -4 3 5 2 2 3 14 3 ? 6. GIVE STRIKING ALTERNATE TITLES TO WW II. CREATIVITY

  9. MENTAL ABILITIES • ABSORPTIVE- ABILITY TO OBSERVE & APPLY ATTENTION. • RETENTIVE -ABILITY TO MEMORISE &RECALL. • 3. REASONING - ABILITY TO ANALYSE & JUDGE. • 4. CREATIVE - ABILITY TO VISUALISE, FORESEE & GENERATENEW IDEAS. CREATIVITY

  10. TWO SORTS OF THINKING ANALYTICALCREATIVE IMAGINATON MANYPOSSIBLEANSWERS/ IDEAS DIVERGENT LATERAL LOGIC UNIQUE (FEW)ANSWERS CONVERGENT VERTICAL CREATIVITY

  11. LEFTRIGHT HEMISPHEREHEMISPHERE ANALYTICAL INTUITIVE FUNCTIONS, FUNCTIONS, SPEECH, PRODUCE & LANGUAGE APPRECIATE COMPREHENSION MUSIC & ART, LOGICAL & RATIONAL CORPUSSPACIAL FUNCTIONS CALLOSUMSKILLS SEQUENTIAL SIMULTANEOUS (DETAILS, ( GLOBAL FEATURES) PATTERNS) L R BILATERAL BRAIN THEORY CREATIVITY

  12. CONVERGENT THINKING DIVERGENT THINKING CREATIVITY CREATIVITY ? LEFT BRAIN SPECIALISES IN VERBAL &NUMERICAL INFO PRECISE, OBJECTIVE & LOGICAL JUDGEMENTAL & ANALYTICAL PROCESSES INFO SEQUENTIALLY, IN LINER FASHION RIGHT BRAIN SPECIALISESIN NON- VERBAL ASPECTS– IMAGES HOLISTIC, SUBJECTIVE CREATES METAPHORS, ANALOGIES INTUITIVE& EXPTL, PROCESSESINFO SIMULTANEOUSLY CREATIVITY

  13. BRAIN DOMINANCE INVENTORY CREATIVITY

  14. 3. PROBLEM RESTRUCTURING IDEATIONAL : RATE OFIDEAS 4. FLUENCY ASSOCIATIONAL (SPEED) EXPRESSIONAL SPONTANEOUS ADAPTIVE • FLEXIBILITY • (CHANGE OF FOCUS) CREATIVE ABILITIES 1. SENSITIVITY 2. GUESSING 6. ORIGINALITY 7. ELABORATION : THINK STEP BY STEP 8. NON CONVERGENT THINKING CREATIVITY

  15. THIRSTY CREATIVITY

  16. AH ! WATER !! CAN’T REACH PROBLEM RESTRUCTURING STONES CREATIVITY

  17. PROBLEM RESTRUCTURING CREATIVITY

  18. 3. PROBLEM RESTRUCTURING IDEATIONAL : RATE OFIDEAS 4. FLUENCY ASSOCIATIONAL (SPEED) EXPRESSIONAL SPONTANEOUS ADAPTIVE • FLEXIBILITY • (CHANGE OF FOCUS) 6. ORIGINALITY CREATIVE ABILITIES 1. SENSITIVITY 2. GUESSING 7. ELABORATION : THINK STEP BY STEP 8. NON CONVERGENT THINKING CREATIVITY

  19. 3. PROBLEM RESTRUCTURING IDEATIONAL : RATE OFIDEAS 4. FLUENCY ASSOCIATIONAL (SPEED) EXPRESSIONAL SPONTANEOUS : CAT OF RESPONSES ADAPTIVE : DIFFERENT SOLN TO SAME PROBLEM • FLEXIBILITY • (CHANGE OF • FOCUS) 6. ORIGINALITY CREATIVE ABILITIES 1. SENSITIVITY 2. GUESSING 7. ELABORATION : THINK STEP BY STEP 8. NON CONVERGENT THINKING CREATIVITY

  20. 1 2 4 3 5 8 6 9 7 10 CREATIVITY

  21. 2 1 4 3 5 8 6 9 7 10 CREATIVITY

  22. 1 2 4 3 5 8 6 9 7 10 CREATIVITY

  23. CREATIVITY

  24. THECREATIVE PROCESS 1. IRRITATION 2. PREPARATION 3. INCUBATION 4. ILLUMINATION 5. VERIFICATION CREATIVITY

  25. TYPES OF BLOCKS 1. PERCEPTUAL BLOCKS 2. EMOTIONAL BLOCKS 3. CULTURAL BLOCKS 4. OTHER BLOCKS CREATIVITY

  26. PERCEPTUAL BLOCKS CAUSED BY – MIND’S TENDENCY TO JUMP TO CONCLUSION – BASED ON ONE’S OWN PERCEPTIONS. CREATIVITY

  27. PERCEPTUAL BLOCKS • STEREOTYPING • TUNNEL VISION • FIXATION • INEFFECTIVE USE OF • SENSES • DIFFICULTY IN • ISOLATING PROBLEM CREATIVITY

  28. TYPES OF BLOCKS 1. PERCEPTUAL BLOCKS 2. EMOTIONAL BLOCKS CREATIVITY

  29. EMOTIONAL BLOCKS CAUSED BY ANGER ENVY FEAR HATE GREED LOVE LUST HEALTH HABITS PRESSURE WORRY TRANSIENT OR PERMANENT INSECURITY WORKHOLISM CREATIVITY

  30. EMOTIONAL BLOCKS • OBSESSIVE DESIREFOR SECURITY AND ORDER • FEAR OF SUPERIORS/ SUBORDINATES • FEAR OF MAKINGMISTAKES • LACK OF PATIENCE • NEGATIVE ATTITUDE • LACK OF MOTIVATION CREATIVITY

