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Hamlet Quotes Review

Hamlet Quotes Review. Regular classes. Hamlet Review. Speaker:. At such a time I'll loose my daughter to him: Be you and I behind an arras then; Mark the encounter:. Who is “you”?. At such a time I'll loose my daughter to him: Be you and I behind an arras then; Mark the encounter:.

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Hamlet Quotes Review

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  1. Hamlet Quotes Review Regular classes

  2. Hamlet Review

  3. Speaker: • At such a time I'll loose my daughter to him:Be you and I behind an arras then;Mark the encounter:

  4. Who is “you”? • At such a time I'll loose my daughter to him:Be you and I behind an arras then;Mark the encounter:

  5. Who is ‘him’? • At such a time I'll loose my daughter to him:Be you and I behind an arras then;Mark the encounter:

  6. Speaker: • And, England, if my love thou hold'st at aught--As my great power thereof may give thee sense,Since yet thy cicatrice looks raw and redAfter the Danish sword, and thy free awePays homage to us--thou mayst not coldly setOur sovereign process; which imports at full,By letters congruing to that effect,The present death of Hamlet. Do it, England;For like the hectic in my blood he rages,And thou must cure me: till I know 'tis done,Howe'er my haps, my joys were ne'er begun.

  7. Speaker: • Give me your pardon, sir: I've done you wrong;But pardon't, as you are a gentleman.This presence knows,And you must needs have heard, how I am punish'dWith sore distraction.

  8. Who is spoken to: • Give me your pardon, sir: I've done you wrong;But pardon't, as you are a gentleman.This presence knows,And you must needs have heard, how I am punish'dWith sore distraction.

  9. Speaker: • Thus conscience does make cowards of us all;And thus the native hue of resolutionIs sicklied o'er with the pale cast of thought,And enterprises of great pith and momentWith this regard their currents turn awry,And lose the name of action.

  10. The theme of this quote is • Thus conscience does make cowards of us all;And thus the native hue of resolutionIs sicklied o'er with the pale cast of thought,And enterprises of great pith and momentWith this regard their currents turn awry,And lose the name of action. • A. revenge B. madness • C. disguise D. indecision

  11. Speaker: • Sir, in my heart there was a kind of fighting,That would not let me sleep: methought I layWorse than the mutines in the bilboes. Rashly,And praised be rashness for it, let us know,Our indiscretion sometimes serves us well,When our deep plots do pall: and that should teach usThere's a divinity that shapes our ends,Rough-hew them how we will,--

  12. Who is spoken to: • Sir, in my heart there was a kind of fighting,That would not let me sleep: methought I layWorse than the mutines in the bilboes. Rashly,And praised be rashness for it, let us know,Our indiscretion sometimes serves us well,When our deep plots do pall: and that should teach usThere's a divinity that shapes our ends,Rough-hew them how we will,--

  13. Speaker: • was your father dear to you?Or are you like the painting of a sorrow,A face without a heart?

  14. Who is ‘you’? • was your father dear to you?Or are you like the painting of a sorrow,A face without a heart?

  15. Who is ‘father’? • was your father dear to you?Or are you like the painting of a sorrow,A face without a heart?

  16. Speaker: • nor have we herein barr'dYour better wisdoms, which have freely goneWith this affair along. For all, our thanks.

  17. Speaker: • Seems,…nay it is; I know not 'seems.''Tis not alone my inky cloak, …Nor customary suits of solemn black,Nor windy suspiration of forced breath,No, nor the fruitful river in the eye,Nor the dejected 'havior of the visage,Together with all forms, moods, shapes of grief,That can denote me truly: these indeed seem,For they are actions that a man might play:But I have that within which passeth show;These but the trappings and the suits of woe.

  18. Who is spoken to? • Seems,…nay it is; I know not 'seems.''Tis not alone my inky cloak, …Nor customary suits of solemn black,Nor windy suspiration of forced breath,No, nor the fruitful river in the eye,Nor the dejected 'havior of the visage,Together with all forms, moods, shapes of grief,That can denote me truly: these indeed seem,For they are actions that a man might play:But I have that within which passeth show;These but the trappings and the suits of woe.

  19. Speaker: • Perhaps he loves you now,And now no soil nor cautel doth besmirchThe virtue of his will: but you must fear,His greatness weigh'd, his will is not his own;For he himself is subject to his birth:He may not, as unvalued persons do,Carve for himself; for on his choice dependsThe safety and health of this whole state;And therefore must his choice be circumscribedUnto the voice and yielding of that bodyWhereof he is the head.

  20. Who is described: • Perhaps he loves you now,And now no soil nor cautel doth besmirchThe virtue of his will: but you must fear,His greatness weigh'd, his will is not his own;For he himself is subject to his birth:He may not, as unvalued persons do,Carve for himself; for on his choice dependsThe safety and health of this whole state;And therefore must his choice be circumscribedUnto the voice and yielding of that bodyWhereof he is the head.

  21. Who is spoken to: • Perhaps he loves you now,And now no soil nor cautel doth besmirchThe virtue of his will: but you must fear,His greatness weigh'd, his will is not his own;For he himself is subject to his birth:He may not, as unvalued persons do,Carve for himself; for on his choice dependsThe safety and health of this whole state;And therefore must his choice be circumscribedUnto the voice and yielding of that bodyWhereof he is the head.

  22. Speaker: • Do not, as some ungracious pastors do,Show me the steep and thorny way to heaven;Whiles, like a puff'd and reckless libertine,Himself the primrose path of dalliance treads,And recks not his own rede.

