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Musiksociologi

Musiksociologi. MM2 12.09.13. Evaluering af virksomhedsbesøg. Tekstgennemgang ved Esben. Frith : Performing Rites , (Harvard Uni . Press , Cambridge, 1998), s. 3-20. Musiklære. Hvad har I lært? Hvordan kan I bruge det? … i musiksociologi?. Musikvidenskab, musikanalyse og musikteori.

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Musiksociologi

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  1. Musiksociologi MM2 12.09.13

  2. Evaluering af virksomhedsbesøg

  3. Tekstgennemgang ved Esben Frith: Performing Rites, (Harvard Uni. Press, Cambridge, 1998), s. 3-20

  4. Musiklære Hvad har I lært? Hvordan kan I bruge det? … i musiksociologi?

  5. Musikvidenskab, musikanalyse og musikteori Forskellige fagtraditioner. • Geografisk. • Æstetisk/ideologisk. • Institutionelt.

  6. ”New Musicology” • - Poststrukturalisme • - Postmodernisme • - Musik og samfund • Tværfaglighed/interdisciplinaritet • Cultural studies • Mod ”formalisme”, positivisme • NB. Den kontinentale tradition og udvikling har en lidt • anden historie, men resultatet er ca. det samme.

  7. Frit oplæg ved Nanna

  8. Walser: ”Popularmusicanalysis” (2003) Kritik af Frith: ”The value problem in cultural studies”. Ti sætninger.

  9. Walser (2003), eksempler. Pirates of the Mississippi: ”FeedJake” http://www.youtube.com/watch?v=vgsnNKQvAhw “[…] challenges can strengthen analyses, when different ways of hearing music are accommodated. They underscore the fact that meanings are not random, yet the complexity of culture renders them not always predictable.”

  10. Walser (2003), eksempler. Metallica: ”EnterSandman” http://www.youtube.com/watch?v=CD-E-LDc384 “An analysis of a song such as this should, among many other things, grapple with how this prayer's deployment and contextualization depend upon musical semiotics so as to produce meanings that differ drastically from those of the preceding song. Even though our experiences of such shared bits of culture vary, music can be used to inflect and articulate such memories so as to produce vastly different evocations of seemingly simple material.”

  11. Walser (2003), eksempler. IceCube: ”When Will TheyShoot” http://www.youtube.com/watch?v=w1lUhfsdeyo “[…] 'sociological' information is often taken to be quite distant from the concerns of musical analysis. But knowledge of these conditions of poverty and injustice is absolutely essential, because without it, the analyst cannot possibly understand why this music has taken the form it has.”

  12. Walser (2003), eksempler. Kenny G: ”The Joy of Life” http://www.youtube.com/watch?v=XCwTNvkO8SU “music analysts need to be able to account for a music's appeal, and simply to ignore or vilify Kenny G and his listeners does nothing to help us understand contemporary musical culture, in which he has such a prominent place.”

  13. Tekstgennemgang ved Marie-Louise Moore: “What History Should a History of Popular Music Tell”, (2006)

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