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d rawing from w hat you know vs w hat you see

d rawing from w hat you know vs w hat you see. to draw… to extract …. to know… an understanding of, a knowledge of… it’s a mentally formed image of something, an idea formed in the mind, a conceptual struggle….

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d rawing from w hat you know vs w hat you see

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  1. drawingfromwhat you knowvswhat you see

  2. to draw…to extract …

  3. to know…an understanding of, a knowledge of… it’s a mentally formed image of something, an idea formed in the mind,a conceptual struggle…

  4. to see…is a visual effort, optically received by the eyes, it’s more concrete

  5. To know - a conceptual level To see - a visual level

  6. Why does this matter?

  7. Because you are the visual maker

  8. So we know, what’s there to see then?

  9. Contextualising

  10. In the context of the Art & Design, there is EPADE – Elements &P – PrinciplesA – Art &D – Design

  11. LinesShapesTonesColoursTexturesSpace

  12. All things around us, other than knowingwhat they are (as ideas), can also be experienced using these visual elements –at the visual level

  13. To experience them with our knowledge is an instinctive human behavior but learning to see is an acquired skill set

  14. Drawing from what you see and not what you know…is less comfortable

  15. How does this matter?

  16. You as the MAKERThe what, when, where, why, who and howof these elements and the arrange of themYou as the AUDIENCE

  17. Your experiences seeing things at visual level not only enable you to make visuals with discerning eyes, it makes appreciation / interpretation of things around more meaningful

  18. Questions???

  19. Is seeing discussed here the same as what Berger has covered in ‘Ways of Seeing’?

  20. What about sounds that you hear, can they be discussed at different levels?

  21. Your experience of the (art)world, is it a more conceptual or a visual one?

  22. Is one predominantly more important than the other?

  23. To see something as art requires something the eye cannot descry –an atmosphere of artistic theory, a knowledge of history of art: an artworldArthur Danto

  24. KeywordsAssumption, Contexts, cognition, perception,aesthetic, process/outcome, World of Forms, Plato's Allegory of the Cave, Dialogues of Plato, forms/forma, ideas, Arthur Danto

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