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III. Reaction to The Great War

Seminar in Art History: Twentieth Century Art. III. Reaction to The Great War. 1910-1919. Futurism. Tommaso Marinetti, Giacomo Balla, Umberto Boccioni, Antonio Sant’Elia Italy, Russia: 1909-1944 Political as well as artistic movement

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III. Reaction to The Great War

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  1. Seminar in Art History: Twentieth Century Art III. Reaction to The Great War 1910-1919

  2. Futurism • Tommaso Marinetti, Giacomo Balla, Umberto Boccioni, Antonio Sant’Elia • Italy, Russia: 1909-1944 • Political as well as artistic movement • Rejected past tradition in favor of moving forward to create a new era • Focus on visual movement

  3. Giacomo Balla, Dynamism of a Dog on a Leash, Italy, 1912

  4. Umberto Boccioni, Unique Forms of Continuity in Space, Italy, 1913

  5. Gianlorenzo Bernini, David, Italy, 1623

  6. Antonio Sant’Elia, Plan for Nuovo Citta, Italy, 191

  7. Dada • Marcel Duchamp, Tristan Tzara, Hugo Ball, Jean Arp, Hannah Hoch, Man Ray • Switzerland, France, Germany; 1915-1918 • “Dada is everything, Dada is nothing” • Attempt to fight absurdity in society with absurdity; Rejection of war and academic tradition of art • Attempts to pull Modernism out of its 19th century roots • Earliest union of performance and visual arts

  8. Marcel Duchamp, Nude Descending a Staircase, France, 1912

  9. Marcel Duchamp, Fountain, Dada, France, 1917

  10. Marcel Duchamp, Bicycle Wheel, American, 1913

  11. Marcel Duchamp, Rrose Selavy, 1920

  12. Marcel Duchamp, The Bride Stripped Bare by her Bachelors, Even, (the Large Glass), Dada, France, 1915-23

  13. Marcel Duchamp, L.H.O.O.Q.,

  14. Hannah Hoch, Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch of Germany, 1919

  15. Expressionism: Der Blaue Reiter • Wassily Kandinsky, Franz Marc, Gabrielle Munter, Paul Klee • Expressionism: Germany, 1908-1930s • Der Blaue Reiter (The Blue Rider) 1912-1914 • Characterized by organic non-objectivity, and pure abstraction of form • Attempt to reveal a spirituality in art, rather than a descriptive narrative • Group organized as a collective of working artists and published periodicals and almanacs

  16. Der Blaue Reiter Almanac, Germany,1913

  17. Wassily Kandinsky, Composition IV, Germany, 1911

  18. Franz Marc, The Large Blue Horses, Germany, 1911

  19. Kasimir Malevich Russia; 1915 Simpified compositions, geometric shapes and bold primary color and non-colors Believed in the end of art as a representation of nature Vladimir Tatlin Russia; 1913 Sympathetic to new Bolshevik ruling party Influence from Cubism and Futurism Rejected illusionistic devices Felt art should be available to all classes Suprematism and Constructivism

  20. Kasimir Malevich, Aeroplane Flying, Russia, 1915

  21. Kasimir Malevich, White on White, Russia, 1919

  22. Vladimir Tatlin, Monument to the Third International, Russia, 1920

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