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Performance Studies

Performance Studies. Week 10 Finish Ch. 5 Performativity (pp. 110-142) New Lesson: Ch. 6-1 Performing (pp. 143-167) Iris Tuan. Reference—Eugenio Barba. Iris Tuan ’ s Talk with Eugenio Barba Tuan ’ s Photos with Barba Writings on Barba (p. 159, 160, 161, 162)

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Performance Studies

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  1. Performance Studies Week 10 Finish Ch. 5 Performativity (pp. 110-142) New Lesson: Ch. 6-1 Performing (pp. 143-167) Iris Tuan

  2. Reference—Eugenio Barba • Iris Tuan’s Talk with Eugenio Barba • Tuan’s Photos with Barba • Writings on Barba (p. 159, 160, 161, 162) • Barba’s signature and words on the book which Barba sent to Iris Tuan

  3. The Broad Spectrum of Performing • Various kinds of performing occur in divergent circumstances • E.g. from shaman healing rituals to identity-changing trances • From theatre and dance to the great and small roles of everyday life (p. 143) • Photos (pp. 143-145)

  4. Acting • 2 extremes: • The “minimal acting” of some performance art • The “total acting” of shamans and the trance-possessed (p. 146) • Michael Kirby’s idea about “Not Acting and Acting” (p. 147)

  5. Terms & Stanislavsky • Nonmatrixed Performing • Symbolized Matrix Performing • Received Acting • Simple Acting • Complex Acting (p. 148) • Konstantin Stanislavsky • Stanislavsky’s method of training actors

  6. 5 Kinds of Acting • 1. Realistic Acting (pp. 149-152) • 2. Brechtian Acting (pp. 152-154) • 3. Codified Acting (pp. 155-163) • 4. Trance Acting (pp. 163-170) • 5. Performing objects— • masks and puppets (pp. 171-173) • Frances Harding’s idea about “Acting and Not-Acting in Africa” (p. 148)

  7. Homework • Recording homework: Brechtian Acting (pp. 152-153) • Preview: Watch Anna Deavere Smith’s Twilight L.A.

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