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Art in New York

Art in New York. Feminist Art. Guerrilla Girls, 1970. Guerrilla Girls, 1970. Guerrilla Girls, 1970. Judy Chicago, The Dinner Party , 1973-79, mixed-media installation, 48‘ X 48‘ X 48‘. Judy Chicago, The Dinner Party , 1973-79, mixed-media installation, detail, 48‘ X 48‘ X 48‘.

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Art in New York

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  1. Art in New York Feminist Art

  2. Guerrilla Girls, 1970.

  3. Guerrilla Girls, 1970.

  4. Guerrilla Girls, 1970.

  5. Judy Chicago, The Dinner Party, 1973-79, mixed-media installation, 48‘ X 48‘ X 48‘.

  6. Judy Chicago, The Dinner Party, 1973-79, mixed-media installation, detail, 48‘ X 48‘ X 48‘.

  7. Judy Chicago, The Dinner Party, 1973-79, mixed-media installation, detail, 48‘ X 48‘ X 48‘.

  8. Judy Chicago, The Dinner Party, 1973-79, mixed-media installation, detail, 48‘ X 48‘ X 48‘.

  9. Lynda Benglis, Artforum project, 1974, photograph.

  10. Lynda Benglis, Exhibition announcement, Paula Cooper Gallery.

  11. Robert Morris, Invitation, Sonnabend, New York, 1974.

  12. Faith Waiting, Waiting, 1972, A 15-minute monolog, scripted and performed by Faith Wilding in the Performance program at Womanhouse, "Waiting" condenses a woman's entire life into a monotonous, repetitive cycle of waiting for life to begin while she is serving and maintaining the lives of others.

  13. Carolee Schneemann, Interior Scroll, 1975. Performance photograph.

  14. Carolee Schneemann, Eye Body, 1963.

  15. Shigeko Kubota, Vagina Painting, 1965.

  16. Valie Export, Action Pants: Genital Panic, Augusta-Lichtspiele, Munich, 1969.

  17. Valie Export, Tap and Touch Cinema, 1968, Vienna and Munich.

  18. VALIE EXPORT walks Peter Weibel on a leash in the performance Aus der Mappe der Hundigkeit (From the Portfolio of Doggishness), Vienna, 1968.

  19. Adrian Piper, Catalysis III, 1976.

  20. Eleanor Antin, Carving, A Traditional Sculpture, 1972, 148 black and white photos document 37 days (four photos per day) of the artist's weight loss.

  21. Mendieta, Untitled (from the Silueta series), 1976.

  22. Ana Mendieta, Untitled (Silueta Series, Iowa), 1977.

  23. Ana Mendieta, Untitled (from the Silueta series), 1978, photograph.

  24. Ana Mendieta, Untitled #259, from the Silhouette Series, 1976.

  25. Ana Mendieta, Fire Earthwork, 1975.

  26. Ana Mendieta, Untitled #401, From the Silhouette Series, 1777.

  27. Ana Mendieta, Untitled (Cosmetic Facial Variations), A and B, 1972.

  28. Ana Mendieta, Untitled (Cosmetic Facial Variations), C and D, 1972.

  29. Diamela Eltit, from Zone of Pain Series, 1980.

  30. Diamela Eltit, from Zone of Pain Series, 1980.

  31. Tania Bruguera, The Burden of Guilt, 1997-99, decapitated lamb, rope, water, salt, cuban soil.

  32. Tania Bruguera, Embodying as Niksi Nkonde icon, 1998-99.

  33. Tania Bruguera, Embodying as Niksi Nkonde icon, 1998-99.

  34. Hannah Wilke, Chewing Gum, 1975, collage.

  35. Hannah Wilke, Chewing Gum, 1975.

  36. Hannah Wilke, S.O.S. Starification Object. Series, 1974.

  37. Hannah Wilke, S.O.S. Starification Object Series, 1974.

  38. Hannah Wilke topless with her photographic self-portraits with chewing gum stuck to her body at the Ron Feldman gallery. 1975.

  39. Hannah Wilke, Intra-Venus, January 30, 1992.

  40. Hannah Wilke, Intra-Venus, August 18, 1992.

  41. Hannah Wilke, In Memory of My Feelings, 1963.

  42. Martha Rosler, Cargo Cult (Beauty Knows No Pain, or Body Beautiful), 1965-74.

  43. Martha Rosler, Playboy Nudes (Beauty Knows No Pain, or Body Beautiful), 1965-74, collage, detail.

  44. Martha Rosler, Damp Meat (Beauty Knows No Pain, or Body Beautiful), 1965-74.

  45. Martha Rosler, Cold Meat (Beauty Knows No Pain, or Body Beautiful), 1965-74.

  46. Marta Rosler, Untitled / Kitchen 1 (Beauty Knows No Pain, or Body Beautiful), 1965-74.

  47. Martha Rosler, A Special Place (Beauty Knows No Pain, or Body Beautiful), 1965-74.

  48. Martha Rosler, Bringing the War Home, House Beautiful,1967-72.

  49. Martha Rosler, Bringing the War Home, House Beautiful,1967-72.

  50. Martha Rosler, Bringing the War Home, House Beautiful, 1967-72.

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