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Adobe Premiere Pro

Adobe Premiere Pro . Introduction to Adobe Premiere Pro . Adobe Premiere Pro is a timeline-based video editing software application .

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Adobe Premiere Pro

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  1. Adobe Premiere Pro

  2. Introduction to Adobe Premiere Pro • Adobe Premiere Pro is a timeline-based video editing software application. • How Does Premiere Work?Like most editing software, Premiere works by importing video from a source such as a video tape onto your hard drive, then allowing you to create new edited versions which you can export back to tape, disc or other medium.

  3. How Good Is Premiere? • Premiere is a powerful editing tool, capable of producing broadcast-quality and high-definition video. It is a very popular package amongst video enthusiasts and professionals, although other packages are usually preferred for the very top level of television production. • Premiere has a nice clean interface which is relatively easy to use for people of all skill levels.

  4. What Can Premiere Do? • Import video, audio and graphics in a wide variety of formats. • Edit, manipulate and arrange these elements in a visual timeline. • Add effects, filters, titles, etc. • Export your edited video in a variety of formats, including video tape recordings, DV, DVD, and common Internet video formats.

  5. How it store information • For every project Premiere Pro creates a project file. Premiere Pro doesn’t store video, audio, or still image files in the project file—it stores only a reference to each of these files, a clip, which is based on the filename and location of the file at the time you imported it. If you later move, rename, or delete a source file, Premiere Pro can’t find it automatically the next time you open the project. In this case, Premiere Pro displays the Where Is the File dialog box.

  6. How it store information • To move a project to another computer where you want to continue editing, you must move copies of all the assets for the project to the second computer, as well as the project file. The assets should retain their file names and folder locations so that Premiere Pro can find them and re link them to their clips in the project automatically. • Make certain, also that the same codecs you used for the project on the first computer are also installed on the second computer.

  7. How to bring Footage into project • To bring footage into a Premiere Pro project, you can capture it, or digitize it, depending on the type of source material: • CaptureYou capture digital video from a live camera or from tape: you record it from the source to the hard disk. You capture the video from tape to the hard disk before using it in a project. Premiere Pro saves captured footage to disk as files, and imports the files into projects as clips.

  8. How to bring Footage into project • DigitizeYou digitize analog video from a live analog camera source .You digitize the analog video, convert it to digital form, so your computer can store and process it. Premiere Pro saves digitized footage to disk as files, and imports the files into projects as clips. 

  9. Supported devices and file formats • In addition to capturing footage, you can import image, video, and audio files. You can add files from the following: folders on your computer, accessory hard drives, card readers, mobile phones, DVDs, blu-ray discs, CDs, digital cameras, other devices, or the Internet. Adobe Premiere Elements 10.0 supports DV, HDV, WDM (Windows only), and AVCHD formatted video. • Files that you add to a project are visible in the Media view and are automatically added to the Elements Organizer. Added files can retain a link to the Adobe application in which they were created, if you select Embed Project Link when saving the file in the original application. This link allows you to open the file's original application from within Adobe Premiere Elements, edit, and immediately see the results.

  10. Supported video formats • Adobe Flash® (.swf) • AVI Movie (.avi) • AVCHD (.m2ts,.mts,.m2t) • DV Stream (.dv) • MPEG Movie mpeg,.vob,.mod,.ac3,.mpe,.mpg,.mpd,.m2v,.mpa,.mp 2,.m2a,.mpv,.m2p,.m2t,.m1v,.mp4,.m4v,.m4a,.aac, • 3gp,.avc,.264) • QuickTime Movie (.mov,.3gp,.3g2,.mp4,.m4a,.m4v) • TOD (.tod) • Windows Media (.wmv,.asf) - Windows only

  11. Supported still-image formats • Adobe Photoshop® (.psd) • Adobe Premiere Elements title (.prtl) • Bitmap (.bmp,.dib,.rle) • CompuServe GIF® (.gif) • Fireworks (.wbm) • JPEG® (.jpg,.jpe,.jpeg,.jfif) • Portable Network Graphic (.png) • RAW (.raw,.raf,.crw,.cr2,.mrw,.nef,.orf,.dng)

  12. Supported audio formats • Advanced Audio Coding (.aac) • Dolby® AC‑3 (.ac3) • Macintosh® Audio AIFF (.aif,.aiff) • MP3® Audio (.mp3) • MPEG® Audio (.mpeg,.mpg,.mpa,.mpe,.m2a) • QuickTime (.mov,.m4a) • Windows Media (.wma) - Windows only • Windows WAVE (.wav)

