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AP ART – Concentration or creating a meaningful, connected body of work El ARTE de AP – la Concentración o Creando un cuerpo significativo y conectado del trabajo
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AP ART – Concentration or creating a meaningful, connected body of workEl ARTE de AP – la Concentración o Creando un cuerpo significativo y conectado del trabajo
Creating a body of work that is both consistent and connected can be done through a variety of ways. The following slides will demonstrate different means of creating a body of work. • Artists involved in an Art movement generally share a vision or interest who also share the same conventions: • - content • - ideas/philosophy • - palette (hues or colors) • - technique • Crear un cuerpo del trabajo que es ambos coherente y conectado puede ser hecho por una variedad de maneras. Los resbaladeros siguientes hacen medios diferentes demostrados de crear un cuerpo del trabajo. • Los artistas implicaron en un movimiento de la Arte comparte generalmente una visión o el interés que comparten también las mismas convenciones: • el contenido • la ideas/filosofía • paleta (los matices o los colores) • la técnica
The following are three examples of MANY Art movements found throughout history: Romanticism 1820’s – 1900: El siguiente es tres ejemplos de MUCHOS movimientos de la Arte encontraron a través de la historia: El romanticismo 1820’s - 1900: Caspar David Friedrich Thomas Cole Thomas Cole (1801–1848)Expulsion-Moon and Firelight, ca.1828 Oil on canvas, 91.3 x 121.9 cm © Carmen Thyssen-Bornemisza Collection Wanderer above the Sea of Fog1818; Oil on canvas, 94 x 74.8 cm; Kunsthalle, Hamburg
Pre-Raphaelite 1848 – 1930’s: Dante Gabriel Rossetti, Astarte Syriaca 1876 Oil on canvas Sir Edward Burne-Jones. The Wheel of Fortune. 1883. Oil on canvas. Musée d'Orsay, Paris, France
Symbolists 1880’s - 1932: Mikhail Vrubel.The Seated Demon. 1890. Oil on canvas. The Tretyakov Gallery, Moscow, Russia Moreau, GustaveThe Apparitionc. 1874-76Oil on canvas142 x 103 cmMusee Gustave Moreau, Paris
Artists often will use their aesthetic, or means of expression/taste, to express feelings and ideas. The following slides are examples of Artists expressing feelings/ideas through their work. Los artistas a menudo utilizarán sus estético, o medios del expresión/sabor, para Expresar los sentimientos y las ideas. Los resbaladeros siguientes son los ejemplos de Artistas que expresan los sentimientos/ideas por su trabajo.
The Burial of Count Orgaz 1586–1588 oil on canvas 480 × 360 cm Santo Tomé, Toledo Creation of Man Michelangelo Sistine Chapel Vatican City 1512 Religion/mythology: detail – Creation of Man
Religion/mythology, continued: This triptych resides at the Academie für Bildenden Künste in Vienna. The outside of the shutters are Grisaille on panel, while the inside shutters and center are oil on panel. The left and right panels measure 167.7 x 60 cm and the center panel measures 164 x 127cm.
Oskar Kokoschka (1886-1980)"Bride of the Wind"(oil on canvass, 181x221cm)Kunstmuseum, Basel, Switzerland LOVE: La Mariée Marc Chagall 1950 Gouache pastel
Love, continued: Gustav Klimt The Kiss. 1907–1908. Oil on canvas. Österreichische Galerie Belvedere.
Death: Käthe Kollwitz, woman with dead child, soft-ground etching with engraving, overprinted with a gold tone-plate 47.6 x 41.9cm British Museum. Jacques-Louis David Oil on Canvas, 65" x 50 3/8" 1793 Musées Royaux des Beaux-Arts at Brussels
Death, continued: The Death of a Grave-Digger (La Mort du Fossoyeur) Carlos Schwabe (1866-1926/French)Musee d'Orsay, Paris
Happiness: Title: Malle Babbe (The Witch of Haarlem) Date:1630-33Location of Origin: NetherlandsMedium:Oil on canvasOriginal Size: 29 1/2 x 25 in Judith Leyster self-portrait, near age 21 1630 National Gallery of Art, USA.
