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Lecture Goals . General Prologue Portraits Discussion of Estates Satire and Chaucer ’ s voicing Miller ’ s Tale. Chaucer Challenge. Optional contest – extra credit toward course participation grade Write your own General Prologue—set at UCSD
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Lecture Goals • General Prologue Portraits Discussion of Estates Satire and Chaucer’s voicing Miller’s Tale
Chaucer Challenge • Optional contest – extra credit toward course participation grade • Write your own General Prologue—set at UCSD • E-Submit to Prof. Lampert-Weissig by 5 pm Oct. 22 (llampert@ucsd.edu) Subject heading: Chaucer challenge
Contemporary Estates Satire • Mean Girls
Thinksheet Week 2 • Due at the beginning of your section • Double-spaced, typed. ½ to one full page. No more than one page. • Read through each of the following portraits carefully: • The Monk (lines 165-207) • The Friar (lines 209-271) • The Clerk (lines 287-310) • The Parson (lines 480-530) • Pick ONE of these portraits and respond to the following about it: • 1. Make a list of 3-5 important details in the pilgrim’s portrait. • 2. What kind of details are these? Ironic? Serious? What is their effect? • How do they work to create this effect? • 3. How would you characterize the point of view of the narrator?
Chaucer—social chameleon • Died. 1400. Wrote in Middle English • A poet with a good day job • Master of irony • “Father of English Poetry”
The Canterbury Tales • Frame Tale—The General Prologue • Pilgrimage • First 18 lines • Spring fever • Virtuoso poetry
The Canterbury Tales • Frame Tale—The General Prologue • Pilgrimage • First 18 lines • Spring fever • Virtuoso poetry
Frame Tale • The Host’s Proposal • Sentence and Solaas • Dramatic feel of the CT
Chaucer’s Voicing • Perspective and Point of View • Chaucer’s “disclaimer” l. 717 ff • GP—8th edition, page 218 • 9th edition, page 243
Estates Satire • The Three Estates • Social Commentary
Selected Portraits • The Knight l. 43 • The Squire l. 79 • The Prioress l. 118 • The Sergeant of the Law l. 311 • The Miller l. 547 • The Summoner l. 625 • The Parson l. 479