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Visual Unity/Harmony. No organization: Chaotic. No organization: a mess. No organization: no part of the image is more important the any other. It is an ‘all-over’ image, allowing the viewer to scan the entirety rather than zoom in on any one part. Jackson Pollock, There were seven in eight.
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No organization: no part of the image is more important the any other. It is an ‘all-over’ image, allowing the viewer to scan the entirety rather than zoom in on any one part. Jackson Pollock, There were seven in eight
Gestalt: A Unified Whole • Gestalt theory: Visual imagery is understood holistically before it is examined separately. We look at the whole puzzle before individual pieces. • A succesful composition feels unified, but on analysis can be broken down into: • Grouping • Containment • Proximity • Repetition • Continuity • Closure These elements work together to create a unified whole.
GROUPING organizing a composition based on similarities, based on location, type, color, etc Jennifer Bartlet, Alphabet
Containment and Grouping: edges around objects help us further group them October, Janet Fish
Proximity- nearby objects are read as being together Andy Warhol, Scandinavian Airlines
Fusion-shapes share edges, so that new shapes are formed Frank Stella
Repetition: we see the same visual effect over and over Edgar Degas, the Millinery shop
Repetition Creating adiagonal orientation Edgar Degas, Ballet Dancers
Kitagawa Unamaro, Enjoying the cool evening breeze on and under the bridge
Continuation: a fluid connection between parts Balthus, the Living Room
This can lead to a sense of movement Rosenquist, Women’s Intuition
Continuity creating movement Thomas Eakins, Swimming
Closure: a mind’s inclination to connect fragmentary information to create a complete form.
Wassily Kandinsky, Circles in a Circle What principles of Gestalt Theory are present?
Variety • DIFFERENCE Unity and variety are the basis of good compositions—a piece should feel unified so that all elements are working together and nothing seems ‘out of place’, BUT We Varied enough so that there are elements of interest, we don’t get bored.
How is variety presented in this piece? Marilyn Minter, M & E
Are both unity and variety present? Ryan McGinness, Aesthetic Comfort