Toni Morrison

1. Toni Morrison (February 18, 1931)

2. Toni Morrison (born Chloe Ardelia Wofford on February 18, 1931) is a Nobel Prize and Pulitzer Prize-winning American novelist, editor, and professor. Her novels are known for their epic themes, vivid dialogue, and richly detailed black characters. Among her best known novels are The Bluest Eye, Song of Solomon and Beloved.

3. The Bluest Eye is a 1970 novel by American author Toni Morrison. It is Morrison's first novel, written while Morrison was teaching at Howard University and was raising her two sons on her own. The story is about a year in the life of a young black girl in Lorain, Ohio, named Pecola. It takes place against the backdrop of America's Midwest as well as in the years following the Great Depression. The Bluest Eye is told from the perspective of Claudia MacTeer as a child and an adult, as well as from a third-person, omniscient viewpoint. Because of the controversial nature of the book, which deals with racism, incest, and child molestation, there have been numerous attempts to ban it from schools and libraries.

4. Claudia and Frieda MacTeer live in Ohio with their parents. The MacTeer family takes two other people into their home, Mr. Henry and Pecola. Pecola is a troubled young girl with a hard life. Her parents are constantly fighting, both physically and verbally. Pecola is continually being told and reminded of what an “ugly” girl she is, thus fueling her desire to be caucasian with blue eyes. Throughout the novel, it is revealed that not only has Pecola had a life full of hatred and hardships, but her parents have as well. Pecola’s mother, Pauline, only feels alive and happy when she is working for a rich, white family. Her father, Cholly, is a drunk who was left with his aunt when he was young and ran away to find his father, who wanted nothing to do with him. Both Pauline and Cholly eventually lost the love they once had for one another. While Pecola is doing dishes, her intoxicated father rapes her. His motives are unclear and confusing, seemingly a combination of both love and hate. Cholly flees after the second time he rapes Pecola, leaving her pregnant. The entire town of Lorain turns against her, except Claudia and Frieda. In the end, Pecola’s child is born prematurely and dies. Claudia and Frieda give up the money they had been saving and plant flower seeds in hopes that if the flowers bloom, Pecola's baby will live; the marigolds never bloom. • In the afterword, Morrison explains that she had met a man named Terry Owens from a down south area. Morrison knew this man while he had children of his own. He was a very nice but harmful man and didn't take any crap from no one. Morrison explains in a later book that Terry Owens was a veteran from the Vietnam war. "I was a very strong minded man coming from a home where I hadn't learn to read or working for a man that paid nothing much than a dollar." • Ideas of beauty, particularly those that relate to racial characteristics, are a major theme in this book. The title refers to Pecola's wish that her eyes would turn blue. Claudia is given a white baby doll to play with and is constantly told how lovely it is. Insults to physical appearance are often given in racial terms; a light-skinned student named Maureen is shown favoritism at school. There is a contrast between the world shown in the cinema and the one in which Pauline is a servant, as well as the WASP society and the existence the main characters live in. Most chapters' titles are extracts from a Dick and Jane reading book, presenting a happy, white family. This family is contrasted with Pecola's existence.

5. Plot summary • The main character, Macon "Milkman" Dead III, derives his nickname from the fact that he was breastfed for far too long. Milkman's father's employee, Freddie, happens to see him through the window being breastfed by his mother. Milkman is so tall by now his feet are "touching the floor." He quickly gains a reputation for being a "Momma's boy" in direct contrast to his (future) best friend, Guitar, who is motherless and fatherless. • Milkman has two sisters, "First Corinthians" and "Magdelene called Lena." The daughters of the family are named by putting a pin in the Bible, while the eldest son is named after his father. The first Macon Dead's name was the result of an administrative error when Milkman's grandfather had to register subsequent to the end of slavery. • Milkman's mother (Ruth Foster Dead) is the daughter of the town's only black doctor; she makes her husband feel inadequate, and it is clear she idolized her father, Doctor Foster, to the point of obsession. After her father dies, her husband claims to have found her in bed with the dead body, sucking his fingers. Ruth later tells Milkman that she was kneeling at her father's bedside kissing the only part of him that remained unaffected by the illness from which he died. These conflicting stories expose the problems between his parents and show Milkman that "truth" is difficult or impossible to obtain. Macon (Jr.) is often violently aggressive towards her out of frustration when she acts helpless, because he has worked hard to get to where he is, whereas Ruth has always been "daddy's little girl." On one occasion, Milkman punches his father after he strikes Milkman's mother, exposing the growing rift between father and son. • In contrast, Macon Dead Jr.'s sister, Pilate, is seen as nurturing—an Earth Mother character. Born without a navel, she is a somewhat mystical character. It is strongly implied that she is Divine—a female Christ-in spite of her name. Macon (Jr.) has not spoken to his sister for years and does not think highly of her. She, like Macon, has had to fend for herself from an early age after their father's murder, but she has dealt with her past in a different way than Macon, who has embraced money as the way to show his love for his father. Pilate has a daughter, Reba, and a granddaughter named Hagar. Hagar falls desperately and obsessively in love with Milkman, and is unable to cope with his rejection, attempting to kill him at least six times. • Hagar is not the only character who attempts to kill Milkman. Guitar, Milkman's erstwhile best friend, tries to kill Milkman more than once after incorrectly suspecting that Milkman has cheated him out of hidden gold, a fortune he planned to use to help his Seven Days group fund their revenge killings in response to killings of blacks. • Searching for the gold near the old family farm, Milkman meets Circe, who tells of his family history which leads him to the town of Shalimar. There he learns his great-grandfather Solomon was said to have escaped slavery by flying back to Africa, leaving behind twenty-one children and his wife Ryna, who goes crazy with loss. Returning home, he learns that Hagar has died of a broken heart. He accompanies Pilate back to Shalimar, where she is accidentally shot and killed by Guitar, who had intended to kill Milkman. • The novel ends on a poignant and ambiguous note: after resolving to confront Guitar, Milkman learns to fly like The Flying African of African folklore, on a note that mirrors the initial flight of the novel, the insurance agent Robert Smith's suicide flight. Milkman realizes, with the novel's closing line, that "if you surrendered to the air, you could ride it."

