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Discover the diverse ideologies shaping art and design, from Classical influences in Neo-Classicism to Chinese Sung paintings and Islamic architectural marvels like the Selimiye Mosque. Explore cultural perspectives on aesthetics through historical masterpieces worldwide.
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I D E O L O G Y1 : CLASSICAL, CHINESE and ISLAMIC IDEOLOGIES
I D E O L O G Y ideas that are operational in a certain culture about what art or design “should be”
C L A S S I C ISM an ideology, begun during the Renaissance, that took Greek and Roman civilization as a standard.
Andrea Palladio,“Elevation of the Pantheon,” from the Quattro Libri d’Architettura, 1570
Andrea Palladio, “Villa Rotunda,” near Venice,ITALY, 1550-1606
“Neo-Classicism” Thomas Jefferson, “Monticello,”Virginia, USA, 1768-1809 Thomas Jefferson, “University of Virginia Library”, USA, 1817-25
US Army seal, designed 1775 Antique bust of Attis wearing a Phrygian cap Phrygian cap, worn by French revolutionary, end 18th. century
William J. Smith, “İTÜ Faculty of Architecture (Taşkışla),” 1846-52 Alexandre Vallaury,“Istanbul Archaeological Museum,” 1891
110, Ephesus 1550, ITALY 1825, USA 1891, Istanbul
sculptures from Chartres Cathedral (1194-1260)
Donatello, “David,” 1440s Michelangelo, “Bacchus” 1497
“Neo-Classicism” Antonio Canova, “Paolina Borghese,” 1804
1804 480 BC 1497
“Neo-Classicism” Jacques Louis David, “Madame Récamier,” 1800
Senate Appropriations Committee Room Washington DC Constantino Brumidi in the 1850s
Northern Sung Dynasty (960-1127) “The Emperor Ming Huang’s Journey to Shu” (11th century copy of Tang Dynasty painting from the 8th century)
Liang Kai, “Li Po Chanting a Poem,” 13th century Liang Kai,“Immortal in Splashed Ink,” 13th century Wenjen Hua (“Literati Painting”)
Chen Chun, “Crab,”from The Album of Flowers and Birds, 14th century
Arabesque: repetitive use of geometrical and floral designs to symbolize the transcendent, invisible and infinite nature of “Allah”