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Strawberry Diamond Pattern and Motif. Greg Randall. Beginnings . Anglo-Irish/European Heritage Hoare Singleton Hawkes Egginton Anderson Dorflinger Carder Many of the owners, designers and cutters worked throughout the entire Brilliant Period. Patterns.
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Strawberry DiamondPattern and Motif Greg Randall
Beginnings • Anglo-Irish/European Heritage • Hoare • Singleton • Hawkes • Egginton • Anderson • Dorflinger • Carder • Many of the owners, designers and cutters worked throughout the entire Brilliant Period
Patterns • Not PRIMARILY a means of artistic expression • This is a business: Offer what Sells • Fashion • Fad • Appeal to the wealthy • Stereotypes
Patterns • No concern for consistency or for future ‘collectors’ • Same name for different patterns • Changes to patterns over time or for shape/size of blank • Lack of or inconsistent signatures (used for authentication at the time)
What’s in a name? • American Strawberry Diamond • Cross-cut Diamond • English Strawberry Diamond • Double Cross-cut Diamond • Dorflinger #80 • Pairpoint Madison
American Strawberry Diamond • 1860s?-1870 • Frequently a motif, in bands/borders • Seldom – ‘all-over cut’ • 1870s-1880s • Frequently –’all-over cut’ • Frequently cut on base of item • Seldom ‘rayed-star’ base • Also used as a Major Motif in a pattern
American Strawberry Diamond • 1890s-1900 • Still popular - frequently –’all-over cut’ • Usually ‘rayed-star’ base • Frequent use as a Major Motif in a pattern • 1900- • Still popular - frequently –’all-over cut’ • Usually ‘rayed-star’ base • Less frequent use as a Major Motif in a pattern
American Strawberry Diamond • Throughout – used as pressed glass pattern
Strawberry Diamond Pattern • Four miters create the diamond • Size of the ‘flat’ top related to angle and depth of the miters • Cross-cuts perpendicular to the sides of the diamond meet IN THE MIDDLE • “One of the hardest to cut” • “Can cut it in my sleep”
Not all S/D is created equalWhich is harder to do?? • The smaller the ‘flat’, the more difficult