1 / 31

Depth of Field

Depth of Field. Depth of Field. The distance range between the nearest and farthest objects that appear in acceptably sharp focus. Depth of field depends on the lens opening, the focal length of the lens, and the distance from the lens to the subject.

ethan-chase
Download Presentation

Depth of Field

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Depth of Field

  2. Depth of Field • The distance range between the nearest and farthest objects that appear in acceptably sharp focus. • Depth of field depends on the lens opening, the focal length of the lens, and the distance from the lens to the subject.

  3. The General Principles that Govern Depth of Field

  4. F-5.6 F-2.8 F-11 F-22

  5. DOF and size of CCD chip or film frame ･First is a 35mm movie camera. ･Second is a 16mm movie camera (or a 2/3 inch broadcasting camera). ･Third is a 1/3 inch pro-consumer DV (Panasonic DVX100, Panasonic HVX-200) ･Forth is a consumer 1/4 inch mini -DV camera (Canon GL1, Sony TRV900)

  6. Film vs. Video

  7. Film vs. Video

  8. Selective focus Blue - directed by Krzystof Kieslowfski

  9. Type of Close-ups • Cut-in close-up: a magnified portion of the preceding large scene. The audience’s curiosity should be satisfied by bringing them closer, otherwise the viewer may lose interest. • Cut-away close-up: is related to, but not a part of, the previous scene. Cut-away close-ups may be filmed from three camera angles: Objectively, Subjectively and point-of view.

  10. The Power of Close-ups • A properly chosen, expertly-filmed, effectively-edited close-up can cause dramatic impact and visual clarity to the event. • Close-up should be considered from both visual and editorial standpoints. • Important in theatrical production: camera angle, image size and lighting of theatrical close-ups.

  11. The Double Life of Veronique by Krzysztof Kieslowski

  12. 11'09'01-U.S.A. by Sean Penn

  13. Demo 16mm CameraÉclair NPR

  14. Film Loading

  15. The Path Through the Camera

  16. The Shutter

  17. Reasons to Change the Shutter Angle

  18. Camera Movement • Pans • Tilts • Dolly Shots • Hand-held shots • Crane Shots • Zoom Lenses • The Aerial Shot

  19. Demo • Camera movement: Tracks and skateboard dolly • Outdoor lighting demo: reflector and diffusion

  20. Project #2 • Available Light Project (Due Oct. 12) (KODAK VISION2 250D/7205) • Develop a narrative story that’s taken place either interior of exterior. Shoot 400 feet of film using available light only. You are encouraged to combine with camera movements. • Two group of six.

  21. Reading • P173-195 Close-ups; (Five C’s of Cinematography) • Malkiewicz p19-26; Optics, (Cinematography) • Steven Bernstein p.55-62; Depth of Field (Film Production)

  22. Hyperfocal Distance • The hyperfocal distance is the point of focus where everything from half that distance to infinity falls within the depth of field.

More Related