Controlled Remote Viewing

1. Controlled Remote Viewing • This presentation is based on the CRV Manual • http://www.firedocs.com/remoteviewing/answers/crvmanual/index.html • It is in alphabetical order. • It is not intended to teach CRV • Designed by Angela T Smith

2. Controlled Remote Viewing • Protocol designed by Ingo Swann in conjunction with Hal Puthoff and the staff of Stanford Research Institute (SRI) International • Original DIA manual written by Paul Smith • Published by P.J. Gaenir at Firedocs.com

3. Controlled Remote Viewing • Serves as a comprehensive explanation of the theory and mechanics of coordinate remote viewing - later to be known as Controlled Remote Viewing or CRV • Intended for individuals who have no knowledge of psychoenergetic technology • Intended as a guide for training programs

4. Admonitions • Specific Glossary of specific terms • Attention should be paid to the terms used in this presentation. Alphabetical • They are the only acceptable terms that can be used in this methodology

5. “A” Component - Stage I • Feeling/motion component of the ideogram (I) • Physical consistency: hard, soft, solid, fluid, gaseous • Contour/shape/motion • Motion first, feeling next.

6. Analytic Overlay(AOL) • Analytic response of viewers mind to signal line input. Usually wrong in early stages • Possesses valid elements of site • “Looks like”-:It’s sort of…” Hesitation - ??? • Mental image sharp and clear and static

7. AOL Matching

8. AOL Matching • Later in a session, the viewer’s AOL may match or nearly match the actual signal line impression of the site • The viewer must become proficient of seeing through the AOL to the signal line • What is this AOL telling me about the site? • Describe the AOL information - Stage V

9. AOL/Signal (AOL/S)

10. AOL Drive

11. AOL Drive • Becomes a problem in Stage III • Occurs when viewer’s system caught up in AOL when viewer believes they are on signal line when not • Two similar AOLs in close proximity • Repeating signals, blackness, peacocking • NOT DECLARING AN AOL!

12. AOL Racheting • Recurrence of the same AOL over and over again • Trapped in a feedback loop • Declare an AOL break • Resume session

13. AOL Peacocking

14. AOL Peacocking • Rapid, unfolding AOLs, one right after another, of series of brilliant AOLs • Each building on the other before • Analogous to the unfolding of a peacock’s tail one feather at a time • Declare a break • Resume session

15. Aesthetic • Sensitivity of response to a given site • Important when declaring an Aesthetic Impact Break (AI Brk) • AI also comes into consideration during Stage III and IV

16. Aperture • An opening or an open space: hold, gap, cleft, chasm, slit. In radar, the electronic gate that controls the width and dispersement pattern of the radiating signal or wave • In remote viewing the opening of the aperture allows more contact with the signal line as it flows through the lumen

17. Attributes • Characteristic or quality of a person or thing. • Characteristics of site and viewer response • “Quiet”, “dimly lit”, “echoing”, “muted”

18. Auditory • Pertaining to hearing, to the sense of hearing, or the organs of hearing • Perceived through or resulting from the sense of hearing

19. Autonomic Nervous System (ANS) • Part of the vertebrate nervous system • Innervates smooth, cardiac muscle, and glandular tissues • Governs actions that are automatic • Sympathetic Nervous System and • Parasympathetic Nervous System

20. Automatic vs Autonomic • Automatic process which implies an action arising and subsiding entirely within the system rather than from without • Autonomic process is the reception and movement of the signal line information through the viewer’s system and into objectification.

21. “B” Component - Stage I • First spontaneous analytical response to the ideogram and A component • Follows the Ideogram, Feeling, and Movement of “A” component

22. Breaks • Mechanism to allow the system to be put “on hold”, to flush out AOLs, to deal with necessities, and allow a fresh start • Viewer objectifies a “……….break” • 7 types of breaks

23. AOL Break • An AOL break allows the signal line to be put on hold while AOL is expelled from the system • Declared as an “AOL Break”-written as “AOL Bk”

24. Confusion Break • When viewer becomes confused a Confusion Break is called • Allows confusion to dissipate. • Confusion break declared and written as “Conf Bk” • Coordinate taken

25. Too Much Break • When too much information provided by signal line • “TM break” is declared and written • Often initiated by overly elaborate ideogram

26. Break Break • If viewer takes a break that does not fit categories mentioned a “break” is declared • If break extensive, 20 minutes or more, state “resume” and time at point of resumption

27. AI and BiLo Breaks • Aesthetic Impact (AI) occurs in Stage III • Objectified and written as “AI Break” • AOL Drive Break - needs to be longer than a simple AOL Break to purge analytic loop • Bilocation Break (Bilo Brk) can be taken when consciousness appears to be transferred to site and data reporting stops

