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Medieval Cathedrals. Romanesque. Use of the barrel vault which allowed for a taller church Few windows Begin to use stained glass Always cruciform in shape; with transept about ¾ of way down the nave Addition of side aisles to facilitate traffic Stone roofs replace earlier wooden roofs
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Use of the barrel vault which allowed for a taller church • Few windows • Begin to use stained glass • Always cruciform in shape; with transept about ¾ of way down the nave • Addition of side aisles to facilitate traffic • Stone roofs replace earlier wooden roofs • Increasing importance of entrance at the west end • Use of towers at west end or above transepts; sometimes domes above transept (popular in Italy)
Barrel Vault – San Miniato, Italy
The Pointed Arch Allows for a taller, but narrow, building Lyon, France
Notre Dame, Paris
Perpendicular Gothic • Not as tall • Longer • Transept often crosses at middle of church • Frequently has a tower where transept and nave cross • Popular in England
Flying Buttresses Flying buttresses were external supports which took some of the weight off of the walls and allowed for a taller building
The nave is the main area of the church where the congregation gathers for Mass Notre Dame, Paris
The Choir In cathedrals which had a monastery, the choir was where the monks or nuns sat to celebrate the Liturgy of the Hours
The Sanctuary • The area of the church where the liturgy takes place. • Includes the main altar, the lectern, and the Presider's chair
Reredos A screen behind the altar that makes the altar the focal point of the church
The Rood Screen • Also called the iconostasis • A screen that divides the nave from the sanctuary • Medieval Catholics believed the Mass was a holy mystery – something we were not worthy to view or to take part in
Portal • From Latin for “door” • The main door of most Medieval churches was the West Portal • Frequently a painting or carving the Last Judgment was above the door
Notre Dame, West Portal
Stained glass first appeared in church windows around 600 AD Common by 800 Medieval churches wanted lots of glass to let light in – light represented the presence of God (Jesus as “Light of the World”) Stained glass pictures were considered to the “poor man’s Bible” – telling Biblical stories or the lives of the saints Stained Glass