1 / 25

THE SHIFTING OF MATERIALS

THE SHIFTING OF MATERIALS. Fung Pui Lin , Ula. Robert Rauschenberg. 蔡國強 Cai Guo-Qiang. 20 th century. 20 th -21 st century. Robert Rauschenberg. 蔡國強 Cai Guo-Qiang. Robert Rauschenberg ( 1925 – 2008). Combine Painting. Combines. The concepts of “Combines”.

kalona
Download Presentation

THE SHIFTING OF MATERIALS

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. THE SHIFTING OF MATERIALS Fung Pui Lin , Ula

  2. Robert Rauschenberg 蔡國強 CaiGuo-Qiang 20th century 20th -21stcentury

  3. Robert Rauschenberg 蔡國強 CaiGuo-Qiang

  4. Robert Rauschenberg ( 1925 – 2008)

  5. Combine Painting

  6. Combines

  7. The concepts of “Combines” • Life / Art • Low Art / High Art • Rubbish / Treasure • Conceptual / formalistic • Realistic / Spiritual • Daily life / metaphysics

  8. Found objects: • Ready made /Life / • Real Object • boards • bricks • chair • ladders • tires • traffic signs • stuffed animals • cloth • metal • Leather • electric fixture • cable • clock • bed • Radio …etc. • Found Images : • Classical Painting • Newspaper • Signs • poster • graph paper • cardboard • Technique : • Paint • Screen-print • lithograph • Pad Printing • Graphite • Combined art Forms: • 2D / 3D • Painting / Pad Printing / Sculpture / Collage • Life / Art • Materialism / Expressionism

  9. “Painting related to both art and life. Neither can be made. (I try to act in that gap between the two.)” Robert Rauschenberg

  10. Combined Visual art with Sounds. • Interactive with audience. Broadcast, 1959.

  11. Against Abstract Expressionism?

  12. Released from Abstract Expressionism • And open the alternative way of art. • Remain the art language which from • modern art / abstract expressionism. • Combined with ready made object / • Machines. • Fans are represented to cool down • The emotion of painting (against action • painting) Pantomime (1961).

  13. Erased de Kooning Drawing, 1953. http://www.youtube.com/watch?v=tpCWh3IFtDQ

  14. 蔡國強 CaiGuo-Qiang (1963 – Now)

  15. Gunpowder

  16. 中國四大發明 The Four Great Inventions: Compass指南針 Gunpowder火藥 Papermaking 造紙術 Printing活字印刷術

  17. 有蘑菇雲的世紀: 為二十世紀作的計劃 The Century With Mushroom Clouds: Project For The 20th Century Realized at Various Sites in the UNITED STATES. Black Rainbow: Explosion Project For Valencia (2005)

  18. 移動彩虹Transient Rainbow (2002)

  19. The universal symbol of flag burning to symbolize • the end of communist control over Eastern Europe. • A location loaded with political significance. It was the assassination site in 1922 of the • president of Poland, Gabriel Narutowicz, and served as an assembly point for numerous • protests against the communist regime in the 1980s. 紅旗 Warsaw (2005) Realized at Zacheta National Gallery of Art WARSAW

  20. Combination of Nature and culture, • Tradition and the avant-garde. • In Asia, public bathing • has remained an integral aspect of • communal and social Interaction. • Cai evoked the Traditional Chinese • culture by incorporating Chinese • medicine and FengShui 文化大混浴: 為二十世紀作的計劃 Cultural Melting Bath: Project For The 20th Century (1997)

  21. Based on the twelfth-century • folktale of Wu Song, a celebrated hero who once saved a village by vanquishing a man-eating tiger. • Reinterprets the folktale as a tragedy for tigers, instead of as the celebration of a heroic feat. • Using ferocious animals as emblems of human nature, alternately alluding to violence, self-preservation, heroism, and bravery. 不合時宜: 舞台二 Inopportune: Stage Two (2004)

  22. The wall – represented the • Berlin Wall. • Human fallibility of following • any collective ideology too • blindly and humankind’s fate to • repeat mistakes unthinkingly. • Involved in perceptions of • beauty and violence. 撞墙 Head On (2006) Deutsche Guggenhiem, Berlin.

  23. It’s time to Shift Now! -THANK YOU-

More Related