  31. TYPES OF BLOCKS 1. PERCEPTUAL BLOCKS 2. EMOTIONAL BLOCKS 3. CULTURAL BLOCKS CREATIVITY

  32. CULTURAL BLOCKS CAUSED BY EFFECTS OF SOCIETY, GROUP, WORK CULTURE, FAMILY ENVIRONMENT CREATIVITY

  33. CULTURAL BLOCKS • LOGIC BETTER THAN INTUITION • TRADITION BETTERTHANCHANGE • RELUCTANCE TO IMPLEMENTNEW IDEAS • TABOOS • LACKOF GROUP SPIRIT CREATIVITY

  34. TYPES OF BLOCKS 1. PERCEPTUAL BLOCKS 2. EMOTIONAL BLOCKS 3. CULTURAL BLOCKS 4. OTHER BLOCKS CREATIVITY

  35. COMMON BLOCKS • 1. ALLERGY TO AMBIGUITY • 2. CONFORMITY • 3. FEAR OF FAILURE • 4. TOUCHINESS • RESOURCE MYOPIA • RIGIDITY • 7. STARVED SENSIBILITIES CREATIVITY

  36. MENTAL BLOCKS TOCREATIVITY YOUR TEMPERAMENT CREATIVITY

  37. TECHNIQUES TO ENHANCE CREATIVITY 1. BRAIN STORMING 2. NOMINAL GROUP TECHNIQUE (NGT) 3. SYNECTICS 4. FORCED RELATIONSHIPS 5. ANALOGIES 6. MORPHOLOGICAL ANALYSIS 7. ATTRIBUTE LISTING 8. CHECK LIST TECHNIQUE CREATIVITY

  38. BRAIN STORMING DEFINITION TO PRACTICE A CONFERENCE TECHNIQUE BY WHICH A GROUP ATTEMPTS TO FIND A SOLUTION FOR A SPECIFIC PROBLEM BY AMASSING ALL THE IDEAS SPONTANEOUSLY DISTRIBUTED BY ITS MEMBERS CREATIVITY

  39. GROUND RULES OF BRAINSTORMING 1. JUDICIAL THINKING MUST BE WITH HELD 2. “FREE WHEELING” IS WELCOME 3. QUANTITY IS WANTED (QUANTITY BREEDS QUALITY) 4. COMBINATION AND IMPROVEMENT ARE SOUGHT CREATIVITY

  40. OTHER RULES OF BRAINSTORMING 1. NOT TOO MANY EXPERTS 2. GP SIZE 6 TO 10 3. IN CERTAIN PROBLEMS – GENDER MIX 4. MORNING TIME MOST EFFECTIVE 5. AVERAGE TIME 1.25 TO2 HOURS 6. PROBLEM – QUITE SPECIFIC & LIMITED IN RANGE CREATIVITY

  41. BRAIN STORMING STRENGTHS & WEAKNESSES • STRENGTHS • 1. EASY TO LEARN • 2. APPLICABLE TO MANY ORG PROBLEMS • DEVELOPMENT OF BETTER INTER PERSONAL RELATIONS WEAKNESSES 1. INAPPROPRIATE PROBLEMS & PROBLEM FORMULATION 2. OVER-AMBITIOUS EXPECTATIONS 3. DIFFICULTY OF OVERCOMING PERSONAL INHIBITIONS CREATIVITY

  42. BRAIN STORMING COMMON ERRORS 1. EVALUATION 2. LEAVING OUT OF IDEAS BY NOTE TAKER 3. WANDERING AWAY FROM THE PROBLEM 4. INCORRECT DEFINITION OF THE PROBLEM 5. DOMINATION BY THE CHAIRMAN 6. NOT LISTENING TO OTHERS’ IDEAS CREATIVITY

  43. TECHNIQUES TO ENHANCE CREATIVITY 1. BRAIN STORMING 2. NOMINAL GROUP TECHNIQUE (NGT) CREATIVITY

  44. NOMINAL GROUP TECHNIQUE (NGT) 1. SILENT IDEA GENERATION IN WRITING 2. CIRCULATION OF IDEAS AMONGST PARTICIPANTS 3. SERIAL DISCUSSION OF IDEAS 4. SELECTION BY VOTING CREATIVITY

  45. TECHNIQUES TO ENHANCE CREATIVITY 1. BRAIN STORMING 2. NOMINAL GROUP TECHNIQUE (NGT) 3. SYNECTICS CREATIVITY

  46. SYNECTICS • GOAL WISHING • EXCURSION • FORCE -FITTING • EVALUATION CREATIVITY

  47. TECHNIQUES TO ENHANCE CREATIVITY 1. BRAIN STORMING 2. NOMINAL GROUP TECHNIQUE (NGT) 3. SYNECTICS 4. FORCED RELATIONSHIPS CREATIVITY

  48. AIR INDIA NILGIRI, YOU ARE MY OF TEA CREATIVITY

  49. TECHNIQUES TO ENHANCE CREATIVITY 1. BRAIN STORMING 2. NOMINAL GROUP TECHNIQUE (NGT) 3. SYNECTICS 4. FORCED RELATIONSHIPS • ANALOGIES • DIRECT • PERSONAL • FANTASY • SYMBOLIC CREATIVITY

  50. TECHNIQUES TO ENHANCE CREATIVITY 1. BRAIN STORMING 2. NOMINAL GROUP TECHNIQUE (NGT) 3. SYNECTICS 4. FORCED RELATIONSHIPS 5. ANALOGIES 6. MORPHOLOGICAL ANALYSIS CREATIVITY

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