What I want to cover: Detailed analysis of key scenes – cinematic technique/theme.

1. Explore some of the ways in which you have gained fresh insights into your chosen film as a result of applying one or more specific critical approaches.

2. Explore some of the ways in which you have gained fresh insights into your chosen film as a result of applying one or more specific critical approaches. What I want to cover: • Detailed analysis of key scenes – cinematic technique/theme. • Critical theory: feminist, psychoanalysis & auteur • I could pick one, two or all three of these for this question

3. Explore some of the ways in which you have gained fresh insights into your chosen film as a result of applying one or more specific critical approaches. What key scenes can I cover? Some of many examples: • Scottie and Midge discuss the accident • Scottie first sees Madeleine • Scottie follows Madeleine from her home to the hotel • Scottie’s dream • Judy’s flashback • ‘Madeleine’s resurrection and the 360⁰ kiss

4. Explore some of the ways in which you have gained fresh insights into your chosen film as a result of applying one or more specific critical approaches. Pick two or three key sequences Link appropriate critical approaches to each Theme is important but you’ll also gain marks by linking critical approach to micro features

5. Key Scene

6. Colour coding The gaze – perception/seeing/scopophilia/etc Active camera

7. Positioning of character ‘To-be-looked-at-ness’ Spectator/camera relationship

8. Presentation of ideal/fantasy • Artificiality • Mirrors/frames

9. Performance • Controlling the gaze • Masochism

10. Profile shot – repetition, etc

11. Guilt • Deception • Misconception • Silent form of cinema

12. More artificiality • ‘Bait’ • Colour coding • Mirrors

13. Scottie first sees Madeleine Feminist film criticism: Laura Mulvey – Madeleine is coded with ‘to be looked at-ness’ the framing, costume, setting, cinematography, performance, etc Tania Modleski – the artificiality of the construction of Madeleine, links to Scottie’s need to reconstruct his own identity, etc

14. Scottie first sees Madeleine Psychoanalytic film criticism: • Donald Spoto - sequence shows Scottie experiencing misogyny, voyeuristic tendencies, guilt, anxiety, etc. This reflects Hitchcock’s own psychological profile • J. L. Baudry – Hitchcock is manipulating the audience, steering a dream: "film offers an artificial psychosis without offering the dreamer the possibility of exercising any kind of immediate control.“ • JaquesLacan – Mirrors and mis-recognition of a self-image

15. Scottie first sees Madeleine Auteur theory: Truffaut, Sarris, etc: focus on the act of looking, close consideration of mise-en-scene, cinematography, music, etc as typical of the Hitchcock style (‘pure cinema’)

16. Explore some of the ways in which you have gained fresh insights into your chosen film as a result of applying one or more specific critical approaches. Now choose another scene Examples: • Scottie and Midge discuss the accident • Scottie follows Madeleine from her home to the hotel • Scottie’s dream • Judy’s flashback • The 360⁰ kiss