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TEXT AND SIGN session 5

TEXT AND SIGN session 5. narratives of the 90s. 90s epigrams “You shouldn’t have to sacrifice who you are just because somebody else has a problem with it.” (Carrie Bradshaw in Sex and the City ) “You know it’s not your style, but it’s right there and you try it on anyway”. presence.

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TEXT AND SIGN session 5

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  1. TEXT AND SIGNsession 5

  2. narratives of the 90s • 90s epigrams • “You shouldn’t have to sacrifice who you are just because somebody else has a problem with it.” (Carrie Bradshaw in Sex and the City) • “You know it’s not your style, but it’s right there and you try it on anyway”

  3. presence • Being present: what does it mean? • A strong identity is based on receiving undivided attention. • Relate to living in the world symbolically through personal experience of the world. • Authentic living vs. dictated agendas.

  4. rebecca miller

  5. arthur miller & inge morath

  6. miller & monroe

  7. morath/monroe/magnum

  8. miller & daniel day-lewis

  9. cultural production • painter/sculptor • actress • writer • movie director • the move across fields of cultural production is determined by various negotiations which ensure and determine the degree of a subject’s successfulness in a field of cultural production

  10. critics as gate keepers • “I always had this compulsion to tell stories and I was so visual at the same time. Making films just seemed the right way to unify those things.” (Rebecca Miller) • “Probably given the fact that everybody in my family is an artist, I became one. But I think that happens with doctors too”. (Rebecca Miller)

  11. pierre bourdieu • economic capital: consists of economic forces  money • cultural capital: consists of non-economic forces  family, background, social class, prestige. • (symbolic capital) • the dominated class has fewer economic means  it engages in producing works of culture • the dominating class possessing economic capital  engages in investing in the preservation of works of art.

  12. Personal Velocity: Greta • Greta • ambitious, speedy • ‘hates’ her job • gets things done • Lee • a quiet man • slow • loves his job • has no aspirations • Greta’s character is a reflection of her father  ‘interesting’ • through success, her assets get converted into money and prestige. • Lee’s character mirrors the values of his family  ‘nice’

  13. themes • Identity • established from the outset • mediated and negotiated • determined by realizations not decisions • Aspirations • Personal velocity • Challenging of social institutions

  14. symbolism • Shoes • are a reflection of the dynamics of a field • are a manifestation of personal velocity • are a standard by which we judge others • are a manifestation of different negotiations between fields

  15. context • Religion • Christianity (Protestantism and its work ethics: the aim is to be as good as others) • Judaism (stresses interpretation: the aim is not to be as good as the others, but better)

  16. style • performative • Miller’s writing emulates Greta’s editing • no redundancies • flat delivery (compare to the deadpan voice-over in the film) • irony • no sentimentality • interior monologue

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