Video # 1

1. Video # 1 The Camera

2. CANON G1 HD

3. Three 1/3" Native 16:9 CCD Image Sensors with 1.67 Megapixels (1440 x 1080)

4. Video Recording system HDV: HDV1080i; DV: DV specifications • Two rotating heads, • Audio Recording system HDV: 2-channel recording MPEG1 Audio Layer II: (Sampling frequency 48 kHz, bit rate 384 kbps) • DV: 2-channel recording PCM digital recording: 16 bits (48 kHz), 12 bits (32 kHz, 12 bits selectable)

5. Focusing System TTL-video signal sensing system autofocus. • Manual focusing possible. • Minimum Focusing Distance: 20mm (wide macro), 1m (entire zoom range)

6. Viewfinder: .57-inch widescreen, approx. 269,000 pixels • LCD Screen 2.8-inch widescreen, approx. 207,000 pixels • Microphone High-performance stereo electric condenser microphone

7. Making Movies – Telling a Story

8. Making Movies – Telling a Story

9. Making Movies – Telling a Story Baby – Break in 4“

10. Making Movies – Telling a Story

11. Field Size

12. Field Size Panorama Shot / Extreme Long Shot

13. Field Size Long Shot

14. Field Size Medium Long Shot / Figure Shot / Complete View

15. Field Size Medium Shot

16. Field Size American Shot

17. Field Size Head & Shoulder Close Up

18. Field Size Close Up Shot

19. Field Size extreme close-up/ choker close up

20. Field Size • Movie 2

21. Camera Angle

22. Camera Angle - Straight-on Angle • „C“

23. Camera Angle - AerialShot • - High Angle Shot • - EstablishingShot • „B“

24. Camera Angle - AerialShot • - High Angle Shot • - EstablishingShot • „B“

25. Camera Angle - Top Shot • - Bird'seye of viewshot • - EstablishingShot • „A“

26. Camera Angle - Low-Angle-Shot • „D“

27. Camera Angle - Frog's-Eye-View • „E“

28. Cameramovements • PAN ‚1

29. Cameramovements • PAN ‚1 • Pan,1 A horizontal camera move on an axis, from right to left or left to right.

30. Cameramovements • PAN ‚1

31. Cameramovements • PAN ‚2 • Pan,2 A vertical movement of the camera - up or down- while the camera mounting stays.

32. Cameramovements • PAN ‚2: Tilt • Pan,2 Tilt: A vertical movement of the camera - up or down- while the camera mounting stays.

33. Cameramovements • Following pan. The camera swivels (in the same base position) to follow a moving subject. A space is left in front of the subject: the pan 'leads' rather than 'trails'. A pan usually begins and ends with a few seconds of still picture to give greater impact. The speed of a pan across a subject creates a particular mood as well as establishing the viewer's relationship with the subject.

34. Cameramovements • Parallel camera movement: Camera movement parallel to a moving subject permits speed without drawing attention to the camera itself.

35. Cameramovements • Circle tracking: The camera tracks around a subjekt in a circle. It can be examined like an item in a museum.

36. Making Movies • Shot / Take: A single run of the camera or the piece of film resulting from such a run.

37. Making Movies • Scene: A dramatic unit composed of several shots. A scene usually takes place in a continuous time period, in the same setting and involves the same characters.

38. Making Movies • Sequence. All scenes in the sequence are linked together by their emotional and narrative momentum.

39. Making Movies • Sequence. All scenes in the sequence are linked together by their emotional and narrative momentum:

40. Making Movies • Sequence. All scenes in the sequence are linked together by their emotional and narrative momentum:

41. Making Movies • Master Shot.

42. Making Movies Cut In. #1

43. Making Movies Shot-Reverse-Shot: Usually filmed in a medium shot. The camera perspective of two people talking changes from one to another

44. Making Movies Over Shoulder Shot: The camera films the actor who talks in a mid-shot. The shoulders of his partner in a dialoge are shown.