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Typography. 2.01 Investigate typefaces and fonts. Where’d they come from?. Times - developed for newspaper text, books, magazines, office documents, display, and advertising Courier New - designed to emulate a typewriter Comic Sans MS - originally created for comic books
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Typography 2.01 Investigate typefaces and fonts.
Where’d they come from? • Times- developed for newspaper text, books, magazines, office documents, display, and advertising • Courier New - designed to emulate a typewriter • Comic Sans MS - originally created for comic books • Century Schoolbook - originally created for magazines and later widely used in reading primers and texts • Tahoma – created for small-sized text in dialog boxes and menus; can be rotated and scaled • Trebuchet MS, Georgia, and Century Gothic were created to optimize digital display
A typeface is a specific style applied to a font A font is a specific size, weight, and style applied to a character (letter, number, symbol) A font style is a specific slant and weight of a character, such as bold or italics A font family is a group of similarly formatted characters Four Families of Fonts: Serif Ornamental or Decorative Sans Serif Script or Cursive Typefaces, Fonts, and Font Families
Contain attributes/strokes at the tips of a letter Examples of Serif Fonts: Goudy Times Bodini Modern No. 20 Courier Rockwell Century Schoolbook Uses Newspaper text Office documents Books Magazines Display Advertising Serifs k
No attributes (serifs) at the tips of a letter Mono-weight appearance Examples of Sans Serif Fonts Arial - Berlin Sans Gill Sans - Verdana Uses Web pages - Digital display Headings - Captions Sans Serifs k
Ornamental or Decorative Designed strictly to catch the eye • Should be used sparingly • Examples • Chiller • Webdings • Uses • Headlines on flyers • Symbols used in logos
Script or Cursive All typefaces that appear to have been written by hand, with a calligraphy pen or a brush • Should never be used to key in all caps • Examples • Brush Script • French Script • Uses • Invitations • Calling cards • Poetry
Three Cs of Typography Design • Concord • Conflict • Contrast
Concord • A calm and harmonious layout • In this example • Initial cap is larger than the rest of the type • Words "full of sound and fury" have been italicized • Resulting effect is subdued
Conflict • Using two different typefaces that are similar, but not different enough to stand apart from each other • In this example, the words “full of sound and fury” are in a different typeface
Contrast • Effects on typeface, size, and/or weight to • Direct reading patterns • Organize information • Emphasize information
Type Effects • Monospace • Proportional • Leading • Kerning • Tracking • Punctuation
Monospaced Fonts • Each letter takes up the same amount of space • Advantages • Easier to see thin punctuation marks • Similar characters look more different • If limited to a certain number of characters per line, each line will look alike • Used often in computer programming and biology • Courier is monospaced
Proportional Fonts • Proportional • The amount of space each character takes up is adjusted to the width of that character • Therefore, an i is not as wide as an m. • Advantages • Does not take up as much space as monospaced fonts • Easier to read • Used in publications • Times New Roman is proportional
Vertical spacing between lines of text Also referred to as expanded or condensed Measured from the top of the capital of one line to the top of the capital of the next. Uses Slightly increase or decrease the length of a column of text so that it is even with an adjacent column To make a block of text fit in a space that is larger or smaller that a text block Leading
Horizontal spacing between pairs of letters Used to add or subtract space between pairs oflettersto create a more visually appealing and readable text Kerning
Tracking • The adjustment of space for groups of letters and entire blocks of text • Makes a block of text more open and airy or more dense. • Used to expand or contract a block of text for the purpose of aligning two columns
Typographical Punctuation • Curly quotes (also called smart quotes) can add interest to pull-quotes in a design • En dashes – for showing duration or range as in 9:00–5:00 or 112–600 or March 15–31. • Em dashes — the proper dashes to use in place of single or double hyphens (--) • Hyphens – used to separate numbers and/or letters, such as in a phone number