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Soviet Montage

Soviet Montage. 1920s. Michelle Tvete Spring 2013. Born in Revolution--1917. Born in Revolution--1917. Kuleshov’s Workshop. Kuleshov’s Workshop. SOVIET MONTAGE FILMS. Characters 1) Represent a certain class 2) Group important NOT individual. SOVIET MONTAGE FILMS. Plot

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Soviet Montage

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  1. Soviet Montage 1920s Michelle Tvete Spring 2013

  2. Born in Revolution--1917

  3. Born in Revolution--1917

  4. Kuleshov’s Workshop

  5. Kuleshov’s Workshop

  6. SOVIET MONTAGE FILMS • Characters • 1) Represent a certain class • 2) Group important NOT individual

  7. SOVIET MONTAGE FILMS • Plot • Often focuses on strike or battle • in a revolution

  8. SOVIET MONTAGE FILMS • FOCUS: Editing • To create emotional response in the audience

  9. Eisenstein

  10. Eisenstein • Focus: • CONFLICT • between images— • not continuity or images themselves

  11. Eisenstein CONFLICT CONFLICT

  12. Eisenstein Dialectical Thesis + Antithesis=Synthesis = emotion or concept

  13. Eisenstein The Lions sequence of The Battleship Potemkin (1925)

  14. Eisenstein The Lions sequence of The Battleship Potemkin (1925) Nondiegetic

  15. Eisenstein The Odessa Steps sequence of The Battleship Potemkin (1925)

  16. INFLUENCE on FILM • Alfred Hitchcock’s Shower Scene from • Psycho (1960) • montage • 3 minutes • 50 cuts • extreme close-ups • few medium shots • 7 days to shoot • music: all strings— “The Murder”

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