  23. Who is described: • Do not, as some ungracious pastors do,Show me the steep and thorny way to heaven;Whiles, like a puff'd and reckless libertine,Himself the primrose path of dalliance treads,And recks not his own rede.

  24. This quote means • Do not, as some ungracious pastors do,Show me the steep and thorny way to heaven;Whiles, like a puff'd and reckless libertine,Himself the primrose path of dalliance treads,And recks not his own rede. • A. don’t lie B. don’t be a hypocrite • C. don’t be a preacher

  25. Speaker: • Ay, springes to catch woodcocks. I do know,When the blood burns, how prodigal the soulLends the tongue vows: these blazes, Giving more light than heat, extinct in both,Even in their promise, as it is a-making,You must not take for fire.

  26. Who is spoken to: • Ay, springes to catch woodcocks. I do know,When the blood burns, how prodigal the soulLends the tongue vows: these blazes, Giving more light than heat, extinct in both,Even in their promise, as it is a-making,You must not take for fire.

  27. Speaker: • For _____,Believe so much in him, that he is youngAnd with a larger tether may he walkThan may be given you.

  28. Who is described in the underlined words? • For _____,Believe so much in him, that he is youngAnd with a larger tether may he walkThan may be given you.

  29. Who is spoken to (underlined word)? • For _____,Believe so much in him, that he is youngAnd with a larger tether may he walkThan may be given you.

  30. Speaker: • Mad as the sea and wind, when both contendWhich is the mightier: in his lawless fit,Behind the arras hearing something stir,Whips out his rapier, cries, 'A rat, a rat!'And, in this brainish apprehension, killsThe unseen good old man.

  31. Who is described: • Mad as the sea and wind, when both contendWhich is the mightier: in his lawless fit,Behind the arras hearing something stir,Whips out his rapier, cries, 'A rat, a rat!'And, in this brainish apprehension, killsThe unseen good old man.

  32. Who is spoken to? • Mad as the sea and wind, when both contendWhich is the mightier: in his lawless fit,Behind the arras hearing something stir,Whips out his rapier, cries, 'A rat, a rat!'And, in this brainish apprehension, killsThe unseen good old man.

  33. Is this statement true or false? • Mad as the sea and wind, when both contendWhich is the mightier: in his lawless fit,Behind the arras hearing something stir,Whips out his rapier, cries, 'A rat, a rat!'And, in this brainish apprehension, killsThe unseen good old man.

  34. Speaker: • My lord, I will be ruled;The rather, if you could devise it soThat I might be the organ.

  35. Who is spoken to? • My lord, I will be ruled;The rather, if you could devise it soThat I might be the organ.

  36. Speaker: • that we would doWe should do when we would; for this 'would' changesAnd hath abatements and delays as manyAs there are tongues, are hands, are accidents;And then this 'should' is like a spendthrift sigh,That hurts by easing.

  37. Who is spoken to? • that we would doWe should do when we would; for this 'would' changesAnd hath abatements and delays as manyAs there are tongues, are hands, are accidents;And then this 'should' is like a spendthrift sigh,That hurts by easing.

  38. Speaker: • How smart a lash that speech doth give my conscience!The harlot's cheek, beautied with plastering art,Is not more ugly to the thing that helps itThan is my deed to my most painted word:

  39. The theme expressed is • that we would doWe should do when we would; for this 'would' changesAnd hath abatements and delays as manyAs there are tongues, are hands, are accidents;And then this 'should' is like a spendthrift sigh,That hurts by easing. • A. disguise B. madness • C. indecision

  40. This speech is • How smart a lash that speech doth give my conscience!The harlot's cheek, beautied with plastering art,Is not more ugly to the thing that helps itThan is my deed to my most painted word: • A. an accusation B. a plan • C. a paradox D. a confession

  41. Speaker: • O, what a noble mind is here o'erthrown!The courtier's, soldier's, scholar's, eye, tongue, sword;The expectancy and rose of the fair state,The glass of fashion and the mould of form,The observed of all observers, quite, quite down!

  42. Who is described: • O, what a noble mind is here o'erthrown!The courtier's, soldier's, scholar's, eye, tongue, sword;The expectancy and rose of the fair state,The glass of fashion and the mould of form,The observed of all observers, quite, quite down!

  43. This line means • O, what a noble mind is here o'erthrown! • A. the person described is dead • B. the person described is in disguise • C. the person described is insane

  44. This line means • The expectancy and rose of the fair state • A. the person described is like a flower • B. the person described will be the next ruler • C. The person described is expecting a baby

  45. Speaker: • About, my brain! I have heardThat guilty creatures sitting at a playHave by the very cunning of the sceneBeen struck so to the soul that presentlyThey have proclaim'd their malefactions;For murder, though it have no tongue, will speakWith most miraculous organ.

  46. Speaker: • But, O, what form of prayerCan serve my turn? 'Forgive me my foul murder'?That cannot be; since I am still possess'dOf those effects for which I did the murder,My crown, mine own ambition and my queen.May one be pardon'd and retain the offence?

  47. Speaker: • Madness in great ones must not unwatch'd go.

  48. Who is described? • Madness in great ones must not unwatch'd go.

  49. Speaker: • You could, for a need,study a speech of some dozen or sixteen lines, whichI would set down and insert in't, could you not?

  50. Speaker: • I'll have groundsMore relative than this: the play 's the thingWherein I'll catch the conscience of the king.

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