Elements of Short Stories

Elements of Short Stories PowerPoint adapted from:

Setting The setting is the place where the story takes place. Setting includes the following: • The geographical location • For example: London, Cairo, Halifax, Vancouver • The time period • For example: 1865, during WWII, today • The socio-economic characteristics of the location • For example: wealthy suburbs • The specific building, room etc. • For example: a prep school, a log cabin, a bus, a military base

SettingCan be used to tell readers about the characters: That evening T.J. smelled the air, his nostrils dilating with the odor of the earth under his feet. “It’s spring,” he said, and there was gladness rising in his voice that filled us all with the same feeling. “It’s mighty late for it, but it’s spring” … We were all sniffing at the air, too, trying to smell it the way that T.J. did, and I can still remember the sweet odor of the earth under our feet. It was the first time in my life that spring and spring earth had meant anything to me. “Antaeus” by Borden Deal

SettingCan be used to set the atmosphere for the story: “During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, though a singularly dreary tract of country.” “The Fall of the House of Usher” by Edgar Allan Poe

CharactersThe people (or animals, things, etc. presented as people) appearing in a literary work. • Round Characters are convincing, true to life. Have many different and sometimes even contradictory personality traits. • Dynamic Characters undergo some type of change or development in story, often because of something that happens to them • Flat Characters are stereotyped, shallow, and often symbolic. Have only one or two personality traits • Static Characters do not change in the course of the story

Characters • Protagonist: The main character in a literary work (for instance, Paul Baumer in All Quiet on the Western Front or Cinderella or Snow White in the fairy tales named for their characters) • Antagonist: The character who opposes the protagonist (Curley in Of Mice and Menor the wicked stepmothers in the fairy tales)

Methods of Characterization Direct Characterization: The author develops the personality of a character by direct statements. “Jack had been in basic training in Florida and Dottie was there on vacation with her parents. They’d met on the beach and struck up a conversation. Dottie was the talker, the outgoing one – the extrovert. Jack was too shy around girls to say much at all.” “Furlough – 1944” by Harry Mazer

Methods of Characterization Indirect Characterization: Revealing a character’s personality through: • The character’s thoughts, words, and actions • The comments of other characters • The character’s physical appearance

Indirect Characterization through Thoughts “Moonbeam closed his eyes and pretended to sleep the rest of the way to Bamfield. He couldn’t believe what he had gotten himself into. How had this happened? He’d never held a gun in his life, much less gone hunting for animals.” “Moonbeam Dawson and the Killer Bear” by Jean Okimoto

Indirect Characterization through Words It was Kenny Griffen, smiling complacently. “Miss Bird sent me after you ‘cause you been gone six years. You’re in trouble… yer constipated!” Kenny chortled gleefully. “Wait’ll I tell Caaathy!” “Here There Be Tygers” by Stephen King

Indirect Characterization through Actions “The boy held his breath; he wondered whether his father would hear his heart beating… Through a crack in the counter he could see his father where he stood, one hand held to his high stiff collar…” “I Spy” by Graham Greene

Indirect Characterization through Appearance “Miss Kinney was young and blonde and bouncy and had a boyfriend who picked her up after school in a blue Camaro.” “Here There Be Tygers” by Stephen King

Plot Plot is how the author arranges events to develop his/her basic idea. It is the sequence of events in a story or play. The plot is a planned, logical series of events having a beginning, middle and end.

Plot Components Introduction: The start of the story, the situation before the action starts Rising Action: The series of conflicts and crisis in the story that lead to the climax Climax / Turning Point: The most intense moment – either mentally or in action – the reader wonders what will happen next; will the conflict be resolved or not? Falling Action: The events and complications begin to resolve themselves. (The events between the climax and the resolution) Denouement/Resolution: The conclusion, the untangling of events in the story

Plot: Conflict Conflict is the dramatic struggle between two forces in a story. Without conflict there is no plot.

External Conflict Human vs. Human Human vs. Nature Human vs. Society Internal Conflict Human vs. Self Plot: Types of Conflict

Point of View The angle or perspective from which the story is told • Who is telling the story? • For instance, is it a player on the home team or someone watching the game? • How do we know what is happening? • For instance, does a character tell us?

First Person Point of View Told from the viewpoint of one of the characters, using the first person pronoun “I”. “The thousands of injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I give utterance to a threat.” “The Cask of Amontillado” by Edgar Allan Poe

Innocent Eye:The story is told through the eyes of a child (his/her judgment being different from that of an adult). • Stream of Consciousness: The story is told so that the reader feels as if they are inside the head of one character and knows all their thoughts and reactions.

Third Person Point of View The story is told using a narrator who is located outside of the action of the story and uses third person pronouns such as “he”, “she”, “his”, “her”, “they” etc. Third Person Point of View can be broken up into three different types: • Omniscient • Limited Omniscient • Objective

Omniscient Point of View The narrator has the power to show the reader what is happening though a number of characters’ eyes. “Myop carried a short knobby stick. She struck out at random at chickens she liked, and worked out the beat of a song on the fence around the pigpen. She felt light and good in the warm sun. She was ten, and nothing existed for her but her son, the stick she clutched in her dark brown hand, and the tat-de-ta-ta-ta of accompaniment.” “The Flowers” by Alice Walker

Limited Omniscient Point of View Third person, told from the viewpoint of a character in the story. “They all laughed, and while they were laughing, the quiet boy moved his bare foot on the sidewalk and merely touched, brushed against a number of red ants that were scurrying about on the sidewalk. Secretly his eyes shining, while his parents chatted with the old man, he saw the ants hesitate, quiver, and lie still on the cement. He sensed they were cold now.” “Fever Dream” by Ray Bradbury

Objective Point of View Third person, told as if from a camera that follows the characters. Only what is said and done is recorded. “Jennifer stirred in bed. The cotton sheet clung to her body as she rolled to face the nightstand. With eyes half open, she reached over to switch the alarm clock off when the man in the shadows reached out and grabbed her arm. Her scream pierced the quiet night and died abruptly as she was forced violently back into the dark oblivion.” “Objective Point of View” writesville.com

Theme • Theme is the central idea or central message of the story. It usually contains some insight into the human condition – telling something about humans and life. • The theme can be stated directly or implied by the events and actions in the story.

Types of Irony • Verbal Irony: This is the contrast between what is said and what is meant. In other words: sarcasm. • Dramatic Irony: This is the contrast between what the character thinks to be true and what we (the reader) know to be true. Sometimes as we read we are placed in the position of knowing more than what one character knows. Because we know something the character does not, we read to discover how the character will react when he or she learns the truth of the situation. • Situational Irony: This is the most common in literature. It is the contrast between what happens and what was expected (or what would seem appropriate). Because it emerges from the events and circumstances of a story it is often more subtle and effective than verbal or dramatic irony.

A journey can symbolize life Water may represent cleanliness and renewal A lion can be a symbol of courage. A red rose can represent love. SymbolismA symbol represents an idea, quality, or concept larger than itself.

Flashback This is a writers’ technique in which the author interrupts the plot of the story to recreate an incident of an earlier time (goes back in time; like giving the reader a memory). This device is often used to provide additional information to the reader.

Foreshadowing This is a writers’ technique in which the author provides clues or hints as to what is going to happen later in the story. It’s like the music in a scary movie when we know that something bad is about to happen.

Elements of Short Stories