1 / 15

Early cinema 1890s - 1913

Early cinema 1890s - 1913. 1890s Edison’s Kinetoscope 1895-1905 Lumières Late 1890s Méliès makes first films 1902 - Melies’s Trip to the Moon 1904 -1912 experiments with narrative By about 1913 - narrative system established. Some popular types of early films. Actualities, Travel logs

jennieb
Download Presentation

Early cinema 1890s - 1913

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Early cinema1890s - 1913 1890s Edison’s Kinetoscope 1895-1905 Lumières Late 1890s Méliès makes first films 1902 - Melies’s Trip to the Moon 1904 -1912 experiments with narrative By about 1913 - narrative system established

  2. Some popular types of early films Actualities, Travel logs Stories based upon current events Blue Movies & Pornography for Peep shows Trick films Gag or physical humor films

  3. Méliès • - Interested in appearance and disappearance • - The ability of cinema to make things visible/invisible • - Used camera like a magic trick • Films play with presence and absence • Also, thematize technology and machine-produce images

  4. Méliès - Subversion of natural order of things, materiality, • Upsets hierarchies of nature, physics, gender, class • Irreverent stance towards science • Mocks/quotes travel logs, actualities

  5. Méliès vs the Lumières The magician The documenters Fantasy/ Sci-Fi Realism Mise-en-scene Photographic base Trickery Recording life special fx Creative Purely manipulation observational -deforming the real -respect for the real

  6. The Shot

  7. Diegesis=the total world of the film’s story

  8. Diegeticvs. Non-Diegetic

  9. On-Screen SpaceandOff-Screen Space

  10. Méliès vs.The Lumière Bros.

  11. AUTARKY or UNICITYof the frame

  12. Non-Centered Quality of the Image

  13. Camera Distance(almost always a medium-long shot)

  14. Non-closureand a Fundamental Non-linearity

  15. FRONTALITY

More Related