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Eric Mann, Ph.D. Purdue University elmann@purdue.edu

The Essence of Mathematics. Eric Mann, Ph.D. Purdue University elmann@purdue.edu. An Old Rhyme. Multiplication is vexation, Division is just as bad; The Rule of Three perplexes me, And Practice drives me mad. Negative Numbers. A controversial topic for centuries

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Eric Mann, Ph.D. Purdue University elmann@purdue.edu

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  1. The Essence of Mathematics Eric Mann, Ph.D. Purdue University elmann@purdue.edu

  2. An Old Rhyme Multiplication is vexation, Division is just as bad; The Rule of Three perplexes me, And Practice drives me mad.

  3. Negative Numbers • A controversial topic for centuries • Initially used only as a computational tool • Existence as a real quantity challenged • Descartes (1637): False, fictious numbers • Carnot (1803) to obtain an isolate negative quantity, it would be necessary to cut off an effective quantity from zero, to remove something from nothing: impossible operation. • Busset (1843) • attributed the “failure of the teaching of mathematics in France to the admission of negative quantities.” • compelled to declare that such mental aberrations could prevent gifted minds from studying mathematics

  4. Why is the product of two negative numbers positive? • A fundamental question dealing with the properties of operations on numbers • Obvious that the product is ab but is it + or – ? • Cannot be – as (-a by +b) gives –ab and it can not have the same result • So, (-a by -b) must be positive Euler,1770

  5. The Product of Negatives • The Rule of Signs: To multiply a pair of numbers if both numbers have the same sign, their product is the product of their absolute values (their product is positive). • Taught • Direct instruction • Rules and Rhymes • Models (number lines, two-color chips)

  6. Pattern -2 x 3 = -6 -2 x 2 = -4 -2 x 1 = -2 -2 x 0 = 0 -2 x -1 = 2 -2 x -2 = 4 -2 x -3 = 6 Inductive Reasoning If -1 x -1 = -1 then -1(1 + -1) = -1 x 1 + -1 x -1 -1(0) = -1 + -1 0 = -2 Distributive Property (IN 5.3.3) Add, subtract, multiply and divide positive and negative rational numbers IN 6.2.1 & 6.2.2) Does it make sense?

  7. Don't Ask Why, Just Invert and Multiply

  8. Why? • Algebraically • Visually

  9. “We have known for some years now…that most children’s mathematical journeys are in vain because they never arrive anywhere, and what is perhaps worse is that they do not even enjoy the journey.” (Whitcombe, 1988)

  10. Today’s Mathematics Classroom Vision: a classroom where “students confidently engagein complex mathematical tasks…draw on knowledge from a wide varietyof mathematical topics, sometimes approaching the same problem from different mathematical perspectives or representing the mathematics in different ways until they find methods that enable them to make progress” (NCTM, 2000)

  11. Today’s Mathematics Classroom Reality for many:time spent watching as mathematical methods were demonstrated; where time was spent committing to memory facts and algorithms(Pehkonen, 1997),conceiving mathematics as “a digestive process rather than a creative one” (Dreyfus and Eisenberg, 1996), conveying instead the belief that math is divided into right and wrong and that “the essence of math is getting the right ones”(Ginsburg, 1996, Balka, 1974).

  12. What our math classrooms might be…

  13. Essence of Mathematics • “The essence of mathematics is not producing the correct answers, but thinking creatively” (Ginsburg, 1996). • Accuracy is important as the students’ responses must fit the context of the problem and be mathematically correct • BUT, “if we reject original or clever applications with small errors in application we discourage students from risk taking” (Poincaré, 1913).

  14. Creativity’s Vital Role in Mathematics • “Modern day commerce has no use for pupils graduating from school who have been trained to mechanically solve problems in exactly one pre-given way, i.e. like a machine” (Köhler, 1997). • For individuals to use mathematics in ways that go well beyond what they are taught creative mathematical thinking is key. (Sternberg, 1996)

  15. Mathematical Creativity Defined • One view “includes the ability to see new relationships between techniques and areas of application, and to makeassociations between possibly unrelated ideas”(Tammadge as cited in Haylock, 1987). • Krutetskii approaches creativity from a problem-solving perspective characterizing creativity in the context of problem-formation (problem-finding), invention, independence and originality(Krutetskii, 1976; Haylock, 1987). • Others have applied the concepts of fluency, flexibility and originality to mathematics (Tuli, 1980; Haylock, 1997; Kim, Cho, Ahn, 2003).

