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Wednesday. Turn in Etruscan worksheet. Any questions over updated Syllabus. Etruscan Art Ch.9 Etruscan Quiz tomorrow. Pass back graded work @ end of class. 9/28/11 Reading Prompt.
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Wednesday • Turn in Etruscan worksheet. • Any questions over updated Syllabus. • Etruscan Art • Ch.9 Etruscan Quiz tomorrow. Pass back graded work @ end of class
9/28/11 Reading Prompt • In what way was the Etruscan rise and fall from power reflected in the decoration of their tombs? To what degree was it reflected in their bronze work? • Write & Date Question. Highlight answer in your lecture notebook. Will grade answer when I collect your notes on Unit 2 exam day.
Divide into groups of 3 • Each group will have an artwork to Analyze in 5 minutes. • Will share analysis to the class. (15 min) minutes) • Write on white boards. Big/ Clear/ Precise • Everyone else takes notes.
Form-Describe the form, elements & principles of design. How it looks. Shape, lines, style, colors, etc. • Content- What do you see? What is depicted • Context- What is the function? Context • Context answers: • “What is the ART for & what does the ART do?”
Artworks • Etruscan Temple • Reclining Couple Sarcophagus • Tomb of the Leopards • Capitoline Wolf
Monday • Aegean & Greek Quiz (15 minutes) • Etruscan P.P. • Reminder: • Roman worksheets due Tomorrow • Thursday Rough Draft Essay & Bibliography DUE!!! • Extra Credit: During A Lunch, or after school Today, come in to watch Art of the Western World episode: Greek Art. Attending this session, for at least 30 minutes, will earn you a 100 to substitute for a missing or low quiz grade. Lunch session (must be here on time! Will not get credit if you’re working on homework or goofing off)
Etruscan Art(700-539 BCE) • Etruscans = Ancient Italians who adopted much of he Greek Culture (was ETRURIA, now TUSCANY) • We know about their culture from the elaborate Necropoli filled with tombs • Sculptures influence by Archaic Greek work • Bronze and Terra-cotta works
Etruscan Art (700-539 BCE) Columns were smooth and did not surround temple Only one set of stairs leading up to stylobate Lots of terra-cotta sculpture – especially on roof Front and Back sides no longer the same
Apulu (Apollo) from the roof of the Portonaccio Temple (Veii), c. 510-500 BCE, painted terracotta Kroisos Anavysos, Greece ca. 530 BC
Apulu (Apollo) from the roof of the Portonaccio Temple (Veii), c. 510-500 BCE, painted terracottaEtruscan temples with rooftop terracotta statuary, three cellas, Tuscan columns, and a frontal staircase/ animated figures with an “Archaic smile”/ Apulu (Etruscan Apollo), possibly the work of Vulca of Veii
Left: Reconstruction of an Etruscan templeRight: Apulu (Apollo) from the roof of the Portonaccio Temple (Veii), c. 510-500 BCE, painted terracotta
Orientalizing lions from the Regolini-Galassi Tomb (Cerveteri), c. 650-640 BCEfibula, a fastening pin found in a tomb/ combining repoussé with granulation/ Eastern influences (Orientalizing lions)
Sarcophagus from Cerveteri. C520 BCE 6’7” in length. ETRUSCAN
Banqueters and musicians from the Tomb of the Leopards (Tarquinia), c. 480-470 BCE
Musicians from the Tomb of the Leopards (Tarquinia), c. 480-470 BCE
Musician from the Tomb of the Leopards (Tarquinia), c. 480-470 BCE
Tarquinius Superbus, the last of the Etruscan kings/ Romulus and Remus (placed on a raft by their mother Rhea Silvia to protect them from the rage of their uncle Amulius) raised by a she-wolf/ mixture of stylization and naturalism, with incised detail
Chimera of Arezzo (Arezzo), early 4th century BCE, bronzea chimera: ( mythical monster-lion head, lion tail) depicted as a composite animal, animated and ferocious/ killed by Bellerophon while riding Pegasus
Mars of Todi, early 4th century BCE, bronzeEtruscan interpretation of the Polykleitan canon/ rarity of nudity in Etruscan art
Novios Plautios. Ficoroni Cista (Palestrina), late 4th century BCE, Cista-cylindrical containers used by wealth women.
Aule Metele (Arringatore, Orator) (Sanguineto), early 1st century BCEself-confidence of a Roman magistrate with an Etruscan name/ resemblance to contemporary Roman portraits and inspiration for later depictions of emperors (such as Augustus)