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The Modernist Implantation in Nigeria: Aina Onabolu and Kenneth D. Murray. Map of Nigeria depicting the various ancient cultures. Head, 2500-800 BP (500BC-200AD) Nok Culture Terracotta Stylized naturalism. Triton shell, Igbo Ukwu, Leaded bronze, 1100BP (900 AD)
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The Modernist Implantation in Nigeria: Aina Onabolu and Kenneth D. Murray
Head, 2500-800 BP (500BC-200AD) Nok Culture Terracotta Stylized naturalism
Triton shell, Igbo Ukwu, Leaded bronze, 1100BP (900 AD) Skeumorphic representations
Roped Vessel on a stand, Igbo Ukwu, Leaded bronze, 1100 BP (900AD)
Head of an Ooni (used in annual ritual of renewal) Ife, (Yoruba) Nigeria Leaded Brass (Zinc brass) 800-500 BP Idealized naturalism; youthfulness ephebism
Figure of an Ooni in ceremonial regalia Ife (Yoruba) Nigeria Leaded Brass—Zinc Brass 800-500 BP Emotional proportion
Head of a ritual specialist, Ife (Yoruba) Nigeria Terracotta 700-500 BP Inner/outer beauty; functionality
Ogboni Couple Ijebu Yoruba Brass 19th century Symbiotic relationship; umbilical chord
Osugbo Doors, Ijebu Yoruba Wood, 19th/20th century Visual metaphors of Power
Warrior Chiefs, Benin, Bronze Plaque, 400-300 B.P, 18.7/8 in Social and emotional proportion
Palace Messenger, Middle Period, Benin Bronze, 25 in.
Portuguese Soldier, Plaque Period, Benin Bronze
British Marines amidst their Loot from the Punitive Expedition Of 1897, Benin.
Modernism within the province of European art From 19th-20th century Modernity; newness; freshness; change; industrialization; disruption Modernist transplantation in Africa—new idiom; easel painting
Pablo Picasso, Les Demoiselle d’Avignon, oil on canvas, 1907
Epa, Yoruba, Nigeria Wood, pigments 20th century
Painting the head of an infant In the ritual of “knowing the inner head”
Sacred painting on the façade of a shrine in Ayegunle-Ekiti, Nigeria
Oluorogbo shrine painting Ile Ife, Nigeria
Aina Onabolu Barrister Oil on canvas 1920s
Aina Onabolu, Portrait of a Man Watercolor on Board 1955
Joshua Johnson—Portrait of a Gentleman, oil on canvas, c. 1805-1810 Supposedly Rev. Daniel Coker of the AME; limner tradition
Joshua Johnson, “In the Garden” Oil on canvas, c. 1830?
The Limner Tradition Commissioned Portraits Status -characteristically flat, plain or dark background With little attention to details Subtle modulation of tones -Liner approach connected to British/Dutch tradition Frontal Approach/frontally placed—looks directly at the audience Flowing drapery, ¾ view Proportions contradicts the academic canon of ratio 1:7