  16. Criteria for Measuring Creative Ability in Mathematics (Balka, 1974) The ability to • Formulate mathematical hypotheses • Determine patterns • Break from established mind sets to obtain solutions in a mathematical situation • Sense what is missing and ask questions • Consider and evaluate unusual mathematical ideas, to think through the consequences from a mathematical situation (divergent)

  17. A Criteria for Measuring Creative Ability in Mathematics (Balka, 1974) The ability to: • Formulate mathematical hypothesesconcerning cause and effect in a mathematical situation (divergent) • Determine patterns in mathematical situations (convergent)

  18. What is your hypotheses? • Sample Problem: Is there a connection between the number of sides of a polygon and the number of diagonals you can make? • Problem is loosely structured – a research question • Cause: change in number of sides • Effect: change in number of diagonals

  19. Emma’s Work (9 years old) (Koshy, 2001, p. 43-44)

  20. Another Challenge • You have three jugs A, B, and C • The problem is to find the best way of measuring out a given quantity of water, using just three jugs. • You are told how much each jug holds. • There are no marks on the jugs so the only way to make an accurate measurement is to fill a jug to the brim.

  21. An Example • Measure out 55 units if Jug A holds 10 units, Jug B holds 63 units and Jug C hold 2 units. • Solution: Fill B, pour off A, Fill C add to B or • B – A + C = 63 – 10 + 2

  22. Your Turn

  23. Your Turn

  24. A Criteria for Measuring Creative Ability in Mathematics (Balka, 1974) The ability to: • Formulate mathematical hypotheses • Determine patterns • Break from established mind setsto obtain solutions in a mathematical situation (convergent)

  25. The Einstellung Effect • The Einstellung effect: set successful procedure applied consistently even when it is less than efficient or inappropriate • The jug problem with 250, 11-12 year olds • 70% used the same procedure on all 6 problems • 11% used a different procedure on 1 problem • 11% used a different procedure on 2 problems • 8% couldn’t do the problems (Haylock, 1985)

  26. Try This One  One acre of good soil usually contains about three million worms. How many worms can Asa and David expect to find between each 10-yard line as they dig up the perfectly manicured grass on the junior high school football field? (Note: 1 acre = 4, 840 square yards) (Kleiman and Washington, 1996)

  27. The Answer is… • NOT ENOUGH INFORMATION • You need to know the area of the football field but the problem doesn’t give you its width • Divide area in square yards by yard per acre then find 1/10 of that, and then multiply by 3 million worms per acre • If you knew a football field was 55 yards wide the answer is 340,909.1 worms • Now the question is what is 0.1 worm?

  28. Criteria for Measuring Creative Ability in Mathematics (Balka, 1974) The ability to • Formulate mathematical hypotheses • Determine patterns • Break from established mind sets to obtain solutions in a mathematical situation • Sense what is missingfrom a given mathematical situation andto ask questionsthat will enable one to fill in the missing mathematical information (divergent)

  29. Criteria for Measuring Creative Ability in Mathematics (Balka, 1974) The ability to • Formulate mathematical hypotheses • Determine patterns • Break from established mind sets to obtain solutions in a mathematical situation • Sense what is missing ask questions • Consider and evaluate unusual mathematical ideas, to think through the consequences from a mathematical situation (divergent)

  30. How would you measure a puddle? (Westly, 1994,1995) • Record all the different ways you can think of. • Make sketches to show your work.

  31. Here are some ways by a2nd grader…&…a 7th grader (Westly, 1994,1995)

  32. Criteria for Measuring Creative Ability in Mathematics (Balka, 1974) The ability to • Formulate mathematical hypotheses • Determine patterns • Break from established mind sets to obtain solutions in a mathematical situation • Sense what is missing ask questions • Consider and evaluate unusual mathematical ideas, to think through the consequences • Split general mathematicalproblems into specific sub-problems(divergent)

  33. Math in Strange Places At the local grocery store bulletin board, Asa and David found these 8 signs. Create three problems of your own based on these signs. Weight Watchers: $14 All You Can Eat Hot Fudge Sundae andCheesecake Dinner Are you Illiterate? If so, call 1-800-CANT-READ Time Travelers’ Meeting: 7:45 p.m. last Tuesday Antique Collectors Display: Pentium Computers, Then and Now. See our collection dating all the way back to 1995 PSYCHICS’ MEETING: You Know Where, You know When TIME MANAGEMENT WORKSHOP for people who find themselves just too busy. Meeting 6:30 – 9:30 weekly, attendance mandatory Janitors Wanted, $42,000 starting salary, Ph.D. required Central New York Computer Club: “Learning to Use Spell Check”Meat in the Lobby of Supper 8 Motel, 8-9 p.m., Wednesday

  34. Math in Strange Places If you gain 1/2 pound for every Hot Fudge Sundae and 1/4 pound for each piece of cheesecake what are the possible combinations of sundaes and pieces of cheesecake that you ate if you gained 6 pounds? You have 4 friends and $97.  Tickets for the roller coaster are $2.50.   Do you have enough money to treat everyone to the Weight Watchers dinner and a ride on the roller coaster? Let's suppose today is Friday.  If the Psychic’s meetings are always 96.5 hours after the Time Traveler’s meeting when is (or when was) their next meeting? In preparing for the auction at the antique display, Jeff wants to know how much the price of Pentium computers has changed since 1995.  How can you help him?    What information would you need to decide if the job as a janitor is a good choice for someone with a Ph.D.?