Happiness, continued: The Swing Jean-Honoré FRAGONARD1767Oil on canvas, 81 x 64 cmWallace Collection, London The Merry DrinkerFrans Hals 1628-30Oil on canvas, 81 x 66,5 cmRijksmuseum, Amsterdam
Sadness: Echo of a ScreamDavid Alfaro Siqueiros, 1937Enamel on wood; 48 x 36 in.Museum of Modern Art, New York Death in the Sickroom 1895 Edvard Munch Oil on canvas 59 x 66 in. Nasjonalgalleriet at Oslo.
Fear: Francisco de Goya The Third of May, 1808: The Execution of the Defenders of Madrid 1814 Oil on canvas 266 x 345 cm Museo del Prado, Madrid, Spain "Death and the Mother “ Käthe Kollwitz Lithograph 1934/35
Fear, continued: The Scream (originally titled, Despair) Edvuard Munch (1863-1944) Norwegian oil, pastel, casein on cardboard National Gallery; Olso, Norway, 1893. Judith Beheading Holofernes1611-12Oil on canvas, 158,8 x 125,5 cmMuseo Nazionale di Capodimonte, Naples
Ecstasy: "Jupiter and IO" (1530) Correggio Kunsthistorisches Museum, Vienna Gianlorenzo Bernini's "Ecstasy of St. Teresa" (1647-52), Santa Maria della Vittoria, Rome Marble 11' 6" high.
Ecstasy, continued: Danaë1527Oil tempera on wood, 113,5 x 95 cmAlte Pinakothek, Munich Slave (dying)c. 1513Marble, height 229 cmMusée du Louvre, Paris
Artists used the exploration of expression through form, color and line. The following slides are examples of exploring expression. Los artistas utilizaron la exploración de la expresión por forma, el color y la línea. Los resbaladeros siguientes son los ejemplos de explorar la expresión.
Jackson PollockNumber 4, 1950Oil, enamel, and aluminum paint on canvasCarnegie Museum of Art, Pittsburgh ROTHKO,MarkOrange and Yellow1956Oil on canvas91 x 71 in. (231 x 180.3 cm)Albright-Knox Art Gallery, Buffalo, New York
Artist:Jasper JohnsArtist's Lifespan: 1930-Title: Target with Plaster CastsDate:1955Location of Origin: United StatesMedium:Mixed mediaOriginal Size: 51 x 44 inLocation: Leo Castelli Gallery, New York Franz Kline New York, NY 1953 Oil on canvas 79 x 51 inches Albright-Knox Art Gallery, Buffalo
Paul Klee. Cosmic Composition 1919 Oil on pasteboard 48 x 41 cm Kunstsammlung Nordrhein-Westfalen Düsseldorf, Germany Diebenkorn, RichardOcean Park No. 541972Oil on canvas100 x 81 in
Artists can also arrive at consistency through their use of technique/images Los artistas pueden llegar también en la consistencia por su uso de técnica/imágenes
Piet Mondrian. (Dutch, 1872-1944) Broadway Boogie Woogie 1942-43 Oil on canvas 50 x 50" (127 x 127 cm) Composition with Gray and Light Brown1918 (170 Kb); Oil on canvas 80.2 x 49.9 cm (31 9/16 x 19 5/8 in) Museum of Fine Arts, Houston, Texas
Into the World There Came a Soul Called Ida1929-30 Oil on canvas; 55 x 46 in.The Art Institute of Chicago gift of Ivan Albright 1977 Picture of Dorian Gray 1943 - 1944Oil on canvas215.9 x 106.7 cm (85 x 42 in.)
