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Det klassiske Hollywood

STORYTELLING IN THE NEW HOLLYWOOD Kristin Thompson 1999 1. Det klassiske og The New Hollywood 2. Syd Fields paradigme 3. Kristin Thompsons modell. Det klassiske Hollywood. En standardisert fortellerform – ”Usynlig filmstil” etablert før 1918 (”Progression, Clarity and Unity”)

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Det klassiske Hollywood

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  1. STORYTELLING IN THE NEW HOLLYWOODKristin Thompson 19991. Det klassiske og The New Hollywood2. Syd Fields paradigme3. Kristin Thompsons modell

  2. Det klassiske Hollywood • En standardisert fortellerform – ”Usynlig filmstil”etablert før 1918 (”Progression, Clarity and Unity”) • Filmstilen bygger opp en underholdende, klar og lett forståelig filmfortelling • Sammenhengende kjede årsak/virkning • Plotlines / subplot • Konsistente (helstøpte) karakterer • Karakterers motivasjon/mål driver handlingen • Kontinuitetsklipp, shot/reverse shot • Sjangerkonvensjoner

  3. The New Hollywood: • Paramount case (48) – Nye distribusjonsformer • Økonomisk krise i Hollywood sent 60-/tidlig 70tall • ”Youthquake”: Easy Riders uventede suksess • ”Movie brats” – filmskolebakgrunn, auteurteori Det nye Hollywood – nye fortellinger? • New Realism • High Concept

  4. The New Hollywood Thompson: To nye aspekter: • ”Auteur” – Regissørfokus • ”Juvenilization” – Ungdommelige temaer Men: • Den klassiske fortellermåten ikke dramatisk endret • Penga styrer fortsatt i Hollywood

  5. Syd Fields paradigme • Manusveiledning: ”Screenplay”, 1979 • Treaktstruktur: Begynnelse, midte og slutt • Akt 1: Begynnelse / Setup • Akt 2: Konfrontasjon • Akt 3: Løsning / Resolution • Plot points • Mid point • ¼ + ½ + ¼

  6. Kristin Thompson • Næranalyse 10 filmer • Fields Akt 2 problematisk • Egen struktur: Like store akter (”Balanced Large Scale Portions”) • Setup / Complicating action / Development / Climax • Antall akter kan variere / tilpasses.

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