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Learn about frame and field frequency standards essential for video transmission systems. Explore the fundamentals of analog video systems, persistence of vision, vertical resolution, and scanning methods.
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Broadcast Basics Week 13 ICS 620
BROADCAST BASICS ICS 620 Week 13
Introduction • Video Basics (Analog Systems) • Transmission Systems • Wireless (terrestrial) • Wired (cable television) • Digital Video (Two Weeks)
Video Standards • Standards and Principals • Persistence of Vision The rapid presentation of frames of video information to give you the illusion of smooth motion.
Frequency StandardsFrame Frequency • 16 Frames per Second (fps) Black and White • 24 fps SOF • Continuity of Action • Problem of Flicker • The gross alteration of light and dark
Frame Frequency x 2 Continuity of Illumination Frequency StandardsField Frequency
Film Vs. Video • Film - Project a complete picture • Video - Scan, line by line, at a high rate of speed - 6 million bits per second
How do we describe a picture? • A picture element (“pel” or “pixel”) one at a time • For each pel we need to somehow describe: • Brightness (luminance) • Hue (phase, “tint”) • Saturation (color intensity, “chroma”)
Vertical Resolution • The picture quality associated with the number of dots (pixels) used to construct the picture. • 367,000 dots • on 525 rows (vertical)
Film vs. NTSC Specs Aspect Ratio
Electronic Scan (Camera Pickup Tube) Object Lens Target Electron Beam Video Signal
Scanning • Progressive • Interlace/Offset Interlace Example NTSC: 525 lines, 30 frames/sec, 60 fields/sec
Differences Between Horizontal and Vertical Synch Pulses RateDuration Vertical 59.94/sec 1:3 Horizontal 15,734.264/sec 3:1
A simple videowaveform One Line
Vertical Blanking Interval (VBI) • Lines 1-21 of each field • Vertical Interval Test Signal (VITS) • Vertical Interval Reference Signal (VIRS) • Lines 1-9 V-sync and Equalizing Pulses • Lines 12-14 SMPTE Time Code • Lines 17-19 VITS and VIRS • Line 20 Network Source Code (field 1) • Line 21 Closed captioning (field 1)
Kell Factor The Ratio of effective resolution to the theoretical resolution is known as the Kell Factor.
Vertical Resolution Summary • Max Lines/Frame = 525 • Lost for Vertical Blanking = 42 (21 lines per field) • Visible = 525-42 = 483 • Kell Factor = 72.5% • Effective Resolution = 350 lines
Horizontal Resolution Summary (4.2 MHz Video Bandwidth) = 4.2 cycles per microsecond x 52 microseconds (active scan) x 2 pixels per cycle = 436 pixels per line
Television Transmission • Picture Information • Blanking pulses • Sync pulses • Audio information
Color Television R = Red G = Green B = Blue B + G = Cyan G + R = Yellow B + R = Magenta
Gamma G A measurement of contrast, gamma correction is required because the brightness output of a camera does not correspond to the brightness recognition of the human eye.
Composite Color • Y = Luminance Signal Y =30% red + 59% green + 11% blue • C = Chrominance Signal C = I Q Matrix
Color Matrix • Saturation = Amplitude of the I and Q signals • Hue = Phase developed by the difference in amplitude between the I and Q signals
TV Frequency Allocations 2 - 4 VHF-Lo 54 MHz - 72 MHz 5 - 6 VHF-Lo 76 MHz - 88 MHz 7 – 13 VHF-Hi 174 MHz – 216 MHz 14 – 59 UHF 470 MHz – 746 MHz NOTE: Natural breaks occur between channels 4 and 5; channels 6 and 7; and channels 13 and 14. Each channel is 6 MHz wide.
Worldwide Standards • National Television System Committee - NTSC (1953) • Phase Alternation Line -PAL (1967) • Sequentiel Couleur Avec Memoire - SECAM (1967)