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Part I, Ch. 1-3

Part I, Ch. 1-3. Charles – impressions? Hat (2), “ Ridiculus Sum” (3) Examples of mediocrity? “ officier de santé” 1 st two “Madame Bovarys ”? (controlling, domineering) Emma – impressions? Sensual details (12-14, 18-19) – ethereal images mix with realistic details

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Part I, Ch. 1-3

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  1. Part I, Ch. 1-3 • Charles – impressions? • Hat (2), “Ridiculus Sum” (3) • Examples of mediocrity? • “officier de santé” • 1st two “Madame Bovarys”? (controlling, domineering) • Emma – impressions? • Sensual details (12-14, 18-19) – ethereal images mix with realistic details • Seen largely from outside (Charles’s perspective), but … • Ideas re: romantic escape begin to emerge (19, 22) • “Free Indirect Discourse” (9, 15) • V. Nabokov on “bourgeois” (126-7)

  2. Part I, Ch. 4-7 • Portrayal of provincial wedding: • Scathing indictment of ridiculous peasants? • Sympathetic, comic portrayal of simple, honest folk? • Charles vs. Emma “the morning after” (26) • Following the wedding, Ch. 5 shows us Emma’s new life … hints of trouble to come? (29-30)

  3. Now we are primed to learn about Emma’s own formative years at convent (Ch. 6) • Emma’s Romanticism: • Sentimental romanticism, dreamy idealism, and exaggerated emotion • Emma’s version of Rom lacks depth, artistry, & abstractness (31, 34) • Nabokov 132 & 136 • “Honeymoon Days” (Ch. 7): Romance vs. Reality (34-5, 37) • Use of “would” to suggest: • A continual experience (22) • A hypothetical experience (34)

  4. Like Don Quixote, Emma immerses herself in fantasy/romance literature. However, DQ “actively transforms the reality he encounters,” whereas Emma remains passive; she “expects the men on whom she pins her hopes to act them out for her” (Eric Gans 72). • (Also, read Michelle G.’s comment)

  5. Part I, Ch. 8-9 • “Emma would have preferred to be married at midnight, by torchlight, but this idea seemed senseless to her father” (22). “They arrived at nightfall, just as the lanterns in the park were being lit to enable the carriages to find their way” (40). • Ball serves as a confirmation of her romantic dreams • “Contact with wealth” (48) • Wedding vs. Ball? • Momentary “shattering” of glass/illusion (44-5) • Charles (from top 43 to middle 45) • Cigar case = “impregnated” (mot juste!)

  6. Idealization of Paris • “layer of golden dust” (52) – decorations, trinkets, & growing capriciousness (confusing external and internal) • Emma on Charles? Shame, frustration, annoyance … HOPE turns to DESPAIR: • Ironically, spring proves suffocating! • ¾ of a year in a few ¶s (54) • Change in garden (55) • Bridal bouquet • End of Part I: new location, Emma pregnant

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