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Othello: The Moor of Venice. Background Notes. Introduction to the Play. Written after Hamlet (1600-1601) One of Shakespeare’s four great tragedies: Hamlet Othello King Lear Macbeth. Focuses on issues of both national and personal importance. Explores domestic issues
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Othello: The Moor of Venice Background Notes
Introduction to the Play • Written after Hamlet (1600-1601) • One of Shakespeare’s four great tragedies: • Hamlet • Othello • King Lear • Macbeth
Focuses on issues of both national and personal importance • Explores domestic issues • Tale of passion • Fidelity, honor, justice, and personal struggle
In the opening act...… • Venetians are searching for the “valiant Othello” to lead its army to fight off the advancing Turks • Othello was called away from his honeymoon to go to war • By the opening of Act II, the war is over, the Turks are defeated, and the victors are ready to land in Cypress. • War takes place offstage • Othello is about times of peace, times of domesticity, and the battles that fill domestic life.
Sources for the Play • Although he stands out as one of the finest Western dramatists ever, none of Shakespeare’s stories were entirely original.
Sources for the Play • Othello: The Moor of Venice finds its roots in Giraldi Cinthio’s Hecatommithi (1565) • His work is built around short stories, most centering on the theme of marriage • Two sections revolve around marital infidelity and how a husband seeks revenge on his wife for “supposed” infidelity, culminating in her “accidental” death.
Setting • Venice • For Elizabethans, Italians were a wicked people, living lives of treachery, murder, and loose morals.
Setting • Shakespeare gives his most evil character (Iago) a Spanish name because Spain was England’s worst enemy.
Themes • Appearance versus reality • Society’s treatment of the outsider • The problem is to make a hero an outsider, one who doesn’t quite belong in the society in which he lives. • Othello is a Moor (North African) • Jealousy
Othello • Protagonist • Born a Moor – Black man from Northern Africa (Arab) • Looked upon with suspicion • Pagan- not converted to Christianity • Descended from “men of royal siege” or rank
Othello • Well-liked by his soldiers • Comes to Venice as a soldier of fortune to help Venice win their war against the Turks
Othello • Tragic Flaw: Believes that others are honest and sincere until he has proof they are not • Lives by a code of honor (military and private) • When a man’s honor is lost, he must win it back • Passionate man with a fiery temper • Allows jealousy to prevail over common sense *Always considered a stranger*
Iago • Antagonist • Othello’s ensign- low ranked commissioned officer • Married to Emilia • They seem to tolerate each other
Iago • Very complex character • Loves evil for evil’s sake • Motivated by jealousy • Seeks revenge • A wonderful actor • Amoral – he has no standards at all • Highly intelligent • Egotist: His opinion of everyone EXCEPT himself is very low
Iago • Amoral – he has no standards at all • Highly intelligent • Egotist: His opinion of everyone EXCEPT himself is very low • Cynic: Shows contempt for all convential standards of decency • Extremely proud
Desdemona • Young Venetian woman • Sheltered her entire life by her father • Portrait of a lovely, courageous, gentlewoman • May represent the good that evel often destroys • Is guilty only of loving her husband too much
Cassio • Attractive, likeable young man • Othello’s lieutenant • Innocent victim of Iago’s treachery
Emilia • Iago’s wife • Desdemona’s lady-in-waiting • Low opinion of men
Brabantio • Desdemona’s father • Venetian senator • Feels as if he OWNS his daughter • Not well-regarded by others in the government/society (silly man)
Roderigo • Venetian nobleman in love with Desdemona • Has more money than sense – pays Iago to help woo her for him • Roderigo’s gullibility and trust of Iago gets him killed.