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Prof. Dr. Adrian von Buttlar

Prof. Dr. Adrian von Buttlar Der Landschaftsgarten – Ein Laboratorium der Künste 5. Der Betrachter ist im Bild SoSe 2013. Stourhead / Wiltshire

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Prof. Dr. Adrian von Buttlar

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  1. Prof. Dr. Adrian von Buttlar • Der Landschaftsgarten – Ein Laboratorium der Künste • 5. Der Betrachter ist im Bild • SoSe 2013

  2. Stourhead / Wiltshire Bildregie: Bilderfolge/Sichtachsen , Betrachterstandpunkte, beltwalk Aus: Hirschfeld (1779/85) Villa Stourhead Floratempel Grotte Pantheon Englisches Dorf Apollotempel Stourhead: Plan mit eingezeichneten Sichtachsen von Frederik Magnus Piper (um 1773): Circuit

  3. Stourhead / Wiltshire (1725-ca. 1775) Henry Hoare I, II Das dreidimensionale Gartenbild kann die Ideallandschaft variieren Stourhead (ca. 1720-1755), Hauptvedute mit Pantheon von Henry Flitcroft Claude Lorrain (1600-1682) : Aeneas auf Delos (1672, London Nat. Gallery)

  4. Alexander Pope: „Epistle to Burlington“ (On Taste), 1731 To build, to plant, whatever you intend, To rear the column, or arch to bend, To swell the terrace, or to sink the grot; In all, let Nature never be forgot. But treat the goddess like a modest fair, Not over-dress, not leave her wholly bare; Let not each beauty every where be spied, Where half the skill is decently to hide. He gains all points, who pleasingly confounds, Surprises, varies, and conceals the bounds. Consult the genius of the place in all, That tells the waters or to rise, or fall, Or helps the ambitious hill the heavens to scale, Or scoops in circling theatres the vale; Calls in the country, catches opening glades, Joins willing woods, and varies shades from      Shades, Now breaks, or now directs, the intending lines; Paints as you plant, and as you work, designs. Still follow sense, of every art the soul, Parts answering parts shall slide into a whole, Spontaneous beauties all around advance, Start, ev’n from difficulty, strike from chance; Nature shall join you; Time shall make it grow A work to wonder at – perhaps a Stowe. Without it, proud Versailles! Thy glory falls.. The vast Parterre a thousand hands shall make, Lo, Cobham comes and floats them with A lake… James Thomson: „Liberty“ (1736) …Detested forms! That on the mind impressed Corrupt, confound, and barbarize an age… …sylvan scenes, where Art alone pretends To dress her mistress [NATURE] and disclose her Charms; Such as a Pope in miniature has shown, A Bathurst over widening forests spreads And such as form a Richmond, Chiswick, Stowe…“

  5. Der „klassische“ Landschaftsgarten Normierung der Naturformen in einer „Gartengrammatik“ (Professionalisierung der Landschaftsarchitektur) Lancelot [„Capability“] Brown (1716-1783) Brown (1716-1783), Portrait von Richard Cosway Parkplan für Lowther / Westmoreland (um 1763) „Improvement“, Clumps und Solitäre wie Punkt, Komma und Semikolon, Räume wie Gedankenstriche... BELT, BELTWALK / DRIVE, CLUMPS, WOODS, LAWN, UNDULATING GROUND, SERPENTINE Werkliste bei Dorothy Stroud: Capability Brown (London 1975³) = 211 Aufträge nachgewiesen. Ein Auftrag aus Irland abgelehnt, weil er England noch nicht „vollendet“ habe

  6. Hogarth: Line of Beauty (1753) William Hogarth „Analysis of Beauty“ (1753) Die „Schönheitslinie“, aus der deutschen Ausgabe (1754) ... „... bei der man keinen Punkt angeben kann, bei dem sich ihre Richtung ändert“ Friedrich von Schiller, in: „Kallias oder das Schöne“

  7. Edmund Burke (1729-1797): Sensualistische Ästhetik Natur wird Kunst – Die Geschichte der Gärten (33) 2 passions/Instinkte smallness, smoothness, delicacy, etc. vastness, infinity, magnificence, etc Das Schöne Das Erhabene self-propagation self-preservation "To make psychological observations, as Burke did in his treatise on the beautiful and the sublime, thus to assemble material for the systematic connection of empirical rules in the future without aiming to understand them, is probably the sole true duty of empirical psychology, which can hardly even aspire to rank as a philosophical science." - Immanuel Kant, First Introduction to the Critique of Judgment, X Sensations Von Joshua Reynolds (um 1767) Gestaltmerkmale “A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful” (London 1757) “Untersuchung über den Ursprung unserer Begriffe vom Schönen und Erhabenen” (Riga 1773) • - Gefühlsästhetik, - jenseits des Bildungswissens, - Demokratisierung des Publikums , - Vorstufe zur Romantik Wahrnehmung „Reflections on the Revolution in France“ (1790)

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