1 / 19

Anatomy of the vocal mechanism

Anatomy of the vocal mechanism. Phonation. Myoelastic aerodynamic theory of phonation. Fundamental frequency Harmonics. Phonation. Production of sound in larynx. Anytime you use voicing to produce a sound (e.g., vowels and voiced consonants) phonation will take place.

karl
Download Presentation

Anatomy of the vocal mechanism

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Anatomy of the vocal mechanism Speech Production

  2. Speech Production

  3. Speech Production

  4. Phonation • Myoelastic aerodynamic theory of phonation. • Fundamental frequency • Harmonics Speech Production

  5. Phonation • Production of sound in larynx. • Anytime you use voicing to produce a sound (e.g., vowels and voiced consonants) phonation will take place. • Myoelastic aerodynamic theory of phonation (see next slide) Speech Production

  6. Myoelastic Aerodynamic Theory of Phonation • Two stage process • Stage one: Myoelastic phase. Elasticity of vocal folds helps them close. • Stage two: Aerodynamic phase • Sub-glottal pressure forces vocal folds apart • Bernoulli Effect helps vocal folds close Speech Production

  7. Bernoulli Effect • As air velocity increases, air pressure decreases. Speech Production

  8. Myoelastic Aerodynamic Theory of Phonation (continued) • Another way of stating the MA theory is to see how vocal folds open and close. • Opened due to… • Increase in subglottal pressure • Closed due to… • Vocal fold elasticity • Bernoulli effect Speech Production

  9. Fundamental Frequency • Refers to the fundamental frequency to which the vocal folds vibrate at. • Variables that affect fundamental frequency (fo) • Gender and age • Males 120 Hz • Females 220 Hz • Children 270-300 Hz • Mass (relaxing and tensing of vocal folds) • Intensity (Bernoulli effect) Speech Production

  10. Harmonics • Discussed during acoustics section. • Remember… • During phonation you will fo along with a series of harmonics • Spacing between harmonics will equal the fo. Speech Production

  11. Harmonics Speech Production

  12. Jitter and Shimmer • Jitter • Variations in the Fo, aka frequency perturbation • Periods between individual cycles vary slightly (e.g., 200, 201, 199 Hz, etc.) • Shimmer • Variations in Intensity, aka amplitude perturbation Speech Production

  13. Jitter and Shimmer continued • Causes of jitter and shimmer • Neurological • Biomechanical • Aerodynamic • Acoustic (hearing loss) • Normal values • Jitter (0.2 to 1%) of frequency • Shimmer (< 0.5 dB) Speech Production

  14. Jitter and Shimmer continued • Clinical Applications • Vocal aging • Increased for children and elderly • Neurological pathology • Parkinson’s Disease • Amyotrophic Lateral Sclerosis • Laryngeal Cancer • Increased vocal fold mass (e.g., nodule, polyp, etc.) • Stuttering in young children (shimmer) Speech Production

  15. Vocal Registers • Pulse • Modal • Midvoice • Falsetto Speech Production

  16. Pulse • Vocal frequency is 30 to 80 Hz in males and 90 to 165 Hz in females. • VFs are closed about 90% or time and open 10%. • Perceived as burst of acoustic energy but with silence gaps. • Normal at end of phrases and sentences. • Clinical problem if used habitually. Speech Production

  17. Modal and Midvoice • Modal • About 100 to 150 Hz in males • About 175 to 300 Hz in females • Perceived as normal speech • Midvoice • About 200 to 300 Hz in males • About 350 to 600 Hz in females • Often used in singing situation Speech Production

  18. Falsetto • Vocal frequency of about 350 to 500 Hz in males. • About 650 to 1000 Hz in females. • Vocal folds may not meet in middle because of abnormal tension and may be breathy • “Reedy sound” due to widely spaced harmonics. • Falsetto’s are not a part of normal speech. Speech Production

  19. Summary Speech Production

More Related