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Genetic Modification

Genetic Modification. Genetically Modified Organisms. Theme. Advances in technology are always scrutinized by the public who have seen it being used in misguided, terrible ways and then backfired.

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Genetic Modification

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  1. Genetic Modification Genetically Modified Organisms

  2. Theme Advances in technology are always scrutinized by the public who have seen it being used in misguided, terrible ways and then backfired. This theme, the fear of tampering with the unknown, is an underlying theme in the horror genre. I wish to connect the horror film genre. To name but a few of the films made where science goes terribly wrong.

  3. Aesthetic: Glofish LGFUAD (2010) Kelsey Clark Link: http://vimeo.com/1142661 Trapdcode Test Daniel Gies 2012 Link: http://vimeo.com/38144942

  4. Africanized Bee Links: Alice Madness Cutscenes Link: http://www.youtube.com/watch?v=CxVVmKon7aI

  5. Documentary Filmography Playing God (2012) Link: http://watchdocumentary.org/watch/playing-god-video_fe8c719f5.html Attack of the Killer Bees (2006) National Geographic Documentary Link: http://www.youtube.com/watch?v=gstt3XlNXN4

  6. Bibliography Genetic Testing and Its Implications: Human Genetics Researchers Grapple with Ethical Issues Isaac Rabino Science, Technology, & Human Values , Vol. 28, No. 3 (Summer, 2003), pp. 365-402 Published by: Sage Publications, Inc. Article Stable URL: http://www.jstor.org/stable/1557969 Indirect Genetic Effects and the Evolution of Aggression in a Vertebrate System Alastair J. Wilson, Uriel Gelin, Marie-Claude Perron and Denis Réale Proceedings: Biological Sciences , Vol. 276, No. 1656 (Feb. 7, 2009), pp. 533-541 Published by: The Royal Society Article Stable URL: http://www.jstor.org/stable/30244888 Geographies of Risk and Difference in Crop Genetic Engineering Kathleen McAfee Geographical Review , Vol. 94, No. 1 (Jan., 2004), pp. 80-106 Published by: American Geographical Society Article Stable URL: http://www.jstor.org/stable/30033954

  7. Genetic Technologies Meet the Public: The Discourses of Concern JesperLassen and Andrew Jamison Science, Technology, & Human Values , Vol. 31, No. 1 (Jan., 2006), pp. 8-28 Published by: Sage Publications, Inc. Article Stable URL: http://www.jstor.org/stable/29733923 The Africanized Honeybee: The epithet "killer bee" is undeserved Scott Camazine and Roger A. Morse American Scientist , Vol. 76, No. 5 (September-October 1988), pp. 464-471 Published by: Sigma Xi, The Scientific Research Society Article Stable URL: http://www.jstor.org/stable/27855385 Grounded Theory of Florida Aquarium retailers’ Acceptance of the Glofish Brian Peddie Published by: University of Floridia, 2008 Article Stable URL: http://ufdcimages.uflib.ufl.edu/UF/E0/02/00/00/00001/peddie_b.pdf

  8. The Evolution of Horror Horror: the Changing Monster

  9. 1954 Godzilla 1922 Nosferatu

  10. The History of Evil The History of Evil Link: http://www.youtube.com/watch?v=T6c-umQ_hlc

  11. Love & Theft Love & Theft (2010) Andreas Hykade Link: http://www.youtube.com/watch?v=rEUxlwb2uFI

  12. Bibliography Sunset with Chainsaw Evan Calder Williams Film Quarterly, Vol. 64, No. 4 (Summer 2011), pp. 28-33 Published by: University of California Press Article DOI: 10.1525/FQ.2011.64.4.28 Article Stable URL: http://www.jstor.org/stable/10.1525/FQ.2011.64.4.28 Debating Black Swan: Gender and Horror Mark Fisher and Amber Jacobs Film Quarterly, Vol. 65, No. 1 (Fall 2011), pp. 58-62 Published by: University of California Press Article DOI: 10.1525/FQ.2011.65.1.58 Article Stable URL: http://www.jstor.org/stable/10.1525/FQ.2011.65.1.58

  13. Films without a Face: Shock Horror in the Cinema of Georges Franju Adam Lowenstein Cinema Journal, Vol. 37, No. 4 (Summer, 1998), pp. 37-58 Published by: University of Texas Press on behalf of the Society for Cinema & Media Studies Article Stable URL: http://www.jstor.org/stable/1225726 OWI Meets the Monsters: Hollywood Horror Films and War Propaganda, 1942 to 1945 Rick Worland Cinema Journal, Vol. 37, No. 1 (Autumn, 1997), pp. 47-65 Published by: University of Texas Press on behalf of the Society for Cinema & Media Studies Article Stable URL: http://www.jstor.org/stable/1225689

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