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North Carolina Pottery and symbolism

North Carolina Pottery and symbolism. Visions from North Carolina Potters and their influences. Mitchell 2000. Moravian Pottery. NC Pottery. Sugar bowl , 1789-1821

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North Carolina Pottery and symbolism

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  1. North Carolina Pottery and symbolism Visions from North Carolina Potters and their influences Mitchell 2000

  2. Moravian Pottery NC Pottery Sugar bowl, 1789-1821 Made by Rudolph Christ (1750–1833) American; Made in South, Salem, North Carolina, America Earthenware with slip decoration; 12 3/4 x10 in. (32.4 x 25.4 cm) Rogers Fund, 1918 (18.95.16 The Metropolitan Museum of Art www.metmuseum.org

  3. NC Pottery Daniel Seagle American, North Carolina, Lincoln County, 1805-1867 Fifteen-Gallon Jug stoneware, about 1825 - 1850 Ackland Fund, 82.19.2 Ackland Art Museum, The University of North Carolina at Chapel Hill Top view Side View

  4. NC Pottery Daniel Seagle American, North Carolina, Lincoln county, Vale 1805 - 1867 Four-gallon Jug ca. 1850 alkaline glazed stoneware 16 5/16 X 12 X 38" (42.3 X 30.5 X 96.5 cm) Ackland Fund Ackland Art Museum University of North Carolina at Chapel Hill 82.19.2

  5. NC Pottery Webster School Potters, American (Randolph County, NC), 1820-1880 Quart Jug salt-glazed stoneware with incised decoration, 1875 Ackland Fund 80.37.1 Ackland Art Museum The University of North Carolina at Chapel Hill

  6. NC Pottery American (Randolph County, NC) Grave Marker for Nancy J. Williamson salt-glazed stoneware, 1896 Gift of Charles G. Zug, III 84.42.1 Ackland Art Museum The University of North Carolina at Chapel Hill

  7. NC Pottery Henry H. Heavner, American, 1875-? And Royal P. Heavner, American, active around 1900, Catawba County, NC Twenty Gallon Jug alkaline-glazed stoneware, with glass ‘runs’ Ackland Fund, 83.21.1 Ackland Art Museum The University of North Carolina at Chapel Hill Inscriptions: H.H. HAVNER’S MFG Co./The Best MFG Co. in the US/ In God we trist//H.H. and R.P. Havener/ Champoin Broken Glass placed above the handles before the jar was fired created the runs of melted glass that decorated the sides. The inscriptions suggest that this unusually large jar was made as a display or demonstration piece.

  8. NC Pottery Charles Boyd Craven (for Teague’s Pottery), American (Moore County, NC), born 1909 Ring Jug lead-glazed earthenware, 1978 Gift of Mr. And Mrs. Charles G. Zug, III 81.60.8 Ackland Art Museum The University of North Carolina at Chapel Hill

  9. NC Pottery Burlon B. Craig American, North Carolina, Lincoln County, born 1914 Three-Gallon Churn Stoneware, 1980 Gift of Mr. And Mrs. Charles G. Zug, III, 80.36.1 Ackland Art Museum The University of North Carolina at Chapel Hill

  10. NC Pottery Burlon B. Craig, American (Lincoln County, NC) born 1914 Five Gallon Face Jug 80.36.3 One-Gallon Face Jug, 80.36.2 alkaline-glazed stoneware, 1980 Gift of Mr. And Mrs. Charles G. Zug, III Ackland Art Museum The University of North Carolina at Chapel Hill

  11. NC Pottery Face Jug 1970 Dorothy Cole Auman American, 1925-1991 earthenware, porcelain Mint Museum of Art Charlotte, NC http://www.mintmuseum.org/

  12. NC Pottery Three-Tier Face Jug by Terry, Anna, and Crystal King, manufactured by King's Pottery, 1996. Gift of Terry King Mint Museum of Art Charlotte, NC http://www.mintmuseum.org/

  13. African American Tradition Mint Museum of Art http://www.mintmuseum.org/ “African American Tradition This is a face jug made by an unidentified African-American slave around 1850. Enslaved African-Americans made bricks and pottery for use on the plantation. In their spare time, they created clay vessels with faces. These objects were highly prized in the community. They were passed down from one generation to the next. Other North Carolina potters also made face vessels. Perhaps they saw these small vessels and tried to make a face on one of their jugs.”

  14. African American Traditions Edgefield South Carolina, McKissick Museum, The University of South Carolina Columbia, South Carolina http://www.cla.sc.edu/MCKS/

  15. Not from NC... Portrait Bottle Peru. North Coast Early Intermediate Period, Moche IV A.D. 200-500 pottery with red and cream slips Museum Purchase: Charlotte Debutante Club Fund. 1968.2.15 Mint Museum of Art Charlotte, NC http://www.mintmuseum.org/ How is this similar or different from NC Face Jugs?

  16. Not from NC... Portrait Bottle of an Elite Male with a Turban Peru. North Coast Early Intermediate Period, Moche IV A.D. 200-500 pottery with brown and cream slips Mint Museum of Art Charlotte, NC http://www.mintmuseum.org/ How is this similar or different from NC Face Jugs?

  17. Not from NC... Stirrup Spout Bottle of a Drummer Wearing a Bird Mask Peru. North Coast Early Intermediate Period, Moche A.D. 200-600 Mint Museum of Art Charlotte, NC http://www.mintmuseum.org/ How is this similar or different from NC Face Jugs?

  18. How have pottery traditions in North Carolina changed?

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