  13. Safe areas on a PAL screen. Red: Invisible areaYellow: Action safe areaGreen: Title safe area

  14. Action safe area • Depending on how a television set is adjusted, viewers can see a larger area than the title safe area. The action safe area is a larger rectangle, consisting of the green title safe area and a rectangle around it shown in yellow Most television stations and networks will place information within this area. This area can be considered the "margin" of the television screen in that picture elements are generally kept out of this area to create a buffer around the edge of the screen so elements don't pile up against the edge of the screen. If the station uses a permanent digital on-screen graphic, it is placed just near the corner of the yellow area. • However, the yellow area might be used if the television station wants the information to block against the edge of the screen. For example, many stations place tickers that run horizontally in some of the yellow area. • Action safe area is applied against a worst case of on-screen location and display type.

  15. Safe area • Safe area is a term used in television production to describe the areas of the television picture that can be seen on televisionscreens. • The use of safe areas in television production ensures that the most important parts of the picture are seen by the majority of viewers. • Video Area (100% width, 100% height) • Safe Action Area (93% width, 93% height) • Safe Title Area (90% width, 90% height)

  16. Title safe area • The title safe area is, in television broadcasting, a rectangular area which is far enough a. in from the four edges, such that text or graphics show neatly: with a margin and without distortion. This is applied against a worst case of on-screen location and display type. Typically corners would require more space from the edges, but due to increased quality of the average display this is no longer the concern it used to be, even on CRTs. • If the editor of the content does not take care to ensure that all titles are inside the title safe area, some titles in the content could have their edges chopped off when viewed in some screens.

  17. Timecode Video Format • In video production and filmmaking, timecode is used extensively for synchronization, and for logging and identifying material in recorded media. During filmmaking or video production shoot, the camera assistant will typically log the start and end timecodes of shots, and the data generated will be sent on to the editorial department for use in referencing those shots. This shot-logging process was traditionally done by hand using pen and paper, but is now typically done using shot-logging software running on a laptop computer that is connected to the time code generator or the camera itself.

  18. Video Formats • PAL and NTSC are to formats of video used in the UK and the USA. First time I ever saw PAL/NTSC was on my old SNES console when I tried to connect it to the TV. PAL is used in the UK and NTSC in the US. They are different frame rates and resolutions.

  19. Sequences • A project may contain multiple sequences, and the sequences within a project may differ from one another in their settings. Within a single project, you can edit individual segments as separate sequences, and then combine the segments into a finished program by nesting them into a longer sequence. Similarly, you can store multiple variations of a sequence, as separate sequences, in the same project.

  20. Premiere Pro Workspace: Overview • The screenshot below shows the default workspace. This workspace can be customized in many ways — you can rearrange the panels and use specialist panels for different tasks (audio mixing, titles, etc). For now we will stick to the default workspace.

  21. Workspace

  22. The default panels • The Tools Panel is where you can select various editing tools to use in the timeline. • The Project Panel is where you store all the elements which make up your edited video (video clips, audio clips, graphics, titles, etc).By default, every project includes a single Project panel. This acts as a storage area for all clips used in the project. You can organize a project’s media and sequences using bins in the Project panel. • The Source Monitor is where you can preview clips, make simple adjustments and add them to the timeline. • The Program Monitor shows the edited video from the timeline.

  23. The default panels • The Media Browser allows you to browse, preview and import clips from your hard drives and network. • The Timeline Panel is where you arrange the elements of your video in the desired order. The timeline panel is where your video takes shape. By dragging items from the project panel or source monitor and placing them in the desired order, you create a sequence of clips and events which play in the timeline from left to right.With items in the timeline, you can: • Adjust edit points, making clips shorter or longer, or stretch them over time. • Create multiple layers of video, e.g. titles, superimposed images, etc. • Create multiple layers of audio, e.g. voiceovers, music, etc. • Add transitions, filters, special effects, etc. • You can also create "nested" sequences to help keep the timeline manageable. • When you have finished editing the timeline, you can play it back in real time or export it in a variety of formats. • The Audio Meters display the volume level from the timeline. 

  24. Timeline Panel

  25. The Current Time Indicator • The Current Time Indicator (CTI) is a blue triangular indicator which shows you where you are in the timeline. • In the main timeline panel the CTI appears with a vertical red line overlaid on the sequence tracks, as illustrated below. This CTI is linked to the program monitor panel — the monitor shows the same frame as the CTI. When you play the sequence you'll see the CTI moving from left to right across the timeline

  26. The Current Time Indicator

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