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I 6 and V 6

Learn about harmonization and voice leading using scale degrees and different chord progressions, including common mistakes and alternatives. Explore the functions and doubling of chords in various contexts.

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I 6 and V 6

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  1. I6 and V6

  2. BrainTeasers 1. Spell Incomplete V7 using scale degrees (bass first). 2. Spell Complete V7 using scale degrees (bass first). 3. With normal voice leading from complete V7-I, what doubling in I results? 4. What is the usual alternative to the normal voice-leading, in contexts where a complete I is desired? 5. Which scale degree is never doubled in dominant-function chords such as V, V7, V6, etc. 6. Which doubling is incorrect? ^1^1^1^3 ^1^1^3^3 ^1^3^3^5 ^1^1^1^5 ^1^3^5^5

  3. 7. Using only I V and V7 what’s the best harmonization of ^1-^2-^3 ? 8. What is the only scale degree that we cannot harmonize given the chords in our vocabulary (I, I6, V, V7, V6)? 9. Using “our chords” harmonize ^3-^4-^5 10. When using V, V7, or V6 in minor always ___________.

  4. 1. I V8-7 I I V I I V7 2. pt pt I I V8-7 VI V6 I I6 Susp. V7

  5. I6 I. Basics Notes/Bass Tone/Supports/Doubling/Voice-leading II. Functions A. Expands Tonic, usually via I-I6 B. Substitues for Tonic in V(7)-I (rare)

  6. 1. Original Root Position Harmonization 2.

  7. I6 I. Basics Notes/Bass Tone/Supports/Doubling/Voice-leading II. Functions A. Expands Tonic, usually via I-I6 B. Substitues for Tonic in V(7)-I (rare) C. Intermediate Chord in arpeggiation progression I-I6-V D. Begins cadential progression I6-V6-I

  8. 3. ( )

  9. V6 I. Basics Notes/Bass Tone/Supports/Doubling/Voice-leading II. Functions: Nearly always leads to I!. Why? A. Expands or prolongs dominant “family” B. Substitutes for V(7) at Cadences (V6-I) C. Prolongs Tonic Harmony via I-V6-I (NN motion) D. Dominant chord cadential progression I6-V6-I (IN)

  10. 1. Original “Root Position Harmonization 4. 5.

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