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0 9. IAT 102 Graphic Design. 0 9. The dispute between Bill and Tschichold The Grid The International Typographic Style (Swiss Style). The dispute between Max Bill and Jan Tschichold. Max Bill. Jan Tschichold. Jan Tschichold. Typographische Mitteilungen, 1915.
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09 IAT 102 Graphic Design
09 The dispute between Bill and Tschichold The Grid The International Typographic Style (Swiss Style)
The dispute between Max Bill and Jan Tschichold Max Bill Jan Tschichold
Jan Tschichold Typographische Mitteilungen, 1915
Jan Tschichold (Germany), late works: traditional typography, humanist tradition
Max Bill typography left aligned Tschichold typography center aligned
Traitor! Max Bill typography left aligned Tschichold typography center aligned
Max Bill: Asymmetrical Layout = Progress typography left aligned Tschichold typography center aligned
Max Bill: Asymmetrical Layout = Progress typography left aligned Tschichold: Symmetry Or Asymmetry (according to content) typography center aligned
A grid system helps designers organize information into a coherent pattern.
The Purpose of a grid: • The grid helps arranging text, photographs and diagrams in conformity with objective and functional criteria • Order lends credibility and induces confidence • Information presented clear and logically will be read more quickly and better understood/retained
Perhaps the most common reason to develop a grid is a necessity for a reusable system for multi-page and/or multi-issue publications.
A designer’s task is to provide ways into and out of the sea of words by breaking up text into smaller segments and offering alternate routes through the mass of information. Typography helps readers navigate through the flow of content.
1. Select a type area = define margins
4. Choose appropriate font sizes Remember: set the type 35-70 characters per line
4. Choose appropriate font sizes Remember: set the type 35-70 characters per line
Grid systems in graphic design, Josef Müller-Brockmann, Niggli, 1981, Zurich
1928 Tschichold New Typography 50-60ies Ruder White Space 1961 Muller-Brockmann The Grid 1970s Otl Aicher: Corporate Identity
Swiss Design • (International Typographic Style) • asymmetrical organization • grid • objective photography • clear and factual • sans serif typography • Herbert Matter, Max Bill, Otl Aicher, Emil Ruder, Armin Hofmann, Josef Müller-Brockmann • (Chapter 18, Meggs) Armin Hofmann, 1954
Swiss Design (International Typographic Style) Josef Müller-Brockmann
Swiss Design (International Typographic Style) Emil Ruder
Swiss Design (International Typographic Style) Armin Hofmann
Swiss Design (International Typographic Style) Armin Hofmann
Swiss Design (International Typographic Style) Herbert Matter
Swiss Design (International Typographic Style) Herbert Matter
Swiss Design (International Typographic Style) Josef Müller-Brockmann
Announcements: Lab D107 (Thursday 4:30) moved to room 3350 this week