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The Disappearing Session or The Paradox of High Fidelity

The Disappearing Session or The Paradox of High Fidelity. Associate professor Tore Simonsen Norwegian Academy of Music , Oslo. A picture of a session A representation of the score. Edward Elgar : Carissima Recorded 1914.

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The Disappearing Session or The Paradox of High Fidelity

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  1. The DisappearingSession or The Paradox ofHighFidelity Associate professor Tore Simonsen NorwegianAcademyofMusic, Oslo

  2. A pictureof a session A representationofthe score Edward Elgar: Carissima Recorded 1914

  3. Francis F. Clough & G. J. Cuming: The world'sencyclopaediaofrecordedmusic

  4. Claude Graveley Arnold:The OrchestraonRecord 1896 – 1926

  5. Edward Elgar: Carissima Recorded 1929

  6. ManipulationofbalanceElectricalrecording • Manipulationof time Tape recording • ManipulationofsimultainetyMultitrackrecording

  7. The paradoxofHighFidelity: • The picture (ofthesession) wasseemingly more and more transparent • But in realitythepicturebecame more and more opaque • Like thetransition from a photo to a painting?

  8. A pictureof a session A representationofthe score A studio construction

  9. A studio construction Electronic music Theodore Grazyck: Rock Music Lee Brown: WorkofPhonography

  10. From theNaxosbooklet: Edward Elgar: Carissima Recorded 2004

  11. The consequensesof taking WP seriously WPsaresomethingelsethan live music WP’soriginsare in principle not accessible to us WPs have nohistorywhenlistening All phonogramsareWPs

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