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Year 12 Exam 2009 Sanctuary. “Stylistic ‘borrowing’ or simply copying the work of another artist as in ‘working in the manner of….’ would not be appropriate” . 3.D Design: Bob Gillis and Cath Kidston.
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Year 12 Exam 2009Sanctuary “Stylistic ‘borrowing’ or simply copying the work of another artist as in ‘working in the manner of….’ would not be appropriate”
Nicholas Pope: The Apostles speaking in tongues (inspired by symbolic objects) An installation comprising thirty-three figures in terracotta, metal, wick, paraffin and flame. Twelve figures representing the Apostles surrounded by a multitude of twenty-one.
Anthony Master’s claustrophobic sanctuary of the Jupiter probe in Stanley Kubrick’s 2001 Space Odyssey….
…provides a stark contrast to the Edward Thomas’s interior of Dr Who’s Tardis
Simon Starlingused a weathered wooden building for his installation Shedboatshed
Simon Starling is intrigued by the processes involved in transforming one object or substance into another. He describes his work as ‘the physical manifestation of a thought process’ and often his projects involve pilgrimage-like journeys. For Shedboatshed (Mobile Architecture No.2) Starling dismantled a shed and turned it into a boat; loaded with the remains of the shed, the boat was paddled down the Rhine to a museum in Basel where it was once again reassembled as a shed. Starling’s transformations draw out ideas about nature, technology and economics, revealing invisible relationships.
TextilesGiles Deacon Deacon designs Huge chunky knits which almost smother the body (Autumn 2007)
John Galliano Uses armour and military themes to dramatic effect in his haute couture collection for Dior in 2006
Photography: Dorothea Lange: Migrant Mother Jonathan Torgovnik: Joseline Ingabire with her daughter Leah Baatamuliiza, Rwanda.
“Knowledge of one’s roots and heritage can give great comfort. Martin Parr takes and ironic and humorous view of this sense of identity in his ‘Last Resort’ and ‘Think of England series.”
Eliot Porter“Losing oneself in wide open spaces and desolate landscapes can sometimes provide spiritual solace.”
The Day of The DeadMexico Critical and Contextual Studies in Art
Lisa MilroyThroughout history we have used ordering, sequencing and arrangement of important objects. In Lisa Milroy’s paintings, objects are ordered and listed onto canvases, creating a regimented image, yet one with rhythm and movement across the surface, causing us to question the classification and arrangement that confronts us.