DOMINANCE ( EMPHASIS )

1. DOMINANCE (EMPHASIS) Prepared by Dr. Ahmed Azmy

2. Emphasis Emphasis is given to an area within the design because that area is meant to be seen or is more important to be noticed when compared to other places of the design

3. Emphasis in the Elements of Art Line Shape Texture Color Value Space

4. Emphasis: using Colors • Color Compliments. • Ex. Red and Green…

5. Emphasis in Your Abstract Portrait… • Use ColorTemperatureand Contrasting Organic and Geometric…

6. Emphasis: color & Shape • Contrasting: Color Temp. and Shape Types…

7. Black, white, and Grays • Create emphasis using Contrast in: Shape (org. & geo.), Line (weight, org. & geo., strait, wavy, curved…), Color (black next to white)

8. Sample from an artist:

9. Did he place it here?

10. …Or on the freaky-looking woman with a green face, orange hair,and red lips?

11. Where is the focal point in Wassily Kandinsky’s, Composition VII ?

12. Kandinsky emphasized the large black circle in the upper left corner of his work. The object is different from everything else in the painting and therefore it "stands out".

14. Goya "lights" up the painting in much the same way a spotlight lights up the actors on a stage. Goya creates a very light value around the area he wants you to see. The man in the white shirt is the focal point of the painting. He uses value contrast to emphasize this area.

16. For an element of design to be emphasized, the presence of other elements and principles of design is essential. For instance, while preparing an architectural design of a building, without the presence of trees in the background, a road in front of the building, and perhaps a few human figures, the building design cannot be emphasized

17. A focal point must be dominant to draw attention and interesting enough to encourage the viewer to look further

18. Emphasis is achieved through contrast. Many architects create a focal point to their buildings to attract attention

19. An entrance is often represent a strong focal point.

20. Any of the elements can be contrasted: line (a curve in the midst of straight lines)

21. Shape (a circle in a field of squares)

22. Shape (a sphere over a sharp line mass)

23. Colour (red path on a background of grays and blacks)

24. Colour (green doom on a background of gray)

25. Texture (rough vs. smooth)

26. Contrast can also be created by contrasting orientation in space (horizontal, vertical, diagonal).

27. Style (a historical style in a modern surrounding)

28. Style (a modern style in a traditional surrounding)

29. Size (a huge mass emphasis the entrance)

30. Size (a huge mass emphasis the entrance)

31. Size (a big window emphasis the hall behind it)

32. An anomaly, or something that departs from the norm, will also stand out and grab our attention

33. Isolating an element from the others by its position in space will also create emphasis

34. Emphasis can also be created by placement. Implied lines all directed toward the same place can create a focal point there

35. Focus of emphasis Emphasis in plans

36. Focus of emphasis Emphasis in facade

37. Focus of emphasis Emphasis in form

38. Focus of emphasis Emphasis in form

39. Focus of emphasis Emphasis in interior design Architectural features such as fireplaces or decorative works of art are often used as focal points.

40. Focus of emphasis Emphasis in interior design If you don’t have a natural focal point in your space, such as a fireplace for example, you can create one by highlighting a particular piece of furniture, artwork, or by simply painting a contrastingcolour in one area. Try to maintain balance, though, so that the focal point doesn’t hog all of the attention.

41. An important thing to remember about emphasis is that if everything is emphasized (alltext is large and bold, all images are animated or flashing, everything is in brightcolors) then nothing will stand out, nothing will be emphasized, nothing will grab the viewer’s attention.

42. End of lecture