Constructivism  Dada  Surrealism

1. Constructivism  Dada  Surrealism 1913 - 1940 Hannah Hoch

2. Russian ConstructivismSurrealism. Dada Not Photography movements, but movements happening in the Art World that heavily relied on the camera.

5. Other Art Movements that Influenced Constructivism, Surrealism, and Dada Cubism Expressionism Futurism

6. Cubism (France) 1907 – 1914 • Cubism was one of the most influential visual art styles of the early twentieth century. • Created by Pablo Picasso (Spanish, 1881–1973) and Georges Braque (French, 1882–1963) in Paris between 1907 and 1914. • Art critic described the work of this time as being made up of "cubes."  Picasso Georges Braque

7. The Cubist painters rejected the concept that art should copy nature, or that they should adopt the traditional techniques of perspective, modelling, and foreshortening. • Avant-garde Movement • - new and experimental ideas and methods in art, music, or literature • The key concept underlying Cubism is that the essence of an object can only be captured by showing it from multiple points of view simultaneously

8. Expressionism 1905 – 1930 Germany Wassily Kandinsky, 1923 • An artistic style • Depict subjective emotions and responses that objects and events arouse in him • Personal, spontaneous self-expression • Use of distortion and exaggeration for emotional effect • Exaggeration, primitivism (basic/simple), and fantasy • Use of intense colour, agitated brushstrokes, and disjointed space • Seen in dance, cinema, literature and the theatre

9. Edvard Munch, 1893 August Macke, 1913

10. The artists vision of the object or scene • Not representing the real world, but rather an impression • They wanted instead to emphasize the two-dimensionality of the canvas. • They reduced and fractured objects into geometric forms Erich Heckel, 1919 Ernst Ludwig Kirchner, 1912

11. Futurism 1909 – 1916, Italy • The Futurists rejected anything old and looked towards a new Italy. • Past culture in Italy was felt as particularly oppressive.  • It emphasized and glorified themes of the future, speed, technology, youth and violence, and objects such as the car, the aeroplane and the industrial city. • Futurists proposed instead was an art that celebrated the modern world of industry and technology Umberto Boccioni

12. The Futurists practiced in every medium of art, including: Umberto Boccioni 1882 - 1916 painting, sculpture, ceramics, graphic design, industrial design, interior design, urban design, theatre, film,  fashion, textiles, literature, music,  architecture

13. GiacomoBalla

14. Dada 1916 – 1924 • Dada was born out of a pool of avant-garde painters, poets and filmmakers who flocked to neutral Switzerland before and during WWI. • Dada sounded the same in every language, and it didn’t make any sense • Dadaists were always opposed to authoritarianism, and to any form of group leadership or guiding ideology. • Rebelled against what they saw as cultural snobbery, bourgeois convention, and political support for the war. • Held events, spontaneous readings, performances, and exhibitions. MarcelDuchamp Raoul Hausmann GeorgeGrosz

15. Influenced by ideas and innovations from Cubism, Futurism, Constructivism, and Expressionism HugoBall MaxErnst

16. Medium/methods was wildly diverse JohnHeartfield

17. FrancisPicabia KurtSchwitters

18. Ranging from performance art to poetry, photography, sculpture, painting and collage • Dada'saesthetic, marked by its mockery of materialistic and nationalistic attitudes, proved a powerful influence on artists in many cities, including Berlin, Hanover, Paris, New York and Cologne, all of which generated their own groups.  • After the war, many of the artists who had participated in the Dada movement began to practice in a Surrealist mode. • Similar to Dada, Surrealism was characterized by a profound disillusionment with and condemnation of the Western emphasis on logic and reason. 

19. “We had lost confidence in our culture. Everything had to be demolished. At the Cabaret Voltaire we began by shocking common sense, public opinion, education, institutions, museums, good taste, in short, the prevailing order.” - Marcel Janco

20. Well known Dadaists/Surrealists: HansArp HugoBall AndréBreton SalvadorDalí GiorgioDe Chirico MarcelDuchamp MaxErnst SigmundFreud GeorgeGrosz Raoul Hausmann JohnHeartfield HannahHöch RenéMagritte AndréMasson JoanMiró LászlóMoholy-Nagy MeretOppenheim FrancisPicabia Man Ray HansRichter KurtSchwitters YvesTanguy TristanTzara

21. Most of these artists were very young and had “opted out” of the war, seeking refuge in New York, Zurich and Barcelona • Word was spread by publications/manifestos rather than organized exhibitions • Used all forms of expression – cabaret performances, meetings, visual art, writing and riots • Avant-garde, rebels • More focused on political and social concerns • Migrated also to New York, where it was more theoretical, less political

22. Why is this important to photography? DADAISTS HEAVILY USED THE CAMERA: WE SEE THE FIRST INSTANCE OF COLLAGE! • Collage: Pasting cut pieces of objects together such as train tickets, maps, rubbish – found objects • Photomontage: similar to collage, but using actual photographs from the media • Readymades: manufactured objects as “art” – turning into sculpture • Assemblage: 3D versions of collage A movement where we saw artists using photography and the camera in their work. They were not trained photographers, they had no allegiance to photography. They didn’t care if photography was art or not. They recognized the camera as a symbol of progress and industrialization.

