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Chapter 4

Chapter 4. Section 1. Quote. “As a species, we love to play with rhythm. We deal with it every second of our lives, right to the end.” - Mickey Hart

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Chapter 4

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  1. Chapter 4 Section 1

  2. Quote • “As a species, we love to play with rhythm. We deal with it every second of our lives, right to the end.” - Mickey Hart Percussionist (b.1943)

  3. Time in Music • Beat- steady recurring pulse • Rhythm- the way music paces itself and moves through time. • Accent- emphasis placed on a musical sound • Meter- aural aspect of music in which a certain number of beats are grouped together • This either refers to either two(duple) or three (triple) beats. • Usually the first beat is accented. This helps to establish the meter.

  4. Time in Music • When we group these beats together in groupings, they are called measures. • Measure- the division of beats into defined groups separated by a bar line. • Listen to “Melodies of Love” and determine what is the meter. Listen for accent. • CD 3 #12 • Watch a dancing with the Stars video using these times and beats.

  5. Coordination in Music • Have you ever tried rubbing your stomach with one hand while patting your head with the other? • This is called coordination and musicians use this all the time. • Pianists for example may play one complex rhythm with one hand the something simple in the other. • A drummer playing a trap set often uses both hands and both feet to perform four different rhythms.

  6. Coordination in listening • Listen to “I heard it through the grapevine” • CD 2 #4 • Try to use your right foot and play Whole note. • Then with left hand snap quarter notes. • Then with right hand, pat eighth notes.

  7. Chapter 4 Section 2

  8. Metrical Patterns and Melodic Rhythms • Throughout the ages, mathematicians have sought out patterns of numbers. • This is because we humans are drawn to patterns and find their regularity or repetition comforting. • The same is true for musicians and the music they create or play.

  9. Mixing Meters • Composers sometimes mix meters to create an interesting rhythmic organization in their music. • Sometimes two music categories merge. • You can see this in the recordings of Russian classical composer Nicolai Rimsky-Korsakov. • Many of his pieces, which employ mixed meters, draw on the traditional music of his Eastern European homeland.

  10. Recording • As you listen to “Procession of the Nobles,” clap on the accented beat and snap your fingers on the others. • CD 3 #13 “Procession of the Nobles” • Listen again to determine the order of meters in this music. • Which of the following correctly reflects the order? • A. duple/triple/duple C. triple/triple/duple • B. triple/duple/triple D. duple/duple/triple

  11. Nicolai Rimsky-Korsakov

  12. Melodic Rhythm • Sometimes, the rhythm pattern of a compositions melody is so distinctive that you can “hear” the melody just by clapping it. • Let’s try to clap “Happy Birthday.” • Do not sing the song, just clap. • Notice that you can sense the melody without the additional element of pitch.

  13. Melodic Rhythm • Ludwig van Beethoven used a simple melodic rhythm for the opening section of the Second Movement of his Symphony No. 7 • Practice tapping the rhythm pattern in the opening section (Section A.) • CD 3 # 14

  14. Ludwig van Beethoven • He was one the world’s greatest composers. • Born in Bonn, Germany • 1770-1827 • Despite his families poverty, his father began teaching him music at age four. • His compositions are generally divided into 3 distinct style periods. • First, the early period composed when he first started realizing his loss of hearing. • Second, the middle period where he wrote the famous Fifth Symphony. • Third, when he was totally deaf. • He finished the Ninth Symphony and when the first concert was over, one of the performers had to tug on his sleeve to let him know that it was over.

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