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The technological foundations of Law:

Examines the role of digital images in sovereign power, analyzing mainstream cinema's portrayal of legal-political scenarios.

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The technological foundations of Law:

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  1. SPT 2013 ISEG, Technical University of Lisbon The technological foundations of Law: The biodigital images of sovereign power Marcus Vinicius A. B. De Matos mdemat01@mail.bbk.ac.uk BBK College (UOL) CAPES Foundation

  2. Introduction • Law and State of Exception • Theory of Law and Images • Concepts < Images • Role of Images  Rule of Images • Problems, Hypothesis • Work in progress

  3. Theoretical Framework • Sociology: • Technique, Propaganda, Politics (JaquesEllul) • Technology and De-symbolization (William H. Vanderburg) • Technology and moral (Richard Stivers)

  4. Theoretical Framework • Art, Media and Cultural Studies: • Pictorial Turn, Biodigital Pictures, Visuality(W. J. T. Mitchell; Jacques Rancière; Nicolas Mirzoeff) • War, Cinema, Surveillance (Paul Virilio; Mauricio Lissovsky) • Ritual, Embodiment, Personification (Aby Warburg)

  5. Theoretical Framework • Philosophy and Legal Theory: • State of Exception, Apparatus, Control (Giorgio Agamben; Gilles Deleuze; Michel Foucault) • Sovereignty, Violence (Walter Benjamin; Jean-Luc Nancy) • Subject, Aesthetics of Law, Raison d’État(CotasDouzinas; Juliana N. Magalhães; Pierre Legendre)

  6. Hypothesis & Methodology • Digital images from popular film: reveals and constitutes a media apparatus. • network of power relations: institutions, social actors, meaning, knowledge, imaginary, government. • Images from mainstream cinema:produced, reproduced, distributed, consumed, modified and criticized.

  7. Diagram 1 Source: form the author

  8. Methodology • Images (=) or (//) Pictures • Digital Images: • Pictorial turn(W.J.T. Mitchell, 2011) • Biopolitcs(//) Biopictures • Representation Vs. Personification • Biopictures: clone and terror. • Spectral subjects

  9. Diagram 2

  10. Empirical Research • Analysis of two movies and itsimages. • Elite Squad (2007), José Padilha. • The Dark Knight (2008), Christopher Nollan. • Two allegorical and juridical-political scenarios: • War on Terror (EUA, 2001-?) • Private War (Brazil, 1990s)

  11. Empirical Research Outline

  12. Empirical Research Outline • Media Reception: • specialized magazines, websites, reviews, interviews, and academic journals • Institutional research: • discourse of authorities, officers, politicians, journalists, in editorials, documents, news, interviews and procedures • Elite Squad (2007), José Padilha. • 21 publications analysed. • The Dark Knight (2008), Christopher Nollan • 46 publications analysed.

  13. List of films/images • 300 (2007), by Zack Snyder • Batman Begins (2005) and Dark Knight (2008), by Christopher Nolan. • Elite Squad (2007) and Elite Squad: the Enemy Within (2010), by Jose Padilha. • V for Vendetta (2005), by James McTeigue. • Star Wars new trilogy: Episode I: The Phantom Menace (1999); Episode II: Attack of the Clones (2002); and Episode III: Revenge of the Sith (2005), by George Lucas. • The Matrix trilogy: The Matrix (1999), The Matrix Reloaded (2003), and The Matrix Revolutions (2003) by Larry Wachowski and Andy Wachowski.

  14. Credits (Photos) • Donkey Hotey- Occupy Wall Street protestor in Guy Fawkes mask holding poster OCCUPY WALL STREET. • October 15, 2011. Photo by Hedonoikos • Noelle Resende – Ocupa Rio • Mariana Araujo – Dia do Basta • Dia do Basta – Facebook Page • Ralph Orlowisk – Getty Images • Craig Wherlock – Demotix • Milos Bicanski – GlobalPost

  15. References AGAMBEN, Giorgio. Homo Sacer – Sovereign Power and Bare life. California: Stanford University Press, 1998. AGAMBEN, Giorgio. State of Exception. Chicago: The University of Chicago Press, 2005. ALMOG, S.; AHARONSON,E. Law as film: Representing Justice in the Age of Moving Images.In: Canadian Journal of Law and Technonolgy, Vol. 3, N.1, March 2004. Disponível em: <http://cjlt.dal.ca/vol3_no1/pdfarticles/almog.pdf>. Acessoem: 23 jun 2009. BENJAMIN, Walter. Doctrine of the Similar (1933) Source: New German Critique, No. 17, Special Walter Benjamin Issue (Spring, 1979), pp. 65-69Published by: New German CritiqueStable URL: http://www.jstor.org/stable/488010 DI ROBILANT, Anna. The Aesthetics of Law. Global Jurist Advances , Vol. 1 [2001], Iss. 2, Art. 1 DOUZINAS, Costas. The Modern Law Review, Vol. 59, No. 2 (Mar., 1996), pp. 318-321. Published by: Blackwell Publishing on behalf of the Modern Law Review. Stable URL: http://www.jstor.org/stable/1097423 .Accessed: 14/10/2011 DOUZINAS, Costas.; Warrington, Ronnie. Justice Miscarried : Ethics and Aesthetics in Law Postmodern Theory. Edinburgh University Press, 1994 ELLUL, Jacques. A palavra humilhada. São Paulo: Ed.Paulinas, 1984. ______________. Perspectives on our age. Ed. revised and expanded. Toronto: HouseofAnansipress, 2004.

  16. References MAGALHÃES, Juliana Neuenschuwander. História semântica do conceito de soberania: o paradoxo da soberania popular. Tese de Doutorado. Faculdade de Direito. Belo Horizonte: Universidade Federal de Minas Gerais, 2000, 423p. MITCHELL, W. J. T. What Is an Image? New Literary History, Vol. 15, No. 3, Image/Imago/Imagination (Spring, 1984), 503-537. Stable URL: http://links.jstor.org/sici?sici=0028-6087%2189 8421%291 5%3A3%3C503%3AWIAI%3E2.O.C0%3B2-S. MITCHELL, W. J. T. What Do Pictures "Really" Want?October, Vol. 77. (Summer, 1996), pp. 71-82. p.72. Stable URL: http://links.jstor.org/sici?sici=0162-2870%28199622%2977%3C71%3AWDP%22W%3E2.0.CO%3B2-1 MITCHELL, W. J. T. Cloning Terror: The War of Images 2001-04. In: COSTELLO, D. & WILSDOM, D. The Life and Death of Images.Tate, 2008. MITCHELL, W. J. T. Cloning Terror: The War of Images 9/11 to the present.Chicago University Press, 2011. PINNEY, Christopher. The politics of popular images: from cow protection to m. k. gandhi, 1890-1950. In: Photos of the Gods’. the printed image and political struggle in india. Reaktion books, 2004 VANDERBURG, William H. The Labyrinth of Technology, University of Toronto Press, 2000, second printing 2002.

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