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Images of African American Journeys of Migration. Fath Davis Ruffins Curator, Smithsonian’s National Museum of American History Migrations: the American Experience in Art Teacher Workshop--Art Institute of Chicago 30 July 2012. Depictions/Interpretations of African Americans.
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Images of African American Journeys of Migration Fath Davis Ruffins Curator, Smithsonian’s National Museum of American History Migrations: the American Experience in Art Teacher Workshop--Art Institute of Chicago 30 July 2012
Depictions/Interpretations of African Americans • People of African descent have often been depicted by “others” • Many ( but not all) of these depictions historically have been stereotypical • Therefore, a key question to ask about any image or representation of / or any reference to African Americans is “who doing the making or creating? And “For what purpose?”
First, respond to the work! • As a visual/spatial/emotional experience • What immediate references, emotions, thoughts or other responses do you feel? • What is the artist trying perhaps to communicate— feelings, associations (visual or conceptual), thoughts, etc. • What do you feel about this piece– on a spectrum ( like/dislike; critical response)
What questions might historians ask about art? • About the artwork itself • About the artist, situating him/her within the artistic movements, social milieu, known biography, history of the evolution of the work, etc. • About the known facts of the historical event/period depicted? • About the interpretation that the artist is making (if at all) • About contrasting interpretations that are similar (stylistically) or treat the same subject
United States is a “settler society” The “peopling” of the Americas included: • Immigration (voluntary international movement) • Importation ( forced international movement Such as slavery and indentured servitude) • Incorporation (borders move; people do not) • All of which produces displacement
Four major migrations of people of African descent in USA • Forced importation --the Trans-Atlantic Slave Trade and (small) voluntary immigration to Americas (1500-1870) • Forced migration of enslaved people from coastal regions to interior ( Domestic Slave Trade) 1820s-1860s; Self-emancipation on “Underground Railroad” • “The Great Migration”—voluntary migration from rural south to urban north and west, 1900s-1960s • Voluntary immigration of people from Africa and Caribbean, especially since 1965
Auguste Francois Biard Scenes on the Coast of Africa 1840
Lewis Miller Sketchbook of Landscapes in the State of Virginia 1853-1867
William A. Walker for Currier and Ives Cotton Plantation on the Mississippi-The Harvest 1884
Runaway Ad—printers mark typically used in newspapers in early 1800s
Eastman Johnson A Ride for Liberty—The Fugitive Slaves 1862
Charles T. Webber The Underground Railroad 1893
Jacob Lawrence Harriet Tubman Series 1967
Jacob Lawrence The Great Migration Series 1940-1941
Jacob Lawrence Migration Series 1940-1941
Jacob Lawrence “The numbers get bigger and bigger: Migration Series 1940-1941
Romare Bearden The Street 1975
Romare Bearden Tomarrow I may be Far Away--1967
Martin Puryear (Born 1941) Ladder for Booker T. Washington (1996)
Lyrics to the spiritual: We are climbing Jacob’s ladder • We are climbing Jacob’s ladder • Every rung goes higher, higher • Sinner do you love my Jesus? • If you love him, why not serve him? • Refrain: Soldier of the Cross