23. Marcel Duchamp Outspoken Dadaist Liked to stir up controversy Question, what is art? Break down barriers of high art! Redefining art Created a personal brand of Cubism combining earthy colours, mechanical and visceral forms, and a depiction of movement which owes as much to Futurism as to Cubism.  “To all appearances, the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.”

24. Duchamp did very little painting after 1912, creating the first of his 'readymades' in 1913.

25. These were ordinary objects of everyday use, sometimes slightly altered, and designated works of art by the artist. The concept of the readymade became associated with an assault on the conventional understanding of the nature and status of art. 

26. Hannah Hoch

27. Known for her political collage and photomontage works Hannah Höch appropriated and rearranged images and text from the mass media to critique the failings of the German Government 1910 – 1920. She rejected the German government, but often focused her criticism more narrowly on gender issues, and is recognized as a pioneering feminist artist.

28. Höch drew inspiration from the collage work of Pablo Picasso and fellow Dada exponent Kurt Schwitters, and her own compositions share with those artists a similarly dynamic and layered style. Höch preferred metaphoric imagery to the more direct, text-based confrontational approach.

32. John Heartfield, German 1891 –1968 A pioneer of modern photomontage. Worked in Germany and Czechoslovakia between WWI – WWII. He developed a unique method of appropriating and reusing photographs to powerful political effect. Heartfield's images forecasted and reflected the chaos Germany experienced in the 1920s and '30s as it slipped toward social and political catastrophe. The impact of Heartfield's images was so great that they helped transform photomontage into a powerful form of mass communication.

33. Heartfield devised photo-based symbols for the Communist Party of Germany, allowing the organization to compete with the Nazis' swastika. His images of clenched fists, open palms, and raised arms all implied bold action and determination.

34. He chose recognizable press photographs of politicians or events from the mainstream illustrated press. He then disassembled and rearranged these images to radically alter their meaning.

35. Raoul Hausmann 1886–1971 German Dada artist, poet, photographer and polemicist. 

36. Influenced by the Cubists Co-founder of the Berlin Dada movement 1917 Greatly interested in photography and made photograms, rayograms and pictograms. 

37. Consistently blurring the boundaries between visual art, poetry, music, and dance. 

38. Surrealism – Early 1920’s • Branched out of Dadaism • Started in Paris, 1924 by Andre Breton • Surrealism became an international intellectual and political movement. • Drew upon the private world of the mind, traditionally restricted by reason and societal limitations, to produce surprising, unexpected imagery. • Influenced by dream studies of Freud and political ideas of Marx Picasso JoanMiró

39. The surrealist movement originated in Paris in the 1920s, drawing its members from many countries in Europe and beyond. Although it began as a literary movement, it soon developed to encompass the visual arts, engaging with ideas from psychoanalysis, philosophy and politics as well. The surrealists opposed what they saw as the stultifying and oppressive aspects of society, and celebrated a vision of the world in which men’s imaginations and desires were set free. … desire, the sole motivating principle of the world, the only master humans must recognise. - André Breton

40. Manifesto of Surrealism Surrealism: Pure psychic automation by which one intends to express verbally, in writing or by other method, the real functioning of the mind. Dictation by thought or in the absence of any other control exercised by reason, and beyond any aesthetic or moral preoccupation. “Surrealism is based on the belief … in the omnipotence of dreams, in the undirect play of thoughts.”

41. Photography and Surrealism Photography came to occupy a central role in Surrealist activity. In the works of Man Ray and Maurice Tabard. The use of such procedures as double exposure, combination printing, montage, and solarization dramatically evoked the union of dream and reality.  Maurice Tabard Man Ray

42. Other photographers used techniques such as rotation or distortion to render their images uncanny. Hans Bellmerobsessively photographed the mechanical dolls he fabricated himself, creating strangely sexualized images Umbo André Kertész Hans Bellmer

43. Man Ray 1922 Rayograph – said he invented it. Surrealism – had a range. Some was realistic, some was pure fantasy Photograms Solarization The photograph was taken with a two-hour-long exposure that beautifully captures the complex texture and diversity of materials that lay atop the glass surface.