6. Themes • A major theme in the novel is Milkman's quest for identity as a black man in the 20th-century United States, as he slowly tries to piece together the history of his ancestors, which he achieves by journeying into his father and aunt's past, searching for origins. Names-their sources and meanings-also tie into this larger search for identity.

7. Plot summary • The book follows the story of Sethe and her daughter Denver as they try to rebuild their lives after having escaped from slavery. 124 Bluestone, the house they inhabit, is haunted; a revenant, which turns out to be the ghost of Sethe's murdered daughter, visits there with an alarming regularity. Because of this, Sethe's youngest daughter, Denver, has no friends and is extremely shy. Howard and Buglar, Sethe's sons, run away from home by the time they are thirteen because of the ghost's persistent torment. Shortly afterwards, Baby Suggs, the mother of Sethe's husband Halle, dies in her bed. • Paul D, one of the slaves from Sweet Home, the plantation where Baby Suggs, Sethe, Halle, he, and many other slaves had worked in and either been freed or run away from, arrives at 124. He tries to bring a sense of reality into the house. He also tries to make the family move forward in time and leave the past behind. In doing so, he forces out the ghost of Beloved. At first, he seems to be successful, because he leads the family to a carnival, out of the house for the first time in years. However, on their way back, they encounter a young woman sitting in front of the house. She has distinct features of a baby and calls herself Beloved. Denver recognizes right away that she must be a reincarnation of her sister Beloved. Paul D, suspicious of her, warns Sethe, but charmed by the young woman, Sethe ignores him. Paul D finds himself being gradually forced out of Sethe's home by a supernatural presence. When he is finally made to sleep in a shed outside, he is cornered by Beloved, who has put a spell on him for this purpose. She burrows into his mind and his heart, forcing him to have sex with her, while flooding his consciousness with horrific memories from his past. Paul D, overwhelmed with guilt after the incident, attempts to tell Sethe, but cannot and instead tells her he wants her pregnant. Sethe is humored and elated by his wishes, and Paul D finds the power to resist Beloved and her influence over him. However, when he tells his friends at work about his plans to start a new family, they react negatively and fearfully. Stamp Paid then reveals to Paul D the reason for the community's rejection of Sethe. When Paul D asks Sethe about it, she tells him what happened all those years ago. After escaping from Sweet Home and making it to her mother-in-law's home where her children are waiting, Sethe is found by her master, schoolteacher, who attempts to reclaim Sethe and her children. In a heightened panic, Sethe grabs her children, runs into the tool shed and tries to kill them all, succeeding only with her oldest daughter. Sethe explains to Paul D her reasoning for doing it, stating she was "trying to put my babies where they would be safe." However, the revelation is too much for Paul D, who later leaves the house for good. Without Paul D, the sense of reality and moving time disappears.

8. Sethe comes to believe that the girl, Beloved, is the daughter Sethe murdered by slitting her throat with a handsaw when the child was only two years old, and whose tombstone reads only "Beloved". Upon this realization, Sethe begins to spend carelessly and spoil Beloved out of guilt. Beloved recognizes her mother's guilt and becomes angry and more demanding, throwing hellish tantrums when she doesn't get her way. Beloved's presence consumes Sethe's life to the point where she becomes depleted and even sacrifices her own need for eating, while Beloved grows bigger and bigger. In the climax of the novel Denver, the youngest daughter, reaches out and searches for help from the black community. People arrive at 124 to exorcize Beloved. However, while Sethe is confused and has a "rememory" of schoolteacher coming again, Beloved disappears. • At the outset, the reader is led to assume Beloved is a supernatural, incarnate form of Sethe's murdered daughter. Later, Stamp Paid reveals the story of "a girl locked up by a white man over by Deer Creek. Found him dead last summer and the girl gone. Maybe that's her". Both are supportable by the text. The possibility that Beloved is the murdered child is supported by the fact that she sings a song known only to Sethe and her children; elsewhere, she speaks of Sethe's earrings without having seen them.

9. Psychological impact of slavery • Because of the painful nature of the experiences of slavery, most slaves repressed these memories in an attempt to leave behind a horrific past. This repression and dissociation from the past causes a fragmentation of the self and a loss of true identity. Sethe, Paul D. and Denver all experience this loss of self, which could only be remedied by the acceptance of the past and the memory of their original identities. In a way Beloved serves to open these characters up to their repressed memories, eventually causing the reintegration of their selves. Slavery splits a person into a fragmented figure. The identity, consisting of painful memories and unspeakable past, denied and kept at bay, becomes a ‘self that is no self.’ To heal and humanise, one must constitute it in a language, reorganize the painful events and retell the painful memories. As a result of suffering, the ‘self’, subject to a violent practice of making and unmaking, once acknowledged by an audience becomes real. Sethe, Paul D, and Baby Suggs who all fall short of such realization, are unable to ‘remake’ their ‘selves’ by trying to keep their pasts at bay. The 'self' is located in a word, defined by others. The power lies in the audience, or more precisely, in the word - once the word changes, so does the identity. All of the characters in Beloved face the challenge of an unmade 'self', composed of their 'rememories' and defined by perceptions and language. The barrier that keeps them from 'remaking' of the 'self' is the desire for an 'uncomplicated past' and the fear that remembering will lead them to 'a place they couldn't get back from'.