28. Coding/Encoding/Decoding • Information conveyed on signal line is “encoded”, translated into an information system (a code) allowing data to be “transmitted” by the signal line. The viewer must “code” the information through proper structure to make it accessible • Coding/encoding/decoding in structure

29. Cognitron • Assemblage of neurons, linked together by interconnecting synapses which, when stimulated by recall system produce a composite concept • Reinforced with use

30. Consciousness:Subconscious • Existing in the mind but not immediately available to consciousness • Affecting thought, feeling, and behavior without entering awareness • Mental activities just below the threshold of consciousness

31. Consciousness:Subliminal • Existing or functioning outside the area of conscious awareness • Influencing thought, feeling, or behavior in a manner unperceived by personal or subjective consciousness • Designed to influence the mind on levels other than conscious awareness by brief presentations of information

32. Consciousness:Limen and Limenal • Limen: the threshold of consciousness • The interface between the subconscious and conscious • Limenal: At the limen • Verging on consciousness • Supraliminal: Above the limen. • In the realm of conscious awareness

33. Consciousness:Conscious • Perceiving, apprehending, or noticing with a degree of controlled thought or observation • Recognizing as something external • Present, especially to the senses • Involving rational power, perception and awareness • Our link to the material world

34. Consciousness:Neurons and Synapses • Neuron is a nerve cell with all its processes. Neurons are basic element in formation of cognitrons • Apparent fundamental physical building blocks of mental and nervous processes • Synapses: interstices between neurons over which nerve impulses travel to carry information from senses to brain

35. Coordinate Remote Viewing (CRV) • The process of remote viewing using geographic coordinates for cueing or prompting • Later referred to as Controlled Remote Viewing (CRV)

36. Dimension • Extension in a single line or direction • Length, breadth, thickness, depth. • Example: a solid or cube has three dimensions: length, breadth, and thickness

37. Dimensionals • Can be simple or complex • Occurs in Stage IV • Spired, twisted, edged, partitioned • More complex than Stage III dimensionals

38. Drawing • The act of representing something by line. • Sketching a representation of an actual object, event, individual, concept, device, or location

39. Emotional Impact (EI) • Perceived emotions or feelings of people at the site or the viewer • Site may possess element of emotional impact, imprinted with long association with human emotional response

40. Evoking • To call forth or up, to summon, to call forth a response, elicit a response • Iteration of the coordinate or prompting mechanism that “evokes” the signal line, to impinge on the autonomic nervous system and unconscious for transmittal to viewer and on to objectification

41. Feedback • In Session: • Responses provided during session to indicate site detected and properly decoded • Post Session: Information provided after completion of session

42. Feedback Abbreviations • Correct (C): Assessed to be a true component of the site by monitor • Probably Correct (PC): Data cannot be fully assessed by monitor but assumed valid • Near Site (N): Elements of objects or locations near the site • Can’t Feed Back (CFB): Insufficient information to evaluate viewer data

43. Feedback Abbreviations Continued • Site (S): Tells the viewer that he/she has successfully acquired and debriefed the site • Usually signifies termination of the session • Session may continue on after Site declared to acquire further information about the site • Silence: Data incorrect. To avoid reinforcing negative responses. No feedback for incorrect response

44. First-Time Effect • Occurs in any human activity or skill • Usually called “Beginner’s Luck” • Especially good first attempt, then a sharp drop in success, to be built up again gradually through further training • Many explanatory theories • Known in psi functioning for decades

45. Ideogram (I) • Reflexive mark made on paper as result of impingement of the signal line on ANS • Subsequent transmittal through ANS to arm and hand, through pen onto paper

46. In-Session Feedback • In Session feedback is only used during early stages of training. • At later stages no in-session feedback given • Monitor becomes “blind” to site information or feedback until session over • Monitor remains silent whenever possible

47. Learning Curve • Graphic representation of standard success to session ratio of remote viewing trainee • Typical curve demonstrates high success for first few sessions, followed by a sudden drastic drop, then a gradual improvement curve until a relatively high plateau is reached and maintained

48. Gestalt • A unified whole • Having specific properties that cannot be derived from the summation of its component parts • Major Gestalt of example would be “water”

49. I/A/B Sequence - Stage I • Core of all CRV structure • Fundamental element of Stage I structure • Foundation for site acquisition/decoding • Ideogram, feeling/motion, first analytic response

50. Ideograms • The I component of the I/A/B sequence in Stage I • Spontaneous graphic representation of the major gestalt, manifested by the motion of the viewers pen on the paper