  35. The Beauty of Mathematics An understanding of mathematics is necessary to introduce your students to the beauty it holds yet…

  36. Algorithms • Algorithms are the focus in most mathematical classrooms and the least important as machines can do it better and faster, they are boring, and they offer the student no sense of the structure of mathematics.” • “The human mathematical mind operates most efficiently when the following faculties are involved: • LOGICAL - ALGORITHMIC • INTUITIVE - CREATIVE • ASTHETIC - SPECULATIVE (Whitcombe, 1988)

  37. Algorithms • There is converging evidence that students often emerge from K-12 mathematics education with adequate problem execution skills –– but with inadequate problem representation skills (Mayer and Heagarty,1996) TIMSS Study: But can we use the math?

  38. Whitcombe’s Model of the Mathematical Mind Algorithms Beauty Creativity

  39. Whitcombe’s Model of the Mathematical Mind

  40. Whitcombe’s Model of the Mathematical Mind

  41. Whitcombe’s Model of the Mathematical Mind

  42. Assessing Mathematical Reasoning

  43. The Fun in Math Can you read this Math Poem? ((12 + 144 + 20 +(3 * 4(1/2)))) ÷ 7) + (5 x 11)= 92 + 0 Jon Saxton

  44. ((12 + 144 + 20 +(3 * 4(1/2)))) ÷ 7) + (5 x 11)= 92 + 0 A Dozen, a Gross, and a Score, plus three times the square root of four, divided by seven, plus five times eleven, equals nine squared and not a bit more. Found on-line at http://ctl.unbc.ca/CMS/poems.html

  45. Problem Posing & Creativity RubricSheffield, 2003

  46. Problem Posing & Creativity RubricSheffield, 2003

  47. Problem Posing & Creativity RubricSheffield, 2003

  48. Parting Thoughts • “Any” fruit of human endeavor shows creativity, if you think about it. The interesting question to me is this: Why is it that a student who is only playing other people's music instinctively understands that those composers were creative, and that s/he might aspire to the same kind of creativity -- or, in English class, instinctively understands that those writers were creative, even when s/he is just reading their creations and answering quiz questions about them -- but doesn't have the same instinctive understanding that Euclid and Newton and Pascal and Gauss and Euler were creative mathematicians? The most obvious answer has to do with the way these disciplines are taught. (Bogomolny, 2000)

  49. References Cited Balka, D. S., (1974) Creative ability in mathematics, Arithmetic Teacher, 21, 633-636 Dreyfus, T. & Eisenberg (1996) On different facets of mathematical thinking, In Sternberg, R., J & Ben-Zeev, T. (Eds) The Nature of Mathematical Thinking, (pp. 253 - 284), Mahwah, NJ: Lawrence Erlbaum Associates Haylock, D. W. (1987), A framework for assessing mathematical creativity in school children, Education Studies in Mathematics, 18 (1), 59-74. Haylock, D. W. (1985), Conflicts in the assessment and encouragement of mathematical creativity in schoolchildren, International Journal of Mathematical Education in Science and Technology, 16 (4) 547-553 Ginsburg, H. P. (1996) Toby’s math, In Sternberg, R., J & Ben-Zeev, T. (Eds) The Nature of Mathematical Thinking, (pp. 175-282),Mahwah, NJ: Lawrence Erlbaum Associates. Kim, H., Cho, S., & Ahn, D. (2003) Development of mathematical creative problem solving ability test for identification of gifted in math. Gifted Education International 18, 184-174.

  50. Kleilman, A., Washington, D. & Washington, M., (1996) It’s alive! Math like you’ve never know it before, and may never know it again…,Waco, TX: Prufrock Press Koshy, V. (2001), Teaching mathematics to able children, London: David Fulton Publishers Knutenskii, V. A. (1976), The psychology of mathematical abilities in school children, Chicago, University of Chicago Press. Köhler, H. (1997) Acting artist-like in the classroom, International Reviews on Mathematical Education, 29 (3) 88-93. Electronic Edition http://www.fiz-karlsruhe.de/fix/publications/zdm/adm97, accessed March 10, 2003. Poincaré, H. (1913) The foundations of science, New York: The Science Press. Pehkonen, E (1997) The state-of-art in mathematical creativity, International Reviews on Mathematical Education, 29 (3) 63-66. Electronic Edition http://www.fiz-karlsruhe.de/fix/publications/ zdm/adm97, accessed March 10, 2003. Principles and standards for school mathematics, (2000) Reston, VA: The National Council of Teachers of Mathematics, Inc.

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