Movement in Squares 1961 Tempera on hardboard Bridget Riley Cataract 3, 1967 PVA on canvas Bridget Riley
Chuck Close Inka 2003oil on canvas, 102 x 84 inchesCourtesy PaceWildenstein
CINDY SHERMANUntitled Film Still #14, 1978Gelatin silver print40 x 30 inches (101.6 x 76.2 cm)Ed. of 3 Untitled #50 1979from the series Untitled film stills 1977–80gelatin silver photograph16.4 x 24.0 cm (image) 30.4 x 35.4 cm (sheet)
Work Nr. 217 ELP II (Brain Salad Surgery) 1973Acrylic on paper 34x34 cm HR Giger "Li I“ 1974 HR GigerAcrylic on Paper
Richard Estes ANSONIA, 1977OLEO48x60 inchesWhitney Museum of American Art, NY Richard Estes CAFETERIAOLEO42x50 inchesEdward J. Minskoff
Marilyn - 1977Oil over acrylic on canvas96 x 96 in (243.8 x 243.8 cm)University of Arizona Museum of ArtTucson, Arizona Audrey FlackWheel Of Fortune (Vanitas)1977-1978Louis K. Meisel Gallery
JWM Turner Snow Storm: Steam-Boat off a Harbour's Mouthc. 1842Oil on canvas, 91 x 122 cmTate Gallery, London JWM Turner The Morning after the Delugec. 1843Oil on canvas, 78,5 x 78,5 cmTate Gallery, London
Klimt, GustavHygeiaDetail from "Medicine"1907Oil on canvas 430 x 300 cm
Kara Walker Jockey 1995cut paper mounted on canvas, 10 x 10 inchesCourtesy Brent Sikkema, New York Kara Walker Gone, An Historical of a Civil War as it Occurred Between the Dusky Thighs of One Young Negress and Her Heart 1994 Cut paper and adhesive on wall 13 x 50 feet Collection of Yvonne Force, Inc
The Two Fridas 1939 Frida Kahlo Museo de Arte Moderno, Mexico City. The Broken Column, 1944 Frida KahloOil on canvas400 x 305 mmMuseo Dolores Olmedo Patino Mexico (Mexico City, Mexico)
Belshazzar's Feast1635Oil on canvas, 168 x 209 cmNational Gallery, London Rembrandt Self-Portrait1661 Oil on canvas 114 x 94 cm English Heritage, Kenwood House, London
Faith Ringgold,Tar Beach II, 1990-92. Wedding Lover's Quilt, 1986
patti smith, 1986 photo © by robert mapplethorpe Robert Mapplethorpe Self-Portrait, 1988. Platinum print, Sheet 26 1/2 x 22 inches Solomon R. Guggenheim Museum
Artists also use/used their medium to convey messages or a response to the times in which they live/lived. Looking at the slides, can you tell what the Artist is/was trying to convey? Los artistas también utiliza/utilizó que su medio para transmitir los mensajes o una respuesta a los tiempos en los que ellos vive/vivido. ¿Mirando los resbaladeros, puede decir usted lo que el yo/was de Artista que trata de transmitir?
Kara Walker with some of her "Burn" (1998), left, and an untitled 1996 silhouette.
Kara WalkerEndless Conundrum, An African Anonymous Adventuress, 2001 paperoverall installed 180 x 420 inches
Lange, Dorothea, photographer "Migrant Mother" (Other title: "Destitute Pea Pickers in California. Mother of Seven Children. Age Thirty-Two. Nipomo, California") March 1936 Texas Tenant Farmer in California Marysville Migrant Camp (R.A.) September 1935
Government Bureau, 1956George Tooker (American, born 1920)Egg tempera on wood 19 5/8 x 29 5/8 in. (49.8 x 75.2 cm)The Metropolitan Museum of Art, New York George Tooker “The Subway” 1950
Hieronymus Bosch Triptych of Temptation of St Anthony1505-06Oil on panel, 131,5 x 119 cm (central), 131,5 x 53 cm (each wing)Museu Nacional de Arte Antiga, Lisbon
Hieronymus Bosch Triptych of Garden of Earthly Delightsc. 1500Oil on panel, central panel: 220 x 195 cm, wings: 220 x 97 cmMuseo del Prado, Madrid
The Making of a Fresco Showing the Building of a City ("Making a Fresco") 1931 Mexican artist Diego Rivera (1886-1957).