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Interpreting sonority-projection experiments: the role of phonotactic modeling. Bruce Hayes Department of Linguistics UCLA. Sonority. No exact phonetic definition, but it plays a major role in phonological patterning. A typical arrangement of consonants by sonority:
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Interpreting sonority-projection experiments: the role of phonotactic modeling Bruce Hayes Department of Linguistics UCLA
Sonority • No exact phonetic definition, but it plays a major role in phonological patterning. • A typical arrangement of consonants by sonority: glides >> liquids >> nasals >> obstruents Hayes, Interpreting sonority projection
Sonority sequencing • Sonority Sequencing Principle (Sievers 1881; Jespersen 1904; Hooper 1976; Steriade 1982; Selkirk 1984). • Sonority preferentially rises through syllable-initial clusters, and falls through syllable-final clusters. Large rises (resp. falls) are better. • A pretty good syllable: [pla] • A very mediocre syllable: [pta] (tied) • A really terrible syllable: [lpa] (reversed) Hayes, Interpreting sonority projection
The sonority projection effect • Ask an English speaker: How good a syllable is [lba]? (horrible sonority violation) • How does it compare with [bda]? (merely bad sonority violation) • Idea: [lba] is much worse even though the English speaker never heard either one during language acquisition. Hayes, Interpreting sonority projection
The effect emerges in controlled experiments • Example: Daland et al. (2011) • In the following slide: • Horizontal axis: sonority difference of initial cluster, following the theory of Clements (1990) • Vertical axis: ratings by native speakers (victory percentage, all possible pairwise comparisons of the stimuli) Hayes, Interpreting sonority projection
Sonority projection in Daland et al. (2011) Hayes, Interpreting sonority projection
Earlier experimental literature on sonority projection • English: • Pertz and Bever (1975) • Albright (2007) • Daland et al. (2011) • Berent, Steriade, Lennertz, and Vaknin (2007) • Berent, Smolensky, Lennertz, and Vaknin-Nusbaum (2009) • Korean: • Berent, Lennertz, Jun, Moreno, and Smolensky (2008) • Mandarin: • Ren et al. (2010) Hayes, Interpreting sonority projection
Three accounts of sonority projection • Universal constraint set (as in Optimality Theory) • Not the whole story: how could such a set be deployed in a grammar that derives sonority projection? • Relative phonetic difficulty in the production of bad-sonority clusters • See Redford (2008) and work cited there • Generalized from the data the child hears • English has /br/, /pl/, not */rb/, */lp/ — could this be enough to distinguish /bd/ from /lb/? • This is the possibility pursued here. Hayes, Interpreting sonority projection
Research plan • Strategy: computational modeling, using Hayes and Wilson’s (2008) phonotactic learner • Goal: develop grammars that model sonority projection, generalizing from very minimal training data Hayes, Interpreting sonority projection
Earlier work modeling English • Daland et al. (2011) use the Hayes/Wilson learner to project sonority, using English learning data. • But sonority projection has been shown for languages with much smaller onset inventories than English – is projection possible in such cases? Hayes, Interpreting sonority projection
Bwa and Ba • Bwa is a fictional language whose branching onsets are limited to stop + glide. • Ba is a fictional language with no branching onsets at all. • Goal: show that sonority projection is possible, without stipulating the Sonority Sequencing Principle a priori. Hayes, Interpreting sonority projection
Assumptions I: the feature system • From Clements (1990); each feature defines a cutoff on the Sonority Hierarchy. Hayes, Interpreting sonority projection
Assumptions II: a “UG” of constraints, all “sonority regulating” • A constraint is sonority-regulating if it looks like one of these: • For initial clusters, half the sonority-regulating constraints are “sensible”, half “silly” – both included. Hayes, Interpreting sonority projection
Sample list of constraints Hayes, Interpreting sonority projection
Phonemes of Bwa p t k a b d g f s v z m n l r w j Hayes, Interpreting sonority projection
Features for Bwa • Consonants: as given earlier • Vowels: no sonority features, only [+syllabic] Hayes, Interpreting sonority projection
Training data: the full vocabulary of Bwa pa ta ka ba da ga fa sa va za ma na la ra ja wa pwa twa kwa bwa dwa gwa pja tja kja bja dja gja Hayes, Interpreting sonority projection
Weighting the constraints • Feed the Hayes/Wilson learner Bwa, with the a priori constraints just given. • Learned a grammar — assigning weights to the constraints • Software used: http://www.linguistics.ucla.edu/people/hayes/Phonotactics/ Hayes, Interpreting sonority projection
Testing the learned grammar • Obtain the “penalty scores” it assigns to 16 syllables that embody every possible sonority sequence • Arrows show well-formedness differences that should be observed if sonority is projected. Hayes, Interpreting sonority projection
Result • All and only stop + glide clusters perfect. • They served as the empirical “kernel” for successful sonority projection. Hayes, Interpreting sonority projection
The weights of the learned grammar for Bwa • All of the sensible sonority-regulating constraints got positive weights. • All of the silly ones got zero. Hayes, Interpreting sonority projection
Simulation for the Ba Language • Training data: pa ta ka ba da ga fa sa va za ma na la ra ja wa • Vowels assumed to have sonority — same features as glides • Same as before: • set of possible constraints • training procedure Hayes, Interpreting sonority projection
Results for Ba • Again, sonority projection. • This time every cluster is penalized, but differentially. Hayes, Interpreting sonority projection
Diagnosing the simulations • Playing with various constraint sets, I found that: • For projection to happen, the constraints be sonority-regulating. • If you include constraints with all possible sequences of sonority features, you don’t get projection • Why? Hayes, Interpreting sonority projection
A very simple sonority hierarchy for diagnosis p m w [sonorant] − + + [vocoid] − − + Hayes, Interpreting sonority projection
The sonority-regulating constraints Hayes, Interpreting sonority projection
The region of possible clusters for Bwa (examples) *ww *wm *wp *mw *mm *mp ✓pw *pm *pp Hayes, Interpreting sonority projection
What is banned by sensible sonority-regulating constraints? -- “Upward L’” *[+sonorant] C *C [−vocoid] (plus 7 more) *ww *wm *wp *mw *mm *mp ✓pw *pm *pp Hayes, Interpreting sonority projection
All “silly” constraints ban a legal cluster (total of 9; not all shown) *ww *wm *wp *mw *mm *mp ✓pw *pm *pp Hayes, Interpreting sonority projection
What happens when the constraints are weighted? • All of the silly constraints forbid ✓[pw] – so they get zero weight. • Two sensible constraints together, *[+sonorant]C and *C[−vocoid], could do all the work—and maxent does give them the greatest weights. • But the system is cautious—Gaussian prior penalizes big weights on individual constraints • So, descriptive burden is shared among the other sensible constraints. • Basis of sonority projection: the worse the sonority sequencing of the cluster, the more sensible constraints it violates. Hayes, Interpreting sonority projection
What have we got? • An explicit grammar that (qualitatively) matches sonority projection intuitions • Learning of the grammars weights from very minimal information: the sonority drop across /bw/ (in Bwa), across /ba/ in (Ba) Hayes, Interpreting sonority projection
But learning still depends on much a priori knowledge • Features that regulate sonority • Restriction of sonority constraints to “sonority-regulating ones” • Nothing said yet about codas, where sonority rises • The system must be told to look at the syllable peripheries, so it will generalize properly. • See full version of this paper. Hayes, Interpreting sonority projection
Thank you • Full paper is available in conference proceedings and on line at http://www.linguistics.ucla.edu/people/hayes • Author email: bhayes@humnet.ucla.edu Hayes, Interpreting sonority projection