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Discover the influential advancements in art, scholasticism, and culture during the 14th and 15th centuries in Florence and Venice. The Italian Renaissance brought a rebirth of Classical ideas and marked a shift towards people-centric views. Explore how Florence leveraged its wealth and patronage to become the center of creative excellence, leading to a surge of unparalleled masterpiece works. Uncover the groundbreaking innovations, famous personalities, and the vibrant atmosphere that shaped this transformative period in history.
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The Italian Renaissance Firenze and Venezia 14th and 15th centuries (Florence and Venice, 1300-1500)
Thesis Florence used its advantageous socioeconomic, historical, and cultural position to launch Renaissance of scholasticism and the arts. Given its wealthy banking status throughout Europe, Florence was able to spread its new found ideas and taking a leading position on the European stage. This, combined with the numerous wealthy citizens of Florence who used their riches to patronize the leading artist and thinkers of the day, created an atmosphere brimming with creativity which subsequently compounded upon itself and led to a barrage new, unparalleled, masterpiece works.
Renaissance 1304-1588 • Word literally means “rebirth” • What was reborn was a Classical (Greek & Roman) ideas—art, architecture, philosophy, literature, finance, views of the world, etc. • Began in Italy—mainly Florence—in 14th century, and moved to the rest of Italy—like Venice—in 15th century, as it spread through Southern Europe • Then spread to Northern Europe, through Holland and Flanders and onto England and Denmark and Sweden • Never hit certain countries like Holy Roman Empire, Baltics, Poland, Russia. Because of this, these countries will have messed up histories down the road
Classic crash course • Classics = Greek and Roman (more Greek based to us now, more Roman based to Petrarch when the idea started) • Both based around and split from one of the all-time great stories: The Trojan War. Greeks = Greeks in the story; Trojans = Romans. Romans lose the battle but win out in the end pinnacle of society to Renaissance men • Greeks famous for democracy, city-states, philosophy, mathematics, literature (epics and plays), mythology • Romans famous for republic, weaponry, power, Latin, birthplace of Christianity, architecture, aqueducts, baths, gladiators, Caesar, empire, “world” dominance, togas, copying the Greeks
Renaissance 1304-1588 • Marked by study of classics and move from god-centric to people-centric view of things. • New focus on scholasticism and the individual
Venice (Venezia) • City built completely on water • Influential in trade with East, exploration, and banking • Ruled by Doge and Terrible Ten reign of Terror, known as a Republic • Famous Venetians: Marco Polo and Titian
Florence (Firenze) • Renaissance began with birth of Francesco Petrarch in 1304 in Florence • Florence controlled by large families, ruled kind of like early mafia • Also somewhat resembles democracy—citizens vote on certain things (but are bribed) • Rash of famous Florentines: Dante, Petrarch, Boccaccio, the Medici family, Brunelleschi, Michelangelo, Leonardo, Donatello, Machiavelli
Why Italy? • One of the first effected by the plague = first country to return to health and city life • Church weakened by plague and closest to Italy = more secular approach, more concern for the arts • Plague = more focus on life & enjoying it = more liberalism= more demand for arts & literature • Commercial Revolution = more exchange of people and ideas + more money = more liberal approach to life and more patronage • Loose confederation of states = much easier to change one or two parts, like Venice or Florence than a whole country, like England • Had most of the classics buried in their land = easier to find through excavation and searching in the depths of churches • Unique systems of governments = allowed just enough freedom for arts to flourish • Warm = more food, more people, more specialization • Something in the water = rash of important Italians, kind of like our founding fathers
Renaissance Art • This is where we see the big rebirth of Greek and Roman ideas and themes • First use of Linear Perspective rediscovered by Brunelleschi after 1000 year hiatus • Painted both canvas and fresco • Paint was a combo natural earth colors and egg yolk
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Donatello (1386-1466) • Lived and worked in Florence • Close friend of the Medicis • David was first “real” sculpture
David by Donatello, copper cast, Uffizi Art Gallery, circa 1440s
Sandro Botticelli (1445-1510) • Another close friend of the Medici • First to explore Greco-Roman mythology • Got in with Medici by kissing up to them in his paintings
Birth of Venus by Botticelli, oil on canvas, Uffizi Art Gallery, circa 1482-1486
Raphael Sanzio (1483-1520) • First part of the great masters trinity (R-M-L) • Just as famous for mass quality work his workshop produced • Not born in Florence but worked there and Rome
School of Athens by Raphael, fresco, St. Peter’s Basilica, 1510
Michelangelo Buonarroti (1475-1564) • Usually considered the master artist of the Renaissance • Famous for both paintings and sculpture • Tied up in Medici politics: Painted in both Florence and Rome
David by Michelangelo, marble, Galleria dell’Accademia in Florence, 1504
Sistine Chapel Ceiling • Painted by Michelangelo on his back from 1508-1512 • Frustrated Pope with lack of speed and perfectionism • Depicts Genesis and prophets
Creation of Adam by Michelangelo, fresco, St. Peter’s Basilica, 1512
Last Judgment by Michelangelo, fresco, St. Peter’s Basilica, 1541
Leonardo Da Vinci (1452-1519) • More than just an artists—noted inventor, scientist, writer, etc. • Also responsible for two of the most famous pieces of art of all time • Began work in Florence, but moved around a lot and died in France
Adoration of the Magi by Da Vinci, oil on wood, Uffizi Gallery, 1485
The Last Supper by Da Vinci, fresco, Santa Maria delle Grazia, circa 1495-1498
Mona Lisa by Da Vinci, oil on canvas, The Louvre, circa 1503-1506
Vitruvian Man by Da Vinci, pen on paper, Galleria dell’Accademia in Venice, circa 1485-1487