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The Camera: transformations and challenges

The Camera: transformations and challenges. Oct. 19 FA/AK 2100. After Nadar: Painting offering Photography a Place at the Expo of Fine Arts Tournachon: Felix (Nadar) 1820 1910. Photography and Modernism. Robert Frank, Parade, Hoboken, New Jersey, 1955-1956, from the series The Americans.

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The Camera: transformations and challenges

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  1. The Camera:transformations and challenges Oct. 19 FA/AK 2100 After Nadar: Painting offering Photography a Place at the Expo of Fine Arts Tournachon: Felix (Nadar) 1820 1910

  2. Photography and Modernism Robert Frank, Parade, Hoboken, New Jersey, 1955-1956, from the series The Americans Self conscious art photography, 1940s-50s

  3. Photography and Modernism Self conscious art photography, 1940s-50s Otto Steinert, Pont Neuf, Paris: 1949

  4. Photography and Modernism Andy Warhol, Beethoven Art embraces mass media Andy Warhol, Lenin

  5. Photography and Modernism The Rise of Conceptualism Joseph Kosuth, One and Three Chairs, 1965

  6. Photography and Modernism Keith Arnatt: "Trouser-Word Piece" (1972) Language was conceptualism’s ideal medium. Put ideas centre stage

  7. Photography and Modernism Chris Burden SHOOT, F-Space, Santa Ana, California November 19, 1971 Language was conceptualism’s ideal medium. Put ideas centre stage

  8. Photography and Modernism Gordon Matta-Clark Pier In/Out 1973 Color photograph Camera extended the idea of the object into performance

  9. Photography and Modernism Barbara Kruger, 1996 Aesthetic conservatism vs radical vanguardism: art as politics

  10. Photography and Modernism Untitled 1981 Untitled 1981 Art and Theory - Postmodernism

  11. Memories and Archives Photography and the logic of the archive Art could be a space to examine the meanings and implications of the archival rather than simply turning images into art works Gerhard Richter - Atlas 1962 -   Panel 1: Album photographs, 1962-66 28 b/w photographs Overall 51.7 x 66.7 cm

  12. Allan McCollum, Each and Every One of You, 2004

  13. Memories and Archives Images can both aid and disable the continuities of history, memory and identity Yinka Shonibare 'Diary of a Victorian Dandy 14:00 hours', Photograph, 1998

  14. Objectivity and the Camera Gardner, Alexander   American (b. Scotland, 1821-1882) Lewis Payne Photographs as special objects

  15. Objectivity and the Camera Mel Bochner Actual Size (Hand),

  16. Objectivity and the Camera Allan Sekula, Two, three, many...(terrorism), 1972, s/w

  17. Objectivity and the Camera John Hilliard. Cause of Death? (1974)

  18. Objectivity and the Camera Bernd and Hilla Becher Water Towers, 1980. Black-and-white photographs mounted on board, 61 7/8 x 49 7/8 inches overall. Extended commitment to objectivity

  19. Objectivity and the Camera Andreas Gursky Chicago Board of Trade II, 1999

  20. Objectivity and the Camera Christian Boltanski France, born 1944 Monument Odessa, 1991 Mixed media

  21. Objectivity and the Camera Fischli & Weiss From the series Quiet Afternoon, 2003

  22. Traces and Time Richard Wentworth Making Do and Getting By, Munich 2000, 2000 Art and data collection

  23. Traces and Time Gabriel Orozco Until You Find Another Yellow Schwalbe 1995 photograph on paper 55 x 71 cms

  24. Man Ray Dust Breeding (Elevage de poussiere), 1920 24 x 30.5 cm, Black and white photograph Traces and Time

  25. Traces and Time Edward Ruscha Royal Roads Test, 1971

  26. Traces and Time Chris Burden Shoot, 1971 F Space, Santa Ana, California

  27. Traces and Time Eleanor Antin. Carving: A Traditional Sculpture (detail). 1973. 148 photographs; overall length 20'. Instalation of photographs depicting a 5-week diet resulting in a weight loss of 11 1/2 pounds.

  28. The Everyday HENRI CARTIER - BRESSON (Brussels), 1932 HENRI CARTIER - BRESSON, (Behind the Gare Saint Lazare), 1932

  29. The Everyday Martha Rosler The Bowery in Two Inadequate Descriptive Systems 1974-75 (detail) Moving beyond merely aesthetic images

  30. The Everyday the bowery in two inadequate descriptive systems, (1974 - 1975)

  31. The Everyday Jeff Wall . The Destroyed Room, 1978 Combining descriptive character of photography with the theatrical possibilities of staging and awareness of genres from visual art and cinema

  32. The Everyday "Insomnia” by Jeff Wall (1994)

  33. The Everyday Jeff Wall Untitled (overpass), 2001 Combining descriptive character of photography with the theatrical possibilities of staging and awareness of genres from visual art and cinema

  34. The Everyday Jeff Wall Mimic, 1982 Combining descriptive character of photography with the theatrical possibilities of staging and awareness of genres from visual art and cinema

  35. Jeff Wall Picture for Women 1979 Combining descriptive character of photography with the theatrical possibilities of staging and awareness of genres from visual art and cinema Edouard Manet. A Bar at the Folies-Bergère. 1882. Oil on canvas

  36. The Everyday KRZYSZTOF WODICZKO Edinburgh Projections August 1988 Onto six of the columns of the unfinished copy of the Parthenon at Carlton Hill in Edinburgh, Wodiczko projected images that represented the disenfranchised of the city. Personifications of homelessness, single parenthood, unemployment, alcoholism and drug addiction loomed over the city. The text “Morituri te Salutant” (those who are about to die salute you) was projected onto the lintel above. Across the hill the face of Margaret Thatcher and the words “Pax Brittanica” were projected onto the dome of the observatory.

  37. Gillian Wearing Signs that say what you want them to say and not signs that say what someone else wants you to say Interim Art, London 1997 The Everyday

  38. Self Portraits Rudolph Burckhard, Jackson Pollock painting in his studio

  39. Self Portraits Jo Spence, 1990 The self as something performed rather than revealed

  40. Self Portraits Jo Spence, 1990 The self as something performed rather than revealed

  41. Self Portraits The self as something performed rather than revealed Cindy Sherman, Untitled # 96

  42. "Untitled Film Still #58" Self Portraits "Untitled Film Still #33"

  43. Self Portraits Francesca Woodman, 1958-1981

  44. Mediation Allan McCollum, 1982 Perpetual Photo

  45. Mediation Andrew Grassie, Spaceman, from the series 'Why Paint Spacemen', 1997

  46. Mediation John Baldessari, Hanging Man With Sunglasses, 1984

  47. Mediation Yve Lomax “The observer affects the observed,” 1994

  48. Surveillance: about looking Keith Piper, “Club Mix” 1999

  49. Surveillance: about looking Sofie Calle Suite vénitienne, 1980

  50. Surveillance: about looking Claude Cahun. “What Do You Want of Me, 1928

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