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Looking at archival s ound: enhancing the listening experience in audio archives

Looking at archival s ound: enhancing the listening experience in audio archives. Jared Wiercinski & Annie Murray Concordia University Libraries Montreal, Quebec, Canada July 25, 2012. Overview. SpokenWeb project Research on the scholarly process Close listening

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Looking at archival s ound: enhancing the listening experience in audio archives

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  1. Looking at archival sound: enhancing the listening experience in audio archives Jared Wiercinski & Annie Murray Concordia University Libraries Montreal, Quebec, Canada July 25, 2012

  2. Overview • SpokenWeb project • Research on the scholarly process • Close listening • Features that facilitate close listening

  3. Spoken Web Conceptualizing and Prototyping a Comprehensive Web-based Digital Spoken Word Interface for Literary Research

  4. Scholarly Information Activities & PrimitivesPalmer, Teffeau & Pirmann (2009) • Searching • Collecting • Reading • Scanning • Assessing • Re-reading • Note-taking • Writing • Collaborating

  5. Towards close listening • Humanists “deeply engaged in source material rely heavily on browsing, collecting, rereading and notetaking.” • In an audio environment, reading and rereading become listening and relistening • The close reading done by humanists expands to include what Charles Bernstein calls “close listening,” a practice of critical engagement with sounded poems

  6. Poetry and Music Scholars: Affinities • We can link some of the work of music scholars and literary critics • Attentiveness to sounded poetry and sounded music; existence of a written source and a sounded source; versions of works • Awareness of performance practice • Importance of rhythm, metre, prosody, phrasing • Importance of language to both music and poetry

  7. How music scholars listen • Brown (2002) - Straddling the humanities and social sciences: the research process of music scholars • Hunter (2006) – A new breed of musicians: the information-seeking needs and behaviors of composers of electroacoustic music • Liew (2006) – Beyond the notes: a qualitative study of the information-seeking behavior of ethnomusicologists

  8. Previous Work: multimodality of learning & visual features that enhance listening

  9. What features might facilitate close listening? • Tethering audio-playback and written transcript • Sound visualization • Annotation • Playback manipulation

  10. Tethering audio-playback and written transcript: Radiolab

  11. Sound visualization: Soundcloud player

  12. Sound visualization: Mashup Breakdown

  13. Sound visualization & Annotation: Variations Audio Timeliner

  14. Sound visualization: Smithsonian Jazz Mixer

  15. Annotation: Soundcloud

  16. Playback manipulation: Myna

  17.  Listen to the listener.

  18. Contact information: Jared Wiercinskijared.wiercinski@concordia.caAnnie Murrayannie.murray@concordia.ca

  19. Photo credits • Kenneth Goldsmith • R. Murray Schafer “Concerto for Flute & Offernkleide" • Ana Sokolovic • James Dean

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